Array The griffin classics - The Collected Works of Honore de Balzac

Madame de Soulas has two children, a boy and a girl, and she has grown younger; but Monsieur de Soulas has aged a good deal.

“My fortune has cost me dear,” said he to young Chavoncourt. “Really to know a bigot it is unfortunately necessary to marry her!”

Mademoiselle de Watteville behaves in the most extraordinary manner. “She has vagaries,” people say. Every year she goes to gaze at the walls of the Grande Chartreuse. Perhaps she dreams of imitating her grand-uncle by forcing the walls of the monastery to find a husband, as Watteville broke through those of his monastery to recover his liberty.

She left Besancon in 1841, intending, it was said, to get married; but the real reason of this expedition is still unknown, for she returned home in a state which forbids her ever appearing in society again. By one of those chances of which the Abbe de Grancey had spoken, she happened to be on the Loire in a steamboat of which the boiler burst. Mademoiselle de Watteville was so severely injured that she lost her right arm and her left leg; her face is marked with fearful scars, which have bereft her of her beauty; her health, cruelly upset, leaves her few days free from suffering. In short, she now never leaves the Chartreuse of les Rouxey, where she leads a life wholly devoted to religious practices.

PARIS, May 1842.

CONTENTS

CHAPTER I. PROLOGUE

CHAPTER II. THE STUDIO

CHAPTER III. LABEDOYERE’S FRIEND

CHAPTER IV. LOVE

CHAPTER V. MARRIAGE

CHAPTER VI. RETRIBUTION

DEDICATION

To Puttinati, Milanese Sculptor.

CHAPTER I. PROLOGUE

In the year 1800, toward the close of October, a foreigner, accompanied by a woman and a little girl, was standing for a long time in front of the palace of the Tuileries, near the ruins of a house recently pulled down, at the point where in our day the wing begins which was intended to unite the chateau of Catherine de Medici with the Louvre of the Valois.

The man stood there with folded arms and a bowed head, which he sometimes raised to look alternately at the consular palace and at his wife, who was sitting near him on a stone. Though the woman seemed wholly occupied with the little girl of nine or ten years of age, whose long black hair she amused herself by handling, she lost not a single glance of those her companion cast on her. Some sentiment other than love united these two beings, and inspired with mutual anxiety their movements and their thoughts. Misery is, perhaps, the most powerful of all ties.

The stranger had one of those broad, serious heads, covered with thick hair, which we see so frequently in the pictures of the Caracci. The jet black of the hair was streaked with white. Though noble and proud, his features had a hardness which spoiled them. In spite of his evident strength, and his straight, erect figure, he looked to be over sixty years of age. His dilapidated clothes were those of a foreign country. Though the faded and once beautiful face of the wife betrayed the deepest sadness, she forced herself to smile, assuming a calm countenance whenever her husband looked at her.

The little girl was standing, though signs of weariness were on the youthful face, which was tanned by the sun. She had an Italian cast of countenance and bearing, large black eyes beneath their well arched brows, a native nobleness, and candid grace. More than one of those who passed them felt strongly moved by the mere aspect of this group, who made no effort to conceal a despair which seemed as deep as the expression of it was simple. But the flow of this fugitive sympathy, characteristic of Parisians, was dried immediately; for as soon as the stranger saw himself the object of attention, he looked at his observer with so savage an air that the boldest lounger hurried his step as though he had trod upon a serpent.

After standing for some time undecided, the tall stranger suddenly passed his hand across his face to brush away, as it were, the thoughts that were ploughing furrows in it. He must have taken some desperate resolution. Casting a glance upon his wife and daughter, he drew a dagger from his breast and gave it to his companion, saying in Italian: —

“I will see if the Bonapartes remember us.”

Then he walked with a slow, determined step toward the entrance of the palace, where he was, naturally, stopped by a soldier of the consular guard, with whom he was not permitted a long discussion. Seeing this man’s obstinate determination, the sentinel presented his bayonet in the form of an ultimatum. Chance willed that the guard was changed at that moment, and the corporal very obligingly pointed out to the stranger the spot where the commander of the post was standing.

“Let Bonaparte know that Bartolomeo di Piombo wishes to speak with him,” said the Italian to the captain on duty.

In vain the officer represented to Bartolomeo that he could not see the First Consul without having previously requested an audience in writing; the Italian insisted that the soldier should go to Bonaparte. The officer stated the rules of the post, and refused to comply with the order of this singular visitor. Bartolomeo frowned heavily, casting a terrible look at the captain, as if he made him responsible for the misfortunes that this refusal might occasion. Then he kept silence, folded his arms tightly across his breast, and took up his station under the portico which serves as an avenue of communication between the garden and the court-yard of the Tuileries. Persons who will things intensely are very apt to be helped by chance. At the moment when Bartolomeo di Piombo seated himself on one of the stone posts which was near the entrance, a carriage drew up, from which Lucien Bonaparte, minister of the interior, issued.

“Ah, Loucian, it is lucky for me I have met you!” cried the stranger.

These words, said in the Corsican patois, stopped Lucien at the moment when he was springing under the portico. He looked at his compatriot, and recognized him. At the first word that Bartolomeo said in his ear, he took the Corsican away with him.

Murat, Lannes, and Rapp were at that moment in the cabinet of the First Consul. As Lucien entered, followed by a man so singular in appearance as Piombo, the conversation ceased. Lucien took Napoleon by the arm and led him into the recess of a window. After exchanging a few words with his brother, the First Consul made a sign with his hand, which Murat and Lannes obeyed by retiring. Rapp pretended not to have seen it, in order to remain where he was. Bonaparte then spoke to him sharply, and the aide-de-camp, with evident unwillingness, left the room. The First Consul, who listened for Rapp’s step in the adjoining salon, opened the door suddenly, and found his aide-de-camp close to the wall of the cabinet.

“Do you choose not to understand me?” said the First Consul. “I wish to be alone with my compatriot.”

“A Corsican!” replied the aide-de-camp. “I distrust those fellows too much to — ”

The First Consul could not restrain a smile as he pushed his faithful officer by the shoulders.

“Well, what has brought you here, my poor Bartolomeo?” said Napoleon.

“To ask asylum and protection from you, if you are a true Corsican,” replied Bartolomeo, roughly.

“What ill fortune drove you from the island? You were the richest, the most — ”

“I have killed all the Portas,” replied the Corsican, in a deep voice, frowning heavily.

The First Consul took two steps backward in surprise.

“Do you mean to betray me?” cried Bartolomeo, with a darkling look at Bonaparte. “Do you know that there are still four Piombos in Corsica?”

Lucien took an arm of his compatriot and shook it.

“Did you come here to threaten the savior of France?” he said.