Gilbert Keith Chesterton - 30 Suspense and Thriller Masterpieces

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30 Suspense and Thriller Masterpieces: краткое содержание, описание и аннотация

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Anthologie contenant :
A Royal Prisoner par Marcel Allain
The Thames Valley Catastrophe par Grant Allen
Mr Standfast par John Buchan
Greenmantle par John Buchan
The Island of Sheep par John Buchan
The Three Hostages par John Buchan
The Thirty-Nine Steps par John Buchan
The Efficiency Expert par Edgar Rice Burroughs
The Man Who Was Thursday: a Nightmare par Gilbert Keith Chesterton
The Riddle of the Sands par Erskine Childers
The Woman in White par Wilkie Collins
The Rome Express par Arthur Griffiths
Lysbeth par Henry Rider Haggard
Desperate Remedies par Thomas Hardy
Rupert of Hentzau par Anthony Hope
The Prisoner of Zenda par Anthony Hope
The Apartment Next Door par William Andrew Johnston
The Film of Fear par Frederic Arnold Kummer
The Green God par Frederic Arnold Kummer
The Czar's Spy par William Le Queux
The Pit: A Story of Chicago par Frank Norris
The Double Traitor par Edward Phillips Oppenheim
The Evil Shepherd par Edward Phillips Oppenheim
The Kingdom of the Blind par Edward Phillips Oppenheim
The After House par Mary Roberts Rinehart
The International Spy par Allen Upward
The Bandbox par Louis Joseph Vance
Four Just Men par Edgar Wallace
The Dust of Death: The Story of the Great Plague of the Twentieth Century par Fred Merrick White
The River of Death: A Tale of London In Peril par Fred Merrick White

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Suddenly a discreet ring at the bell startled Susy d'Orsel.

"That's queer, I didn't expect the King until one o'clock!" she exclaimed.

She opened the door and saw a young girl standing on the landing.

"Oh, it's you, Mademoiselle Pascal! What are you coming at this hour for?"

"Excuse me, Madame, for troubling you, but I've brought your lace negligée. It took me quite a time to finish, and I thought you'd probably like it as soon as possible."

"Oh, I thought it had already come. I'm very glad you brought it. There would have been a fine row if it hadn't been ready for me to wear this evening."

Susy d'Orsel took the dressmaker into her bedroom and turned on the electric lights. The gown was then unwrapped and displayed. It was of mousseline de soie, trimmed with English point.

Susy examined it with the eye of a connoisseur and then nodded her head.

"It's fine, my girl, you have the fingers of a fairy, but it must put your eyes out."

"It is very hard, Madame, especially working by artificial light, and in winter the days are so short and the work very heavy. That is why I came to you at this late hour."

Susy smiled.

"Late hour! Why the evening is just beginning for me."

"Our lives are very different, Madame."

"That's right, I begin when you stop, and if your work is hard, mine isn't always agreeable."

The two women laughed and then Susy took off her wrapper and put on the new negligée.

"My royal lover is coming this evening."

"Yes, I know," answered Marie Pascal. "Your table looks very pretty."

"You might make me a lace table cloth. We'll talk about it some other time, not this evening; besides, I can't be too extravagant."

The dressmaker took her leave a few moments later and made her way with care in the semi-obscurity down the three flights of stairs.

Marie Pascal was a young girl in the early twenties, fair-haired, blue-eyed and with a graceful figure. Modishly but neatly dressed, she had a reputation in the neighborhood as a model of discretion and virtue.

She worked ceaselessly and being clever with her fingers, she had succeeded in building up so good a trade in the rich and elegant Monceau quarter, that in the busy season she was obliged to hire one or two workwomen to help her.

As she was crossing the court to go to her own room, a voice called her from the porter's lodge.

"Marie Pascal, look here a moment."

A fat woman dressed in her best opened the door of her room which was lit by one flaring gas jet.

Marie Pascal, in spite of her natural kindliness, could scarcely repress a smile.

Madame Ceiron, the concièrge, or, as she was popularly called, "Mother Citron," certainly presented a fantastic appearance.

She was large, shapeless, common, and good-natured. Behind her glasses, her eyes snapped with perpetual sharp humor. She had a mass of gray hair that curled round her wrinkled face, which, with a last remnant of coquetry, she made up outrageously. Her hands and feet were enormous, disproportionate to her figure, although she was well above middle height. She invariably wore mittens while doing the housework.

