Lemony Snicket - When Did You See Her Last?

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Before he wrote 'A Series of Unfortunate Events', before the Baudelaires became orphans, even before the invention of Netflix, Lemony Snicket asked all the wrong questions. Four to be exact. This is the account of the second question.In the fading town of Stain’d-by-the-Sea, young apprentice Lemony Snicket has a new case to solve when he and his chaperone are hired to find a missing girl.Is the girl a runaway? Or was she kidnapped? Was she seen last at the grocery store? Or could she have stopped at the diner? Is it really any of your business?In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent. You’ll laugh only if you find humour in gothic and mysterious things involving detectives and crime solving.Lemony’s other literary outings in ‘A Series of Unfortunate Events’ have sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series starring Neil Patrick Harris. These regrettable developments mean that millions of fans have found out about the dreadful plight of the Baudelaire orphans, but you do not have to. You have been warned.Have you read all four mysterious titles in the Wrong Questions series?‘Who Could That Be at the This Hour?’‘When Did You See Her Last?’‘Shouldn’t You Be in School?’‘Why is This Night Different from All Other Nights?'Author Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. He is a broken man, wracked with misery and despair as a result of writing 'A Series of Unfortunate Events'. He spends his days wandering the countryside weeping and moaning and his evenings eating hastily-prepared meals.Artist Seth has portrayed suspicious circumstances and shady characters in much of his work. He is a multi-award-winning cartoonist, author and artist, whose works include Palookaville and Clyde Fans.

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Dr. Flammarion smiled at me again, and I looked down at the desk rather than look at either my chaperone or this suspicious doctor. In the middle of the tidy desk was a plain white sheet of paper with nothing on it. No, Snicket, I thought. That’s not right. Here and there were tiny indentations, as if something had scratched at it. I leaned down to the desk and inhaled, and for the second time since I entered the tall pen-shaped tower, I smelled a familiar scent, or really two familiar scents mixed together. The first was the scent of the sea, a strong and briny smell that still came from the seaweed of the Clusterous Forest when the wind was blowing in the direction of Stain’d-by-the-Sea.

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The second scent took me a moment to identify. It smelled in a certain way that was on the tip of my tongue until I breathed it in one more time.

“Lemony,” I said, but I was not saying my name out loud. I took the piece of paper over to the bed stand, turned on the reading light, and waited a minute or two for the lightbulb to get good and hot. While I waited I looked around the room, and it occurred to me that Zada and Zora were wrong. The Knight girl had started packing. She often stayed up all night in her bedroom working on scientific experiments, but there was not one piece of sci-entific equipment to be seen. At last the bulb was warm enough.

There are three things to know about invisi-ble ink. The first is that most recipes for it involve lemon juice. The second is that the invisible ink becomes visible when the paper is exposed to

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something hot, such as a candle or a lightbulb that has been on for a few minutes. I held the paper up, very close to the lightbulb, and watched. Zada and Zora saw what I was doing and walked over to get a look. Dr. Flammarion also stepped closer. Only Theodora did not watch the paper as it warmed up, and instead took a blouse from the closet and held it up to her own body to look at herself in the mirror.

No matter how many slow and complicated mysteries I encounter in my life, I still hope that one day a slow and complicated mystery will be solved quickly and simply. An associate of mine calls this feeling “the triumph of hope over experience,” which simply means that it’s never going to happen, and that is what happened then. The third thing to know about invisible ink is that it hardly ever works. After several minutes of exposing the paper to heat, I looked at it and read what it had to say:

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“WHEN DID YOU SEE HER LAST?”

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In other words, nothing. But the curious thing was that the nothingness was finally a clue I could use.

