Lemony Snicket - Shouldn't You Be in School?

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Before he wrote 'A Series of Unfortunate Events', before the Baudelaires became orphans, even before the invention of Netflix, Lemony Snicket asked all the wrong questions. Four to be exact. This is the account of the third question.Young apprentice Lemony Snicket is investigating a case of arson but soon finds himself enveloped in the ever-increasing mystery that haunts the town of Stain’d-by-the-Sea.Who is setting the fires? What secrets are hidden in the Department of Education? Why are so many schoolchildren in danger? Is it all the work of the notorious villain Hangfire? How could you even ask that? What kind of education have you had?In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent. You’ll laugh only if you find humour in gothic and mysterious things involving detectives and crime solving.Lemony’s other literary outings in ‘A Series of Unfortunate Events’ have sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series starring Neil Patrick Harris. These regrettable developments mean that millions of fans have found out about the dreadful plight of the Baudelaire orphans, but you do not have to. You have been warned.Have you read all four mysterious titles in the Wrong Questions series? ‘Who Could That Be at the This Hour?’‘When Did You Last See Her?’‘Shouldn’t You Be in School?’‘Why is This Night Different from All Other Nights?’Author Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. He is a broken man, wracked with misery and despair as a result of writing 'A Series of Unfortunate Events'. He spends his days wandering the countryside weeping and moaning and his evenings eating hastily-prepared meals.Artist Seth has portrayed suspicious circumstances and shady characters in much of his work. He is a multi-award-winning cartoonist, author and artist, whose works include Palookaville and Clyde Fans.Praise forWho Could That Be at This Hour?:‘Charming, clever and enormously enjoyable’ Guardian‘Wonderfully eccentric and addictive … Just beautiful writing’ Observer‘Better than ever’ Independent‘A dazzlingly clever, funny and literary concoction’ Irish Times

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With a flick of her wrist, like a magician at a birthday party, she turned the photograph over and I took a look. It was not a good, long look because there was nothing much to look at. It was a photograph of a barn, or at least it had been a barn, before it burned down. Now it was a great deal of ashes and a few lonely sticks of burned wood. The remains of a fire are not a nice thing to look at, but they are not a great danger to schoolchildren. I looked at the photograph and then I looked around the room I was in. There was no sign of the fishing industry. There was none of the necessary equipment described in Caviar: Salty Jewel of the Tasty Sea . Still, there was something fishy about the whole place. You might as well play along, I said to myself. Hangfire might be involved, and you might find Ellington Feint again and be able to keep your promise, and in any case Theodora is in charge, so you don’t have much choice, do you, Snicket? No, Snicket, I don’t. I looked at the photograph again, and then I looked at Sharon and thanked her for answering my question. We all stood up and said the usual things and Sharon led Theodora and me out of the Department of Education. I let the adults go out ahead of me and then stepped quickly back to Kellar’s desk.

“You know that restaurant Hungry’s?” I said. “You can find me there, when I’m not at the library or the Lost Arms.”

Kellar looked up at me and spoke very, very carefully, as if he were walking through shattered glass. “I’ll look up the address,” he said, “just like you’ll look up Harold Limetta.”

“Your mother already told us Harold Limetta’s address,” I said, and then Sharon walked back in. Kellar went back to his typing and I went out. Theodora was already in the roadster, pushing her head into her helmet. I stood on the sidewalk for a moment, wondering about both of the people I had met inside. It was hard to figure them out, but that is true of almost everything when it is very hot outside.

“That went very well, Snicket,” Theodora said. “I’m glad Sharon gave me her phone number. I’m going to call her this evening and give her a full report.”

“I think it’s nice you’re making friends your own age,” I said.

Her smile faded and she started the motor. “You should have listened to what she said, Snicket. She said our progress is being evaluated.”

“You’re the one who said that.”

“Well, Sharon agreed with me, and it’s true. If you were a better apprentice, you’d remember I told you that someone from our organization was keeping an eye on us.”

I remembered. Theodora was quite nervous about this person, whoever it was. I didn’t think it was likely that it was Sharon Haines of the Department of Education. I had my own ideas. “I did listen to what she said,” I said. “She thinks all of Stain’d-by-the-Sea’s schoolchildren are in danger because someone burned down a sheep barn. That doesn’t make much sense to me.”