Mother Citron, however, did very little work; she left that to a subordinate who, for a modest wage, attended to her business and left her free to go out morning, noon and night. She now questioned Marie Pascal with considerable curiosity, and the young girl explained her late errand to deliver the gown to Susy d'Orsel.

"Come in and have a cup of coffee, Mam'zelle Pascal," urged the old woman, as she set out two cups and filled them from a coffee pot on the stove.

Marie Pascal at first refused, but Mother Citron was so insistent that she ended by accepting the invitation. Besides, she felt very grateful to Madame Ceiron for having recommended her to the proprietor of the house, the Marquis de Sérac, an old bachelor who lived on the first floor.

The Marquis had used his good offices to obtain for her an order for laces from the King of Hesse-Weimar. Mother Citron showed a kindly interest in this enterprise.

"Well, did you see the King?"

Marie Pascal hesitated:

"I saw him and I didn't see him."

"Tell me all about it, my dear. Is the lover of our lady upstairs a good-looking man?"

"It's hard to say. So far as I could judge, he seemed to be very handsome. You see, it was like this. After waiting in the lobby of the Royal Palace Hotel for about an hour, I was shown into a large drawing-room; a sort of footman in knee breeches took my laces into the adjoining room where the King was walking up and down. I just caught a glimpse of him from time to time."

"What did he do then?"

"I don't know. He must have liked my laces for he gave me a large order. He didn't seem to pay much attention to them; he picked out three of the samples I sent in and what seemed queer, he also ordered some imitations of them."

The concièrge smiled knowingly.

"I expect the imitations were for his lawful wife, and the real ones for his little friend. Men are all alike. Another cup of coffee?"

"Oh, no, thanks."

"Well, I won't insist; each one to his taste. The life Susy d'Orsel leads wouldn't suit you. And the amount of champagne she gets through!"

"No, I shouldn't care much about that."

"All the same, there's something to be said for it. She has a first-rate position since she got the King … and I get first-rate tips! Take to-night, for instance; I'll bet they'll be carrying on till pretty near dawn. It upsets my habits, but I can't complain. I'll probably get a good New Year's present in the morning."

"Well, as it's very late for me, I'll go up to bed."

"Go ahead, my dear, don't let me keep you."

Marie Pascal had reached the stairs when she turned back.

"Oh, Madame Ceiron, when can I thank the Marquis de Sérac for his kindness in introducing me to Frederick-Christian?"

"No hurry, my child, the Marquis has gone to the country to spend the New Year's day with his relations and he won't be back before next week."

Marie Pascal climbed the stairs to her room on the sixth floor and the concièrge returned to her quarters and settled herself in an armchair.

Chapter 3 THE TRAGEDY OF THE RUE DE MONCEAU

Susy d'Orsel, tired of waiting for her royal lover, was sound asleep before the fire in her bedroom. Suddenly she was awakened by a loud noise. Still half asleep, she sat up listening. The sounds came from the stairs. Mechanically Susy glanced at the clock, which marked the quarter after three.

"I'll bet it's him, but how late he is!"

As the sounds drew nearer, she added:

"He must be as drunk as a lord! After all, Kings are no better than other men."

She quickly passed to the outer door and listened.

"Why, it sounds as if there were two of them!"

A key fumbled in the lock, then the owner of it apparently gave up the task as hopeless and began ringing the bell.

Susy opened the door and Frederick-Christian staggered in followed by a man who was a total stranger to her.

The latter, bowing in a correct and respectful manner, carried himself with dignity.

The King bubbled over with laughter and leaned on the shoulder of his lady-love.

"Take off your overcoat," she said, at length, and while he was attempting to obey her, she whispered:

"If your Maj … "

Before she could finish the sentence the King put his hand over her mouth.

"My … my … my dear Susy … I'm very fond of you … but don't begin by saying stupid things… . I am here … incog … incognito. Call me your little Cri-Cri, Susy… ."

"My dear," she replied, "introduce me to your friend."

"Eh," cried the King, "if I'm not forgetting the most elementary obligations of the protocol; but after fourteen whiskeys, and good whiskey, too, though I've better here… . Susy don't drink any, she prefers gooseberry syrup … queer taste, isn't it?"

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