Lemony Snicket - When Did You See Her Last?

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Before he wrote 'A Series of Unfortunate Events', before the Baudelaires became orphans, even before the invention of Netflix, Lemony Snicket asked all the wrong questions. Four to be exact. This is the account of the second question.In the fading town of Stain’d-by-the-Sea, young apprentice Lemony Snicket has a new case to solve when he and his chaperone are hired to find a missing girl.Is the girl a runaway? Or was she kidnapped? Was she seen last at the grocery store? Or could she have stopped at the diner? Is it really any of your business?In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent. You’ll laugh only if you find humour in gothic and mysterious things involving detectives and crime solving.Lemony’s other literary outings in ‘A Series of Unfortunate Events’ have sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series starring Neil Patrick Harris. These regrettable developments mean that millions of fans have found out about the dreadful plight of the Baudelaire orphans, but you do not have to. You have been warned.Have you read all four mysterious titles in the Wrong Questions series?‘Who Could That Be at the This Hour?’‘When Did You See Her Last?’‘Shouldn’t You Be in School?’‘Why is This Night Different from All Other Nights?'Author Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. He is a broken man, wracked with misery and despair as a result of writing 'A Series of Unfortunate Events'. He spends his days wandering the countryside weeping and moaning and his evenings eating hastily-prepared meals.Artist Seth has portrayed suspicious circumstances and shady characters in much of his work. He is a multi-award-winning cartoonist, author and artist, whose works include Palookaville and Clyde Fans.

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It was the wrong question, both when I asked it and later, when I asked the question to a man wrapped in bandages. The right question

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“WHEN DID YOU SEE HER LAST?”

in this case was “Why was she wearing an article of clothing she did not own?” but this is not an account of times when I asked the right ques-tions, much as I wish it were.

“Miss Knight was with us yesterday morn- ing,” one of the women said, using her apron to dab at her eyes. “She was sitting right where you are sitting now, having her usual breakfast of Schoenberg Cereal. Then she spent some time in her room before going out to meet a friend.”

“Who was this friend?” I asked.

“She didn’t say. She just drove off, and she hasn’t come back.”

“She’s old enough to drive?”

“Yes, she got her license a few months ago, and her parents bought her a shiny new Dilemma.”

“That’s a nice automobile,” I said. The Dilemma was one of the fanciest automobiles manufactured. It was claimed that you could

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drive a Dilemma through the wall of a building and emerge without a dent or scratch, although the building might collapse.

“Mr. and Mrs. Knight give their daughter whatever she wants,” the aproned woman said. “New clothes, a new car, and all sorts of equip-ment for her experiments.”

“Experiments?”

“Miss Knight is a brilliant chemist,” Zada or Zora said proudly. “She often stays up all night working on experiments in her bedroom.”

“I imagine she learned that from watching you cook,” I said. “This cinnamon roll is the best I have ever tasted.”

Complimenting someone in an exagger-ated way is known as flattery, and flattery will generally get you anything you want, but Zada and Zora were too worried to offer me a second pastry. “She probably inherited her abili-ties from her grandmother,” the woman said. “Ingrid Nummet Knight founded Ink Inc.

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when she was a young scientist, after years of experimenting with many different inks from many different creatures. Before long Ink Inc. made the Knights the wealthiest family in town. But those days are over. Ink Inc. is almost finished, and so is the town. That’s why we’re leaving Stain’d-by-the-Sea.”

“When are you leaving?” I asked.

“Whenever the Knights give the word.”

“Even if Miss Knight doesn’t come back?”

“What can we do?” asked the other woman sadly. “We’re only the servants.”

“Then make me some tea,” said an eager voice from the doorway. The bright kitchen seemed to grow darker as Dr. Flammarion strolled into the room, took a cinnamon roll without asking, and sat down loudly.

“We were talking about Miss Knight,” one woman said quietly.

