Jamila Gavin - Coram Boy

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Coram Boy: краткое содержание, описание и аннотация

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The Whitbread 2000 Book of the Year is a haunting and captivating work of historical fiction for children.The Coram man takes babies and money from desperate mothers, promising to deliver them safely to a Foundling Hospital in London. Instead, he murders them and buries them by the roadside, to the helpless horror of his mentally ill son, Mish.Mish saves one, Aaron, who grows up happily unaware of his history, proving himself a promising musician. As Aaron's new life takes him closer to his real family, the watchful Mish makes a terrible mistake, delivering Aaron and his best friend Toby back into the hands of the Coram man.It tells the story of a dark time in English history. Fans of The Boy in the Striped Pyjamas and Goodnight Mr Tom will love this. A great read for children aged 10+.Look out for Jamilla's other titles:The Eye of the HorseThe Robber Baron's DaughterThe Track of the WindWheel of SuryaCoram Boy won the 2000 Whitbread Children's Book of the Year, was shortlisted for the Carnegie Medal and has been adapted into a highly acclaimed stage play.Jamila Gavin was born in Mussoorie, India, in the foothills of the Himalayas. With an Indian father and an English mother, she inherited two rich cultures which ran side by side throughout her life, and which always made her feel she belonged to both countries.The family finally settled in England where Jamila completed her schooling, was a music student, worked for the BBC and became a mother of two children. It was then that she began writing children’s books, and felt a need to reflect the multi-cultural world in which she and her children now lived.

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Thomas wondered how his mother could possibly afford to send anything decent that he could wear. He had intended going in the clothes provided by the cathedral: his choir school breeches, stockings and tailed jacket.

He prised open a corner and peeped inside. There was a jacket and breeches made of sturdy broadcloth, a shirt of not too coarse a cotton and a woven waistcoat. He looked up, puzzled. ‘How did she come by these?’

Lizzie giggled again. ‘They were our uncle Martin’s clothes. You don’t mind, do you? Mam thought you would fit them now – being as how you’re the same age he was when he died.’

‘Thanks, Liz,’ he dropped a kiss on her bonneted head. ‘Thank Ma for me, and tell her I’ll take care of the clothes. Now, go – or you’ll get me into trouble.’

‘Tommy – are you going to be a gentleman?’ teased Lizzie. ‘You will come home and tell us all about it, won’t you? You’ll never be too grand for us, will you?’

‘Shoo – you silly little goose,’ laughed Thomas, and pushed her off. ‘And don’t forget to give our mam a big kiss from me,’ he called after her.

‘Mother has promised us a feast to make up for Christmas and Easter,’ Alexander told Thomas. ‘We will eat duck, roast lamb and Easter almond and simnel cake. We’ll eat ourselves silly to make up for all that eel pie, stewed fish and vegetable broth we get day in day out.’ Suddenly the talk was of food as the boys packed their bags and put on their walking boots. Those who didn’t live in the city were preparing to walk up to ten or fifteen miles home. Thomas was getting ready to do the same when word came to Alexander that the Ashbrook carriage was here and that John Millman, the head groom, was waiting.

‘We’re going by carriage?’ murmured Thomas with awe. Silently, he followed Alexander out into the close where a two-horse carriage was waiting. The shiny dark green painted body of the carriage had a coat of arms with the letter A in gold, swirling round the symbol of a white swan.

There were warm greetings as the boys emerged. Alexander shook the groom’s hand warmly and introduced him to Thomas. ‘This fellow, John, is my dearest friend, so I hope you’ll look out for him and show him the ropes if he seems lost.’ John Millman nodded courteously and opened the carriage door to reveal Mrs Lynch, swathed and bonneted, looking more matronly, and her face quite free of rouge. She smiled ingratiatingly and struggled to get out in deference to the young master.

‘Stay, stay, Mrs Lynch. Don’t disturb yourself. We’ll sit up with John. I hope you don’t mind just having our bags for company – oh, and this is my friend Thomas Ledbury. I trust you have prepared his chamber and will make him comfortable.’

‘We have been making preparations for his arrival ever since we heard you were coming home with a friend,’ replied Mrs Lynch reassuringly. She nodded briefly in response to Thomas’s polite but dream-like bow. In a daze, Thomas followed Alexander, clambering up on to the driver’s seat next to John, who flicked the pair of black horses with his whip and set off along the road beyond the city walls towards the hills. Behind them, laughing and chortling and yelling cheerful abuse, several of the choristers chased behind and leapt on to the back bar of the carriage for a lift part of the way. One by one, at different junctures, the boys fell away with shouts of, ‘See you in September,’ and soon the carriage was out on the open road, lurching through the ruts and ridges and mudpools left by the bad weather of the night before, towards the hills and Ashbrook.

