Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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“He can come in with the doctor and his drugs,” was the reply.

The bed has a canopy and well-stuffed back, and the curtains are looped up with fine wide bands. The furniture is of gilded wood, upholstered in the same yellow damask with white flowers which drapes the windows, and which is lined there with a white silk that looks as though it were watered. The panels over the doors have been painted, by what artist I can’t say, but they represent one a sunrise, the other a moonlight scene.

The fireplace is a very interesting feature in the room. It is easy to see that life in the last century centered largely round the hearth, where great events were enacted. The copper gilt grate is a marvel of workmanship, and the mantelpiece is most delicately finished; the fire-irons are beautifully chased; the bellows are a perfect gem. The tapestry of the screen comes from the Gobelins and is exquisitely mounted; charming fantastic figures run all over the frame, on the feet, the supporting bar, and the wings; the whole thing is wrought like a fan.

Dearly should I like to know who was the giver of this dainty work of art, which was such a favorite with her. How often have I seen the old lady, her feet upon the bar, reclining in the easy-chair, with her dress half raised in front, toying with the snuff-box, which lay upon the ledge between her box of pastilles and her silk mits. What a coquette she was! to the day of her death she took as much pains with her appearance as though the beautiful portrait had been painted only yesterday, and she were waiting to receive the throng of exquisites from the Court! How the armchair recalls to me the inimitable sweep of her skirts as she sank back in it!

These women of a past generation have carried off with them secrets which are very typical of their age. The Princess had a certain turn of the head, a way of dropping her glance and her remarks, a choice of words, which I look for in vain, even in my mother. There was subtlety in it all, and there was good-nature; the points were made without any affectation. Her talk was at once lengthy and concise; she told a good story, and could put her meaning in three words. Above all, she was extremely free-thinking, and this has undoubtedly had its effect on my way of looking at things.

From seven years old till I was ten, I never left her side; it pleased her to attract me as much as it pleased me to go. This preference was the cause of more than one passage at arms between her and my mother, and nothing intensifies feeling like the icy breath of persecution. How charming was her greeting, “Here you are, little rogue!” when curiosity had taught me how to glide with stealthy snake-like movements to her room. She felt that I loved her, and this childish affection was welcome as a ray of sunshine in the winter of her life.

I don’t know what went on in her rooms at night, but she had many visitors; and when I came on tiptoe in the morning to see if she were awake, I would find the drawing-room furniture disarranged, the card-tables set out, and patches of snuff scattered about.

This drawing-room is furnished in the same style as the bedroom. The chairs and tables are oddly shaped, with claw feet and hollow mouldings. Rich garlands of flowers, beautifully designed and carved, wind over the mirrors and hang down in festoons. On the consoles are fine china vases. The ground colors are scarlet and white. My grandmother was a high-spirited, striking brunette, as might be inferred from her choice of colors. I have found in the drawing-room a writing-table I remember well; the figures on it used to fascinate me; it is plaited in graven silver, and was a present from one of the Genoese Lomellini. Each side of the table represents the occupations of a different season; there are hundreds of figures in each picture, and all in relief.

I remained alone for two hours, while old memories rose before me, one after another, on this spot, hallowed by the death of a woman most remarkable even among the witty and beautiful Court ladies of Louis XV.’s day.

You know how abruptly I was parted from her, at a day’s notice, in 1816.

“Go and bid good-bye to your grandmother,” said my mother.

The Princess received me as usual, without any display of feeling, and expressed no surprise at my departure.

“You are going to the convent, dear,” she said, “and will see your aunt there, who is an excellent woman. I shall take care, though, that they don’t make a victim of you; you shall be independent, and able to marry whom you please.”

Six months later she died. Her will had been given into the keeping of the Prince de Talleyrand, the most devoted of all her old friends. He contrived, while paying a visit to Mlle. de Chargeboeuf, to intimate to me, through her, that my grandmother forbade me to take the vows. I hope, sooner or later, to meet the Prince, and then I shall doubtless learn more from him.

Thus, sweetheart, if I have found no one in flesh and blood to meet me, I have comforted myself with the shade of the dear Princess, and have prepared myself for carrying out one of our pledges, which was, as you know, to keep each other informed of the smallest details in our homes and occupations. It makes such a difference to know where and how the life of one we love is passed. Send me a faithful picture of the veriest trifles around you, omitting nothing, not even the sunset lights among the tall trees.

October 19th.

It was three in the afternoon when I arrived. About half-past five, Rose came and told me that my mother had returned, so I went downstairs to pay my respects to her.

My mother lives in a suite on the ground floor, exactly corresponding to mine, and in the same block. I am just over her head, and the same secret staircase serves for both. My father’s rooms are in the block opposite, but are larger by the whole of the space occupied by the grand staircase on our side of the building. These ancestral mansions are so spacious, that my father and mother continue to occupy the ground-floor rooms, in spite of the social duties which have once more devolved on them with the return of the Bourbons, and are even able to receive in them.

I found my mother, dressed for the evening, in her drawing-room, where nothing is changed. I came slowly down the stairs, speculating with every step how I should be met by this mother who had shown herself so little of a mother to me, and from whom, during eight years, I had heard nothing beyond the two letters of which you know. Judging it unworthy to simulate an affection I could not possibly feel, I put on the air of a pious imbecile, and entered the room with many inward qualms, which however soon disappeared. My mother’s tack was equal to the occasion. She made no pretence of emotion; she neither held me at arm’s-length nor hugged me to her bosom like a beloved daughter, but greeted me as though we had parted the evening before. Her manner was that of the kindliest and most sincere friend, as she addressed me like a grown person, first kissing me on the forehead.

“My dear little one,” she said, “if you were to die at the convent, it is much better to live with your family. You frustrate your father’s plans and mine; but the age of blind obedience to parents is past. M. de Chaulieu’s intention, and in this I am quite at one with him, is to lose no opportunity of making your life pleasant and of letting you see the world. At your age I should have thought as you do, therefore I am not vexed with you; it is impossible you should understand what we expected from you. You will not find any absurd severity in me; and if you have ever thought me heartless, you will soon find out your mistake. Still, though I wish you to feel perfectly free, I think that, to begin with, you would do well to follow the counsels of a mother, who wishes to be a sister to you.”

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