Gilbert Keith Chesterton - 30 Suspense and Thriller Masterpieces

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30 Suspense and Thriller Masterpieces: краткое содержание, описание и аннотация

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Anthologie contenant :
A Royal Prisoner par Marcel Allain
The Thames Valley Catastrophe par Grant Allen
Mr Standfast par John Buchan
Greenmantle par John Buchan
The Island of Sheep par John Buchan
The Three Hostages par John Buchan
The Thirty-Nine Steps par John Buchan
The Efficiency Expert par Edgar Rice Burroughs
The Man Who Was Thursday: a Nightmare par Gilbert Keith Chesterton
The Riddle of the Sands par Erskine Childers
The Woman in White par Wilkie Collins
The Rome Express par Arthur Griffiths
Lysbeth par Henry Rider Haggard
Desperate Remedies par Thomas Hardy
Rupert of Hentzau par Anthony Hope
The Prisoner of Zenda par Anthony Hope
The Apartment Next Door par William Andrew Johnston
The Film of Fear par Frederic Arnold Kummer
The Green God par Frederic Arnold Kummer
The Czar's Spy par William Le Queux
The Pit: A Story of Chicago par Frank Norris
The Double Traitor par Edward Phillips Oppenheim
The Evil Shepherd par Edward Phillips Oppenheim
The Kingdom of the Blind par Edward Phillips Oppenheim
The After House par Mary Roberts Rinehart
The International Spy par Allen Upward
The Bandbox par Louis Joseph Vance
Four Just Men par Edgar Wallace
The Dust of Death: The Story of the Great Plague of the Twentieth Century par Fred Merrick White
The River of Death: A Tale of London In Peril par Fred Merrick White

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"I'll be willing to bet," he thought, "that I shall find nothing interesting in her rooms. But it is at least my duty to go over them carefully… . If only I could discover evidence showing that three persons were there together, but that is most unlikely. The officers, the doctors, the concièrge and the men who carried the body to the Morgue would have destroyed all traces."

It was not without a slight shudder that Juve entered the apartment where the tragedy occurred. With a real catch at his heart he went through the bright, luxuriously decorated rooms, still giving evidence of a feminine presence.

Death had entered there. The sinister death of crime, brutal, unforeseen. A hundred times more tragic for remaining unexplained. Juve, however, quickly stifled his feelings. He was there to investigate and nothing else mattered. The bedroom presented nothing worthy of notice, the boudoir was in perfect order, also the kitchen and the hall.

Juve entered, finally, the dining-room. It was there, according to the testimony of witnesses, that the crime must have taken place. It was there in any case that Susy d'Orsel had received her lover.

Nothing had been deranged. The table was still set for supper. Two places, side by side, bore mute witness that the King had been alone with his mistress.

Juve at first carefully examined the general lay of the room. The disposition of the chairs, the two knives from the two forks, two fish plates, all went to prove there had been only two persons at the table.

But suddenly he gave a start and his face expressed the keenest interest. He dropped to his knees and carefully examined the floor under the table.

"Unless I am dreaming there are ashes here."

Juve bent forward and noticed at the right of the sofa an ash receiver placed near the edge of the table, and below on the carpet a small heap of gray ash.

"To begin with, we'll admit that Susy d'Orsel flicked the ash off her cigarette … gray ash from Egyptian tobacco, a woman's cigarette."

He now moved to the left of the sofa.

"In the second place, here is another heap of ashes in this plate … cigar ashes … in fact here is the tend showing a German brand… . So the King was sitting on the right of Susy d'Orsel. Less careful, he used his plate instead of an ash receiver."

Now bending down he noticed on the carpet a third heap of ash.

"A third person has been smoking here. For there is no reason why the King should have changed his place and sat at the opposite side of the table where no place is laid… . Also this third person, in smoking a cigarette, and having no plate or ash receiver, dropped his ashes on the carpet."

After a moment's thought Juve took from his pocket a small automatic lighting arrangement and going on his hands and knees under the table began a careful examination of its feet. In a moment he gave an exclamation of joy.