“Very worrisome,” the apothecary agreed, with his mouth full. “But at least her parents are

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resting comfortably. They were shocked to hear of the disappearance. I gave them an extra injec-tion of medicine so that they might pass the afternoon in a comfortable state of unhurried delirium.”

“What medicine is it, Doctor?” I asked.

Dr. Flammarion frowned at me. “You’re a curious young man,” he said.

“I’m sorry, Dr. Flammarion,” Theodora said. She had finished her cinnamon roll and was wiping her fingers on the photograph of the missing girl. “My apprentice has forgotten his manners.”

“It’s quite all right,” Dr. Flammarion said. “Curiosity tends to get little boys into trouble, but he’ll learn that soon enough for himself.” He offered me his nasty smile like a bad gift, and then said quickly, “The medicine I gave them is called Beekabackabooka.”

I have never been to medical school and am never quite sure how to spell the word “aspirin,”

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but I still knew that Beekabackabooka is not a medicine of any kind. It didn’t matter. Even without his revealing himself to be a liar, I knew there was something suspicious about Dr. Flammarion, and even without his tell- ing me, I knew the medicine he was giving the Knights was laudanum. I recognized the smell from an incident some weeks earlier, when peo-ple had tried to sneak some into my tea. This incident is described in my account of the first wrong question, on the rare chance you have access to, or interest in, such a report.

“It must be difficult to care for Mr. and Mrs. Knight all by yourself,” I said, and looked him in the eye. He blinked behind his glasses, and his beard tried harder to flee from his nasty smile.

“I’m not quite all by myself, young man,” he told me. “I have a nurse who is good with a knife.”

Theodora stood up. “I want to conduct a

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thorough search of the scene of the crime,” she said.

“What crime?” Dr. Flammarion said.

“What scene?” I asked.

“It seems likely a terrible crime has been committed,” Theodora said firmly, with no thought to how much that would upset the two women who cared for Miss Knight.

“As the Knight family’s private apothecary, I must say that I’m not sure a crime has been com-mitted at all. Miss Knight likely just ran away, as young girls often do.”

The two servants looked at each other in frustration. “She wouldn’t have run away,” one of them said, “not without leaving a note.”

“Who knows what a wealthy young girl will do?” Dr. Flammarion said with a smooth shrug. “In any case, I told Zada it was not worth alarm-ing the police.”

“Zora,” she corrected him sharply.

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“I’m sorry, Zora,” Dr. Flammarion said with a little bow that indicated he was not sorry at all.

“I’m Zada,” she corrected him again, “but it’s true. Dr. Flammarion stopped Zora from calling the police and suggested we call you instead.”

“The good doctor made a good choice,” Theodora said in a tone of voice she probably thought was reassuring, and then stood up and made a dramatic gesture. “Nevertheless, I would like to search the place Miss Knight was last seen. Take me to her bedroom!”

There was no arguing with S. Theodora Markson when she began to gesture dramati-cally, so I followed my chaperone as she followed Zada and Zora through the packed-up house, with Dr. Flammarion close behind me, his breath as unpleasant as the rest of him. Soon we were in a room I recognized from the photograph,

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which Theodora put down on a brand-new desk in order to rifle through the clothing in the closet. There was no sense in it. This was not the place Miss Knight was last seen. It was simply the place Zada and Zora had seen her last. The girl had driven off in a fancy auto-mobile. It was likely someone else had seen her afterward.

“This room isn’t packed up,” I said.

“Miss Knight wants to do it herself,” one of the women said, “but she hasn’t packed up anything but a few items of clothing.”

That made me ask a question that was closer to the right question than I knew. “What was she wearing when she left?”

Zada or Zora pointed to the photograph. “See for yourself,” she said. “We took that pho-tograph yesterday morning, at her request. It was a lucky thing. Now that photograph is all over town.”

I looked at the picture again. Nothing seemed

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familiar, but the pink hat looked out of place. “That’s an unusual cap,” I said. “Do you know where she got it?”

“Snicket,” Theodora said sternly. “A young man should not take an interest in fashion. We have a crime to solve.”

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