Array The griffin classics - The Collected Works of Honore de Balzac

To avoid hurting the conceit of the provincials by refusing their articles, the lawyer hit on the good idea of suggesting a desire for the literary management of this Review to Monsieur Boucher’s eldest son, a young man of two-and-twenty, very eager for fame, to whom the snares and woes of literary responsibilities were utterly unknown. Albert quietly kept the upper hand and made Alfred Boucher his devoted adherent. Alfred was the only man in Besancon with whom the king of the bar was on familiar terms. Alfred came in the morning to discuss the articles for the next number with Albert in the garden. It is needless to say that the trial number contained a “Meditation” by Alfred, which Savaron approved. In his conversations with Alfred, Albert would let drop some great ideas, subjects for articles of which Alfred availed himself. And thus the merchant’s son fancied he was making capital out of the great man. To Alfred, Albert was a man of genius, of profound politics. The commercial world, enchanted at the success of the Review , had to pay up only three-tenths of their shares. Two hundred more subscribers, and the periodical would pay a dividend to the share-holders of five per cent, the editor remaining unpaid. This editing, indeed, was beyond price.

After the third number the Review was recognized for exchange by all the papers published in France, which Albert henceforth read at home. This third number included a tale signed “A. S.,” and attributed to the famous lawyer. In spite of the small attention paid by the higher circle of Besancon to the Review which was accused of Liberal views, this, the first novel produced in the county, came under discussion that mid-winter at Madame de Chavoncourt’s.

“Papa,” said Rosalie, “a Review is published in Besancon; you ought to take it in; and keep it in your room, for mamma would not let me read it, but you will lend it to me.”

Monsieur de Watteville, eager to obey his dear Rosalie, who for the last five months had given him so many proofs of filial affection, — Monsieur de Watteville went in person to subscribe for a year to the Eastern Review , and lent the four numbers already out to his daughter. In the course of the night Rosalie devoured the tale — the first she had ever read in her life — but she had only known life for two months past. Hence the effect produced on her by this work must not be judged by ordinary rules. Without prejudice of any kind as to the greater or less merit of this composition from the pen of a Parisian who had thus imported into the province the manner, the brilliancy, if you will, of the new literary school, it could not fail to be a masterpiece to a young girl abandoning all her intelligence and her innocent heart to her first reading of this kind.

Also, from what she had heard said, Rosalie had by intuition conceived a notion of it which strangely enhanced the interest of this novel. She hoped to find in it the sentiments, and perhaps something of the life of Albert. From the first pages this opinion took so strong a hold on her, that after reading the fragment to the end she was certain that it was no mistake. Here, then, is this confession, in which, according to the critics of Madame de Chavoncourt’s drawing-room, Albert had imitated some modern writers who, for lack of inventiveness, relate their private joys, their private griefs, or the mysterious events of their own life.

AMBITION FOR LOVE’S SAKE

In 1823 two young men, having agreed as a plan for a holiday to make a tour through Switzerland, set out from Lucerne one fine morning in the month of July in a boat pulled by three oarsmen. They started for Fluelen, intending to stop at every notable spot on the lake of the Four Cantons. The views which shut in the waters on the way from Lucerne to Fluelen offer every combination that the most exacting fancy can demand of mountains and rivers, lakes and rocks, brooks and pastures, trees and torrents. Here are austere solitudes and charming headlands, smiling and trimly kept meadows, forests crowning perpendicular granite cliffs, like plumes, deserted but verdant reaches opening out, and valleys whose beauty seems the lovelier in the dreamy distance.

As they passed the pretty hamlet of Gersau, one of the friends looked for a long time at a wooden house which seemed to have been recently built, enclosed by a paling, and standing on a promontory, almost bathed by the waters. As the boat rowed past, a woman’s head was raised against the background of the room on the upper story of this house, to admire the effect of the boat on the lake. One of the young men met the glance thus indifferently given by the unknown fair.

“Let us stop here,” said he to his friend. “We meant to make Lucerne our headquarters for seeing Switzerland; you will not take it amiss, Leopold, if I change my mind and stay here to take charge of our possessions. Then you can go where you please; my journey is ended. Pull to land, men, and put us out at this village; we will breakfast here. I will go back to Lucerne to fetch all our luggage, and before you leave you will know in which house I take a lodging, where you will find me on your return.”

“Here or at Lucerne,” replied Leopold, “the difference is not so great that I need hinder you from following your whim.”

These two youths were friends in the truest sense of the word. They were of the same age; they had learned at the same school; and after studying the law, they were spending their holiday in the classical tour in Switzerland. Leopold, by his father’s determination, was already pledged to a place in a notary’s office in Paris. His spirit of rectitude, his gentleness, and the coolness of his senses and his brain, guaranteed him to be a docile pupil. Leopold could see himself a notary in Paris; his life lay before him like one of the highroads that cross the plains of France, and he looked along its whole length with philosophical resignation.

The character of his companion, whom we will call Rodolphe, presented a strong contrast with Leopold’s, and their antagonism had no doubt had the result of tightening the bond that united them. Rodolphe was the natural son of a man of rank, who was carried off by a premature death before he could make any arrangements for securing the means of existence to a woman he fondly loved and to Rodolphe. Thus cheated by a stroke of fate, Rodolphe’s mother had recourse to a heroic measure. She sold everything she owed to the munificence of her child’s father for a sum of more than a hundred thousand francs, bought with it a life annuity for herself at a high rate, and thus acquired an income of about fifteen thousand francs, resolving to devote the whole of it to the education of her son, so as to give him all the personal advantages that might help to make his fortune, while saving, by strict economy, a small capital to be his when he came of age. It was bold; it was counting on her own life; but without this boldness the good mother would certainly have found it impossible to live and to bring her child up suitably, and he was her only hope, her future, the spring of all her joys.

Rodolphe, the son of a most charming Parisian woman, and a man of mark, a nobleman of Brabant, was cursed with extreme sensitiveness. From his infancy he had in everything shown a most ardent nature. In him mere desire became a guiding force and the motive power of his whole being, the stimulus to his imagination, the reason of his actions. Notwithstanding the pains taken by a clever mother, who was alarmed when she detected this predisposition, Rodolphe wished for things as a poet imagines, as a mathematician calculates, as a painter sketches, as a musician creates melodies. Tender-hearted, like his mother, he dashed with inconceivable violence and impetus of thought after the object of his desires; he annihilated time. While dreaming of the fulfilment of his schemes, he always overlooked the means of attainment. “When my son has children,” said his other, “he will want them born grown up.”