Ann Bannon - Women In The Shadow

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The classic 1950s love story from the Queen of Lesbian Pulp Fiction, and author of Odd Girl Out, I Am a Woman, Women in the Shadows, Journey to a Woman and Beebo BrinkerA guarded look across the room was all she dared—and this was Greenwich Village where almost anything goes…Following on from classic novels Odd Girl Out and I am a Woman, Women in the Shadows picks up with Beebo’s relationship with Laura, as both women become caught in the cultural tumult (gay bar raids, heavy drinking, gay rights advocacy) that anticipates by ten years the Stonewall Rebellion of 1969. New introduction explains the book’s evolution, including the role Bannon’s divorce played in shaping the lesbian protagonist’s outrage.New Introduction by Ann Bannon“Originally published in 1959, Women in the Shadows broke from the formula of 1950s lesbian pulp fiction. The women in this novel were tied to convention, but they were still ahead of their time. In its proper historical context, Women in the Shadows is a masterpiece” Hélène CixousPraise for Ann Bannon“Bannon’s books grab you and don’t let go” Village Voice“When I was young, Bannon’s books let me imagine myself into her New York City neighborhoods of short-haired, dark-eyed butch women and stubborn, tight-lipped secretaries with hearts ready to be broken. Her books come close to the kind of books that had made me feel fatalistic and damned in my youth, but somehow she just managed to sustain a sense of hope. And of course, there was her romantic portrait of the kind of butch woman I idealized. I would have dated Beebo, no question” Dorothy Allison“Called trash by the literary world and pornography by the commercial world, Ann Bannon’s books were hidden away on drugstore pulp racks. To pick out the book, carry it to the counter and face the other shoppers and the cashier was tantamount to coming out. But all across the country, lesbians were doing it” Joan Nestle“Little did Bannon know that her stories would become legends, inspiring countless fledgling dykes to flock to the Village, dog-eared copies of her books in hand, to find their own Beebos and Lauras and others who shared the love they dared not name” San Francisco Bay Guardian“Ann Bannon is a pioneer of dyke drama” On Our Backs“Shameless tales of wanton dyke lust are finally unveiled!” Out magazine

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The little card read, Tris Robischon and underneath, Dance Studio and an address in the Village. “I just didn’t want you to think I was lying,” the girl said, somewhat haughtily. And before Laura or Beebo could answer her she turned and left them standing, staring after her.

Beebo turned to frown at Laura. “You made a hit, it seems,” she said acidly. “Let’s see her card.” She snatched it from Laura’s reluctant fingers.

“Take it. I don’t want it!” Laura said angrily, for she did want it very much. She turned away sharply, giving her attention to a row of dresses, but she knew Beebo wouldn’t let her off the hook so easily. There would be more nastiness and soon.

“You got her name out of her, at least. Pretty smooth.” Beebo’s voice was hard and hurt. “Tris Robischon. Doesn’t sound very Indian to me.”

“How would you know, swami?” Laura snapped. “If you throw a jealous scene in here I’ll leave you tonight and I’ll never come back, I’m warning you!” she added in a furious hiss, and Beebo glared at her. But she didn’t answer.

Finally Laura dragged some dresses off the rack and turned to her. “I’ll try these,” she said. Beebo followed her to the dressing room and watched her change into one and then another in angry silence.

At last Laura burst out, “I didn’t ask her for the damn card. I don’t know why she gave it to me.”

“It’s obvious. You’re irresistible.”

Laura took two handfuls of Beebo’s hair and shook her head till Beebo stopped her roughly and forced her to her knees. Fury paralyzed them both for a moment and they stared at each other helplessly, trembling.

Laura wanted that card. She wanted it enough to soften suddenly and play games for it. “Beebo, be gentle with me,” she pleaded, her tense body relaxing. “Don’t hurt me,” she whispered. “I don’t know who the girl is and I don’t care.”

Beebo stared at her suspiciously till Laura reminded her, “We came to get a dress, remember? Let’s not spoil it. Please, Beebo.”

Beebo released her and sat staring at the floor. Laura tried on dresses for her, but Beebo wouldn’t look at them. No tender words, no coaxing, no teasing that would have been so welcome any other time worked with her tonight. When Beebo got jealous she was a bitch—irrational, unreasonable, unkind.

“I’m going to take this one,” Laura said finally, a little desperate. “Whether you like it or not.”

Beebo looked up slowly. “I like it,” she said flatly, but she would have said, “I hate it,” in the same voice.

Laura went over to her and took her face in both hands, stooped down, and kissed her petulant mouth. “Beebo,” she murmured. “You love me. Act like it.” It was so foolishly selfish, so unexpected, and so almost affectionate that it was funny, and Beebo smiled wryly at her. She took Laura’s shoulders and pulled her down for another kiss just as a clerk—a genuine clerk—stuck her face in and said, “Need any help in here?”

“No thanks!” Laura blurted, looking up in alarm. Beebo put her head back and laughed and the clerk stared, pop-eyed. Then she shut the door and sped away. Beebo stood up and swept Laura into her arms and kissed her over and over, all over her face and shoulders and ears and throat until Laura had to beg her to stop. “Let’s get out of here before that clerk makes trouble!” she implored.

When they left the dressing room Laura noticed that Beebo had put Tris Robischon’s card in the sand pail for cigarettes. It stuck out like a little white flag. Laura risked her purse—with $15.87, all they had for the next week—to get the card back. She left the purse on the chair as she followed Beebo out. And so it was that she was able to make an excuse to go back and retrieve them both, purse and card, while Beebo paid for the dress.

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