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CHAPTER THREE

“This is a fortunate day,” Theodora said to me. With one gloved hand she was steering the green roadster back toward the Lost Arms, and with her other glove she was tapping me firmly on the knee. Nobody likes to be tapped on the knee. Practically nobody likes to be tapped any-where. She kept doing it. “‘Fortunate’ is a word which here means fortuitous, and it’s particularly fortuitous for you. It’s auspicious. It’s opportune. It’s kismet. It’s as lucky as can be. Lucky you,

ALL THE WRONG QUESTIONS

Snicket! With this new case, I will reveal my routine and my methods for skip tracing.”

Outside it looked like it might rain again. Inside I had the photograph of the girl in my lap. The promising young chemist looked even more annoyed, perhaps because Theodora had left sugary fingerprints all over the picture. “What shall we do first?” I asked.

“Don’t talk, Snicket,” Theodora said. “Fools talk while wise people listen, so listen up and I’ll tell you how we will solve this case sensibly and properly. We will do six things, and for each thing, I will hold up a finger of my hand, so at the end I will be holding up six fingers and you will not be confused.”

I stopped listening, of course. Theodora’s sensible and proper methods of solving our pre-vious case had led to our dangling unnecessarily from a hawser, which is a cable suspended up in the air, not a sensible or proper thing to do. I nodded solemnly at thing number one, and

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when she lifted a second gloved finger, I stared out the window and thought. It was surprising to me that so much of the mystery had been solved already. Dr. Flammarion was giving Ignatius and Doretta Knight heavy doses of laudanum with his hypodermic needle, leaving them mumbling and half conscious. It was not difficult to think of reasons why an apothecary would want to control the wealthiest family in town, even if they were not as wealthy as they once had been and the town was fading away to nothing. But Dr. Flammarion would have a more difficult time with a promising young chemist, who would know all about laudanum and its sleepy, dangerous ways. And so she had vanished.

The part of the story that confused me was the note. Zada and Zora had insisted that Miss Knight would have left a note if she had run away, but Dr. Flammarion had said there was no note. But I had found a sort of half note—a

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message written in invisible ink that hadn’t worked. Miss Knight was a chemist. She would know that invisible ink hardly ever works. She also seemed to like brand-new clothes but was wearing an old hat in the picture. There’s a connection, my brain said to me, between the hat and the disappearance, but I told my brain that if there was a connection, it had to think of it itself, because my eyes had spotted a bigger clue on the street outside.

“Stop the car,” I said.

“Be sensible,” Theodora said. “I haven’t even gotten to thing number four.”

“Stop the car, please.”

She stopped the car, perhaps because I had said “please.” I stepped out onto the curb of a quiet street, although practically all of the streets in Stain’d-by-the-Sea were quiet. They were so quiet that if you drove through them on a regu-lar basis, you would notice anything new, such as the flyers of Miss Knight printed with the word

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MISSING. You would also notice an enormous automobile, particularly if it was one of the fan-ciest automobiles manufactured.

I was standing in front of a Dilemma. There are people in the world who care about auto-mobiles, and there are people who couldn’t care less, and then there are the people who are impressed by the Dilemma, and those people are everyone. The Dilemma is such a tremendous thing to look at that I stared at it for a good ten seconds before reminding myself that I should think of it as a clue to a mystery rather than as a wonder of modern engineering. It was one of the newer models, with a small, old-fashioned horn perched just outside each front window, and a shiny crank on the side so you could roll down the roof if Stain’d-by-the-Sea ever offered pleasant weather, and it was the color of some-one buying you an ice cream cone for no reason at all.

Theodora had gotten out of the roadster and

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stared at the Dilemma for as long as I had. “You should be ashamed of yourself, Snicket,” she said, when she had remembered to be a chaperone. “You’re supposed to be looking for Miss Knight, not getting distracted by automobiles, no mat-ter how beautiful they are and how interesting to behold and no matter how long you want to stand here staring at it because it’s very beautiful and interesting to behold and so you find your-self staring at it for quite some time because it is so beautiful and interesting—”

“This car probably belongs to Miss Knight,” I said before she could continue. “Not many people can afford a new Dilemma.”

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