Array The griffin classics - The Collected Works of Honore de Balzac

At a few yards from the Jeanrenauds’ house, which he was approaching without knowing it, Rodolphe heard the sound of a carriage behind him, and, finding himself in a sunk road, he climbed to the top of a rock to leave the road free. Of course he looked at the approaching carriage — an elegant English phaeton, with a splendid pair of English horses. He felt quite dizzy as he beheld in this carriage Francesca, beautifully dressed, by the side of an old lady as hard as a cameo. A servant blazing with gold lace stood behind. Francesca recognized Rodolphe, and smiled at seeing him like a statue on a pedestal. The carriage, which the lover followed with his eyes as he climbed the hill, turned in at the gate of a country house, towards which he ran.

“Who lives here?” he asked the gardener.

“Prince and Princess Colonna, and Prince and Princess Gandolphini.”

“Have they not just driven in?”

“Yes, sir.”

In that instant a veil fell from Rodolphe’s eyes; he saw clearly the meaning of the past.

“If only this is her last piece of trickery!” thought the thunder-struck lover to himself.

He trembled lest he should have been the plaything of a whim, for he had heard what a capriccio might mean in an Italian. But what a crime had he committed in the eyes of a woman — in accepting a born princess as a citizen’s wife! in believing that a daughter of one of the most illustrious houses of the Middle Ages was the wife of a bookseller! The consciousness of his blunders increased Rodolphe’s desire to know whether he would be ignored and repelled. He asked for Prince Gandolphini, sending in his card, and was immediately received by the false Lamporani, who came forward to meet him, welcomed him with the best possible grace, and took him to walk on a terrace whence there was a view of Geneva, the Jura, the hills covered with villas, and below them a wide expanse of the lake.

“My wife is faithful to the lakes, you see,” he remarked, after pointing out the details to his visitor. “We have a sort of concert this evening,” he added, as they returned to the splendid Villa Jeanrenaud. “I hope you will do me and the Princess the pleasure of seeing you. Two months of poverty endured in intimacy are equal to years of friendship.”

Though he was consumed by curiosity, Rodolphe dared not ask to see the Princess; he slowly made his way back to Eaux-Vives, looking forward to the evening. In a few hours his passion, great as it had already been, was augmented by his anxiety and by suspense as to future events. He now understood the necessity for making himself famous, that he might some day find himself, socially speaking, on a level with his idol. In his eyes Francesca was made really great by the simplicity and ease of her conduct at Gersau. Princess Colonna’s haughtiness, so evidently natural to her, alarmed Rodolphe, who would find enemies in Francesca’s father and mother — at least so he might expect; and the secrecy which Princess Gandolphini had so strictly enjoined on him now struck him as a wonderful proof of affection. By not choosing to compromise the future, had she not confessed that she loved him?

At last nine o’clock struck; Rodolphe could get into a carriage and say with an emotion that is very intelligible, “To the Villa Jeanrenaud — to Prince Gandolphini’s.”

At last he saw Francesca, but without being seen by her. The Princess was standing quite near the piano. Her beautiful hair, so thick and long, was bound with a golden fillet. Her face, in the light of wax candles, had the brilliant pallor peculiar to Italians, and which looks its best only by artificial light. She was in full evening dress, showing her fascinating shoulders, the figure of a girl and the arms of an antique statue. Her sublime beauty was beyond all possible rivalry, though there were some charming women of Geneva, and other Italians, among them the dazzling and illustrious Princess Varese, and the famous singer Tinti, who was at that moment singing.

Rodolphe, leaning against the door-post, looked at the Princess, turning on her the fixed, tenacious, attracting gaze, charged with the full, insistent will which is concentrated in the feeling called desire, and thus assumes the nature of a vehement command. Did the flame of that gaze reach Francesca? Was Francesca expecting each instant to see Rodolphe? In a few minutes she stole a glance at the door, as though magnetized by this current of love, and her eyes, without reserve, looked deep into Rodolphe’s. A slight thrill quivered through that superb face and beautiful body; the shock to her spirit reacted: Francesca blushed! Rodolphe felt a whole life in this exchange of looks, so swift that it can only be compared to a lightning flash. But to what could his happiness compare? He was loved. The lofty Princess, in the midst of her world, in this handsome villa, kept the pledge given by the disguised exile, the capricious beauty of Bergmanns’ lodgings. The intoxication of such a moment enslaves a man for life! A faint smile, refined and subtle, candid and triumphant, curled Princess Gandolphini’s lips, and at a moment when she did not feel herself observed she looked at Rodolphe with an expression which seemed to ask his pardon for having deceived him as to her rank.

When the song was ended Rodolphe could make his way to the Prince, who graciously led him to his wife. Rodolphe went through the ceremonial of a formal introduction to Princess and Prince Colonna, and to Francesca. When this was over, the Princess had to take part in the famous quartette, Mi manca la voce , which was sung by her with Tinti, with the famous tenor Genovese, and with a well-known Italian Prince then in exile, whose voice, if he had not been a Prince, would have made him one of the Princes of Art.

“Take that seat,” said Francesca to Rodolphe, pointing to her own chair. “ Oime ! I think there is some mistake in my name; I have for the last minute been Princess Rodolphini.”

It was said with the artless grace which revived, in this avowal hidden beneath a jest, the happy days at Gersau. Rodolphe reveled in the exquisite sensation of listening to the voice of the woman he adored, while sitting so close to her that one cheek was almost touched by the stuff of her dress and the gauze of her scarf. But when, at such a moment, Mi manca la voce is being sung, and by the finest voices in Italy, it is easy to understand what it was that brought the tears to Rodolphe’s eyes.

In love, as perhaps in all else, there are certain circumstances, trivial in themselves, but the outcome of a thousand little previous incidents, of which the importance is immense, as an epitome of the past and as a link with the future. A hundred times already we have felt the preciousness of the one we love; but a trifle — the perfect touch of two souls united during a walk perhaps by a single word, by some unlooked-for proof of affection, will carry the feeling to its supremest pitch. In short, to express this truth by an image which has been pre-eminently successful from the earliest ages of the world, there are in a long chain points of attachment needed where the cohesion is stronger than in the intermediate loops of rings. This recognition between Rodolphe and Francesca, at this party, in the face of the world, was one of those intense moments which join the future to the past, and rivet a real attachment more deeply in the heart. It was perhaps of these incidental rivets that Bossuet spoke when he compared to them the rarity of happy moments in our lives — he who had such a living and secret experience of love.

Next to the pleasure of admiring the woman we love, comes that of seeing her admired by every one else. Rodolphe was enjoying both at once. Love is a treasury of memories, and though Rodolphe’s was already full, he added to it pearls of great price; smiles shed aside for him alone, stolen glances, tones in her singing which Francesca addressed to him alone, but which made Tinti pale with jealousy, they were so much applauded. All his strength of desire, the special expression of his soul, was thrown over the beautiful Roman, who became unchangeably the beginning and the end of all his thoughts and actions. Rodolphe loved as every woman may dream of being loved, with a force, a constancy, a tenacity, which made Francesca the very substance of his heart; he felt her mingling with his blood as purer blood, with his soul as a more perfect soul; she would henceforth underlie the least efforts of his life as the golden sand of the Mediterranean lies beneath the waves. In short, Rodolphe’s lightest aspiration was now a living hope.