Elizabeth Acevedo - The Poet X – WINNER OF THE CILIP CARNEGIE MEDAL 2019

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THE WINNER OF THE 2018 NATIONAL BOOK AWARD'I fell in love at slam poetry. This one will stay with you a long time.' – Angie Thomas, bestselling author of The Hate U Give'This was the type of book where «I'll just do 50 pages» turned into finishing it in 2 reads. I felt very emotional, not just because the story and the words themselves were so beautiful but because I knew it was going to make so many teens who felt like no one cares about them or listens to them feel seen.' – Tomi Adeyemi, bestselling author of The Children of Blood and Bone“Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation“An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost“Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American StreetTHE POET X – a stunning New York Times bestseller with a powerful and unforgettable YA voice. Perfect for fans of Tomi Adeyemi's The Children of Blood and Bone, Angie Thomas's The Hate U Give and Sarah Crossan's One.Xiomara has always kept her words to herself. When it comes to standing her ground in her Harlem neighbourhood, she lets her fists and her fierceness do the talking.But X has secrets – her feelings for a boy in her bio class, and the notebook full of poems that she keeps under her bed. And a slam poetry club that will pull those secrets into the spotlight.Because in spite of a world that might not want to hear her, Xiomara refuses to stay silent.A novel about finding your voice and standing up for what you believe in, no matter how hard it is to say. Brave, bold and beautifully written – dealing with issues of race, feminism and faith – this is perfect for fans of Orangeboy, Nicola Yoon's Everything Everything and Zoella Book Club choice Moxie.'A story that will slam the power of poetry and love back into your heart.' – Laurie Halse Anderson, author of Speakand Chains'Acevedo breathes words instead of air' – Lisa Heathfield, author of award-winning Paper Butterflies‘Powerful, finely crafted verse … Readers will yearn to finish this verse novel in a single sitting, but its echoes will remain with them much longer’ GuardianELIZABETH ACEVEDO was born and raised in New York City and her poetry is infused with Dominican bolero and her beloved city’s tough grit. The Poet X is her debut novel and a National Book Award winner. With over twelve years of performance experience, Acevedo has been a featured performer on BET and Mun2, as well as delivered several TED Talks. She has performed internationally and her poetry has been featured in Cosmopolitan, The Huffington Post and Teen Vogue. Acevedo is a National Slam Champion, Beltway Grand Slam Champion, and the 2016 Women of the World Poetry Slam representative for Washington, D.C, where she lives and works.

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is that reputations last longer than the time it takes to make them.

So I walk through metal detectors, and turn my pockets out,

and greet security guards by name, and am one of hundreds

who every day are sifted like flour through the doors.

And I keep my head down, and I cause no waves.

I guess what I’m trying to say is, this place is a place,

neither safe nor unsafe, just a means, just a way to get closer

to escape.

Ms. Galiano

Is not what I expected.

Everyone talks about her

like she’s super strict

and always assigning

the toughest homework.

So I expected someone older,

a buttoned-up, floppy-haired,

suit-wearing teacher,

with glasses sliding down her nose.

Ms. Galiano is young, has on bright colors,

and wears her hair naturally curly.

She’s also little—like, for real petite—

but carries herself big, know what I mean?

Like she’s used to shouldering her way

through any assumptions made about her.

Today, I have her first-period English,

and after an hour and fifteen minutes of icebreakers,

where we learn one another’s names

(Ms. Galiano pronounces mine right on the first try),

she gives us our first assignment:

“Write about the most impactful day of your life.”

And although it’s the first week of school,

and teachers always fake the funk the first week,

I have a feeling Ms. Galiano

actually wants to know my answer.

Rough Draft of Assignment 1—Write about the most impactful day of your life.

The day my period came, in fifth grade, was just that,

the ending of a childhood sentence.

The next phrase starting in all CAPS.

No one had explained what to do.

I’d heard older girls talk about “that time of the month”

but never what someone was supposed to use.

Mami was still at work when I got home from school and went

to pee, only to see my panties smudged in blood. I pushed Twin off

the computer and Googled “Blood down there.”

Then I snuck money from where Mami hides it beneath the pans,

bought tampons that I shoved into my body

the way I’d seen Father Sean cork the sacramental wine.

It was almost summer. I was wearing shorts.

I put the tampon in wrong. It only stuck up halfway

and the blood smeared between my thighs.