They didn’t speak much, though every now and then Thomas couldn’t resist calling out, ‘Hey, look at that!’ Or, ‘Did you see that?’ The raucous sounds and smells of the city gave way to the more harmonious and gentle tones of the countryside. He listened and watched enchanted: stone-pickers and farm labourers – men, women and children – moved down the furrows of newly ploughed fields, calling to each other and singing together as they tossed in the seed – barley or millet, wheat or rye. Wheatear, chiffchaff and swallows who, in the winter, emigrated to warm lands where oranges grow dived and swooped, as if delighted to see the folds of Cotswold hills rising and falling from valley to valley and upland to high common. Long shadows of beeches streaming with sunlight slatted the wold and ribbons of stone walls, now gold, now silver, meandered through light and shade down the meadows, dividing flocks of snowy sheep from grazing cattle.

Thomas wondered what Alexander was thinking; he sat so silently, not looking round, impervious to the countryside as they rumbled through. Only once did he turn and gaze back intently at the city walls, as if he couldn’t bear to leave the cathedral behind him. Then he looked forward again, his head dropping to his chest, humming under his breath, his brain unable to contain all the melodies which flowed from it.

‘This will be the first time you’ll be meeting Mrs Milcote and her daughter, I take it, Master Alexander?’ Mrs Lynch’s overly high voice broke through their thoughts as she leant out of the carriage window. ‘She’s a pretty young thing, and there’s no mistaking . . . ’

‘Who?’ retorted Alexander tartly. ‘The mother or the daughter?’

‘Ooooh, you are become quite a wag, sir, if you don’t mind me saying,’ tittered Mrs Lynch. ‘Why, the young lady, to be sure – Miss Milcote. She and your sister have become quite bosom friends.’

‘Hmmm . . . ’ Alexander grunted and glanced at Thomas with a bemused look.

Thomas grinned and shrugged. ‘Nowummm . . . ummum . . . Look here . . . ummum, Alexander me boy . . . ummum . . . about young ladies . . . ummmummmumm . . . ’

Alexander laughed. To make him laugh was always a triumph and Thomas laughed too.

They left the soft lowlands and the road began to climb up and up into a dark wilderness of dense woods. Thomas shivered with apprehension as they seemed to leave civilisation behind them. The road became rougher and narrower. The trees loomed over them as if they would swallow them up. No wonder he had heard such stories of wild brigands roaming the hills.

Ahead, a coarse voice swore and cajoled. John reined in the horses. A wagon was half up on the bank trying to get out of a deep rut and a train of pack mules snorted and attempted to munch the hedgerow as they waited. A large, red-headed boy was trying to push the wagon from behind as, in front, a man on foot cursed and shouted and whipped the lead mule impatiently, then ran round and laid the whip across the back of the boy as well.

‘Oi, Otis,’ John yelled to the man. ‘Be that you blocking the way? Shall us give you a hand?’

A stream of expletives preceded Otis shouting, ‘We’ll abandon the wagon at the Borham barn,’ he shouted. ‘No good trying to get the darn thing up into the hills till the road’s drier. But if you’d be so good as to help my boy with giving it a shove to get us going, I would be greatly indebted.’

John jumped down, followed instantly by Thomas and Alexander. They joined Meshak in putting their shoulders to the wagon, while Mrs Lynch leant out of the carriage window calling out encouragement. The huge wheels crunched into motion, creaking and groaning, and, with a jerk which nearly sent them tumbling face down, was suddenly free.

‘We’ll not be in your way for long now, John!’ shouted Otis, climbing up on to the wagon. ‘The barn is just beyond the corner.’ Thomas and Alexander stood in the road, brushing themselves down. For a moment, Otis towered over them. With an exaggerated sweeping bow he said mockingly, ‘Good day to you, young master, and my thanks for your help.’

Alexander nodded an acknowledgement and climbed back on to the carriage. ‘I dislike that man. He’s insolent. What’s more, he treats his animals abominably and his son not much better,’ he muttered. They looked at Meshak running behind now with the mules, as Otis drove the wagon on at speed.

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