"Ah, I have got it now. This is conclusive."

And in fact Juve had made a most important discovery. The heavy legs of the table were joined by crosspieces and Juve had been able to determine where Susy d'Orsel had rested her feet. He saw also the slight traces of mud where the King had rested his feet. Most important, however, was the fact that further traces of mud had been left by a third pair of feet.

"If only I could identify the feet that were placed here, and whether they belonged to a woman."

A closer examination of the wood made him rise to his feet with a cry. Quickly taking a chair, he placed it before the table in the place that might naturally be occupied by a third guest, and then sat down. This is what he discovered. It was quite impossible for a woman to have been sitting there. Having stretched his legs and rested his feet upon the traces of mud, he discovered that one of the legs of the table came directly between his knees. A woman's skirt would have made this position impossible for her.

"Why, the King was telling the truth! There were three persons in this dining-room a few moments before the crime was committed. And they were Susy d'Orsel, the King and another man."

Juve now threw himself into an armchair and remained buried in thought.

"To sum it up, the King alone is in a position to give me further information… . And if he should refuse to speak or should attempt to lie I have now within my hands the means of forcing him to tell the truth."

He sprang up quickly.

"The next thing to do is to go and see the King."

Chapter 10 WULFENMIMENGLASCHK

Wulfenmimenglaschk!

Fandor stared in consternation at the individual who had just entered the apartment of Frederick-Christian II.

He was enormously fat and absurd looking. A large red nose stood out between two little blinking eyes; a heavy moustache bushed above his three well-defined chins. In his hand he held a soft green hat, through the ribbon of which was stuck a feather. He wore a wide leather belt containing cartridge cases, and the butts of two revolvers peeped out of his pockets.

The man began once more.

"Wulfen … "

Fandor stopped him with a movement of impatience.

"Won't you please speak French, so long as we are in France?"

For the twenty-fifth time this strange individual repeated the phrase which apparently meant his name and added in French:

"Head of the Secret Service of the Kingdom of Hesse-Weimar and Attaché of your Majesty."

Fandor congratulated himself that the table separated them. He expected at any moment to be shown up as an impostor. But thinking the best plan would be to try and bluff it through he said graciously:

"Sit down, Monsieur Wulf."

"But that isn't possible."

"Yes, it is … take that chair."

"I should never dare to," answered the police officer.

Fandor insisted.

"We desire you."

Wulf bowed to such formal instructions, murmuring:

"I do so at the order of your Majesty."

Fandor sprang up amazed.

"Does he take me for the King too? That can't be possible. The head of the Secret Service! They must be carrying this joke out to the bitter end. I'm hanged if I can understand it."

"What do you want?"

The man who since his entrance had not taken his eyes off Fandor, now appeared to be considering him with the greatest admiration.

"Ah! Heaven be thanked… . My most cherished desire has come to pass… . Your Majesty has been good enough to allow me the honor of a personal interview."

"He must be mad," thought Fandor.

"Of course I was well acquainted with your august features… . Frederick-Christian II is popular in his kingdom … his portrait hangs on the walls of private houses as well as public buildings. But your Majesty understands that portraits and the reality are often dissimilar… . Now, although for seventeen years I have belonged to the Secret Service of the Kingdom, I have never before had the honor of meeting his Majesty face to face."

"So, Monsieur Wulf, you think I don't look like my portrait."

"Pardon me, Sire, that is not what I wish to say. The portrait represents your Majesty as being taller and heavier, with a larger moustache and fairer hair."

"In other words," said Fandor, smiling, "my portrait flatters me."

"Oh, Sire, quite the contrary, I assure you."

"Well, what do you want?"

Wulf was evidently waiting for this question. He rose from the seat and made a careful inspection of the room, opening each door to see that no one was outside listening. Then he returned to Fandor and whispered:

"I am here on a secret mission, Sire."

"Well, let's hear what it is."

"I am charged with two commissions, one which interests your Majesty, the other the Kingdom. To begin with, I have come to get your reply to the telegram in cipher which his Highness the Minister of the Interior sent your Majesty yesterday."

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