“Well, I’m sure Harold Limetta will be able to tell us more.”

I looked down the empty block. The man who had asked for matches was long gone, of course. The dented trash can sulked on the corner. “Why would the Department of Education know about a witness to a fire?”

“It wasn’t just a fire, Snicket. It was arson. Any apprentice of S. Theodora Markson should know what that means.”

“What does the S stand for?”

She opened the passenger door. “Slide in, Snicket.”

I slid in and squinted out the window of the roadster. The sun told me that it was about noon. It also told me that it was going to continue to beat down on Stain’d-by-the-Sea and make it blazing hot and that there was no point in arguing with it, because it was the sun and I was a boy of about thirteen. The sun was right. There was no point in arguing. The roadster puttered us through Stain’d-by-the-Sea, and I didn’t say anything more to Theodora. She called herself an intrepid personage and said that was an expression which there meant an excellent investigator, and I didn’t correct her. She called me ungrateful and I didn’t disagree. I just sat in the heat and wished for an ice cream cone. Nobody brought me one. Maybe Harold Limetta has a freezer full of the stuff, I told myself. Peppermint ice cream in particular would really hit the spot.

But there was no freezer at 421 Ballpoint Avenue. I could tell that in a minute, when Theodora brought her automobile to a stop. A freezer is almost always made of metal, so when a house has been burned to the ground it usually remains there in the ashes, along with the oven, the wall safe, and any anvils lying around, each item a blackened gravestone for the home that has been destroyed. At 421 Ballpoint Avenue I could see a metal bench, which looked like it might have been by the front door, for taking off your boots. I could see a large set of small metal rectangles, each one about the size of a book, stacked up in several rows and surrounded by broken glass. I could see a metal picture frame, which might have held photographs of the Limetta children or grandchildren. But the rest of the house was nothing but ashes and smoke—thick gray smoke that was rising into the sky. I didn’t know if it would block the sun and make it cooler. I didn’t know whose pictures had been in the frames. I didn’t know what it meant that Harold Limetta’s house had burned down, just when we’d been sent to it. Fires were of grave importance to the organization of which I was a part. It would be a black mark on my record, I knew, to have suspicious fires occur and go unsolved and unpunished right under my eyes. Hangfire, I thought, I will find you and stop you. But I didn’t know how to find him. I didn’t know how to stop him. I didn’t even know for certain that this fire was his handiwork.

Ardere is the Latin, I thought. That’s what they said in ancient Rome when they were talking about fire. But that was all I knew as I stood and waited for the smoke to clear.

When the smoke cleared there was something to see in the rubble of 421 - фото 11

When the smoke cleared there was something to see in the rubble of 421 - фото 12

When the smoke cleared, there was something to see in the rubble of 421 Ballpoint Avenue, but it was the Officers Mitchum. I preferred smoke. Harvey and Mimi Mitchum were the only police officers in Stain’d-by-the-Sea, but they spent less time enforcing the law and more time bickering over just about anything that struck their fancy.

“And let me tell you ,” Harvey Mitchum was saying to his wife, “that it was Agnes who had the idea, and Harry just played along, so by the time Philip had him cornered the crime had already been committed.”

“You’re a half-wit,” Mimi Mitchum said. “Carmen is the mastermind behind the crime, and if you can’t figure that out for yourself you might as well toss your badge into the ashes.”

“Carmen’s no mastermind,” Harvey said. “She’s even more dimwitted than you are.”

“How dare you call me dimwitted?”

“How dare you call me a half-wit?”

“It’s crueler to say that wits are dim than that they’re chopped in half !”

“Mimi, you’re only proving yourself dimwitted when you say things like that.”

“If I’m so dimwitted, how did I manage to solve the crime?”

One of the first things I’d learned upon arriving in Stain’d-by-the-Sea was that the only way to get the Mitchums to stop arguing was to interrupt them. “Excuse me, Officers,” I said, and the officers turned to look at me the way they always did. It is the way you look at a squeaky door when you are trying to be quiet.

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