When Mami came home I was crying.

I pointed at the instructions;

Mami put her hand out but didn’t take them.

Instead she backhanded me so quick she cut open my lip.

“Good girls don’t wear tampones.

Are you still a virgin? Are you having relations?”

I didn’t know how to answer her, I could only cry.

She shook her head and told me to skip church that day.

Threw away the box of tampons, saying they were for cueros.

That she would buy me pads. Said eleven was too young.

That she would pray on my behalf.

I didn’t understand what she was saying.

But I stopped crying. I licked at my split lip.

I prayed for the bleeding to stop.

Final Draft of Assignment 1 (What I Actually Turn In)

Xiomara Batista

Friday, September 7

Ms. Galiano

The Most Impactful Day of My Life, Final Draft

When I turned twelve my twin brother saved up enough lunch money to get me something fancy: a notebook for our birthday. (I got him some steel knuckles so he could defend himself, but he used them to conduct electricity for a science project instead. My brother’s a genius.)

The notebook wasn’t the regular marble kind most kids use. He bought it from the bookstore. The cover is made of leather, with a woman reaching to the sky etched on the outside, and a bunch of motivational quotes scattered like flower petals throughout the pages. My brother says I don’t talk enough so he hoped this notebook would give me a place to put my thoughts. Every now and then, I dress my thoughts in the clothing of a poem. Try to figure out if my world changes once I set down these words.

This was the first time someone gave me a place to collect my thoughts. In some ways, it seemed like he was saying that my thoughts were important. From that day forward I’ve written every single day. Sometimes it seems like writing is the only way I keep from hurting.

The Routine

Is the same every school year:

I go straight home after school

and since Mami says that I’m “la niña de la casa,”

it’s my job to help her out around the house.

So after school I eat an apple—my favorite snack—

wash dishes, and sweep.

Dust around Mami’s altar to La Virgen María

and avoid Papi’s TV if he’s home

because he hates when I clean in front of it

while he’s trying to watch las noticias or a Red Sox game.

It’s one of the few things Twin and I argue about,

how he never has to do half the cleaning shit I do

but is still better liked by Mami.

He helps me when he’s home, folds the laundry

or scrubs the tub. But he won’t get in trouble if he doesn’t.

I hear one of Mami’s famous sayings in my ear,

“Mira, muchacha, life ain’t fair,

that’s why we have to earn our entrance into heaven.”

Altar Boy

Twin is easier for Mami to understand. He likes church.

As much of a science geek as he is,

he doesn’t question the Bible the way that I do.

He’s been an altar boy since he was eight,

could quote the New Testament—in Spanish and English—

since he was ten, leads discussions at Bible study

even better than the priest. (No disrespect to Father Sean.)

He even volunteered at the Bible camp this summer

and now that school’s started he’ll miss

the Stations of the Cross dioramas his campers made

from Popsicle sticks, the stick figure drawings

of Mary in the manger, the mosaic made of marbles

that he hung in the window of our room,

the one that I threw out this afternoon while I was cleaning,

watched it fall between the fire escape grates. For a second,

it caught the sun in a hundred colors

until it smashed against the street.

I’ll apologize to Twin later. Say it was an accident.

He’ll forgive me. He’ll pretend to believe me.

Twin’s Name

For as long as I can remember

I’ve only ever called my brother “Twin.”

He actually is named after a saint,

but I’ve never liked to say his name.

It’s a nice name, or whatever,

even starts with an X like mine,

but it just doesn’t feel like the brother I know.

His real name is for Mami, teachers, Father Sean.

But Twin ? Only I can call him that,

a reminder of the pair we’ll always be.

More about Twin

Although Twin is older by almost an hour—

of course the birth got complicated when it was my turn—

he doesn’t act older. He is years softer than I will ever be.

When we were little, I would come home

with bleeding knuckles and Mami would gasp

and shake me: “¡Muchacha, siempre peleando!

Why can’t you be a lady? Or like your brother?

He never fights. This is not God’s way.”

And Twin’s eyes would meet mine

across the room. I never told her

he didn’t fight because my hands

became fists for him. My hands learned

how to bleed when other kids

tried to make him into a wound.

My brother was birthed a soft whistle:

quiet, barely stirring the air, a gentle sound.

But I was born all the hurricane he needed

to lift—and drop—those that hurt him to the ground.

Tuesday, September 11

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