Array The griffin classics - The Collected Works of Honore de Balzac

“The mischief is done, wife,” said Joseph Lebas; “we must try to give our sister good advice.” Then the clever tradesman ponderously analyzed the resources which law and custom might offer Augustine as a means of escape at this crisis; he ticketed every argument, so to speak, and arranged them in their degrees of weight under various categories, as though they were articles of merchandise of different qualities; then he put them in the scale, weighed them, and ended by showing the necessity for his sister-in-law’s taking violent steps which could not satisfy the love she still had for her husband; and, indeed, the feeling had revived in all its strength when she heard Joseph Lebas speak of legal proceedings. Augustine thanked them, and returned home even more undecided than she had been before consulting them. She now ventured to go to the house in the Rue du Colombier, intending to confide her troubles to her father and mother; for she was like a sick man who, in his desperate plight, tries every prescription, and even puts faith in old wives’ remedies.

The old people received their daughter with an effusiveness that touched her deeply. Her visit brought them some little change, and that to them was worth a fortune. For the last four years they had gone their way like navigators without a goal or a compass. Sitting by the chimney corner, they would talk over their disasters under the old law of maximum , of their great investments in cloth, of the way they had weathered bankruptcies, and, above all, the famous failure of Lecocq, Monsieur Guillaume’s battle of Marengo. Then, when they had exhausted the tale of lawsuits, they recapitulated the sum total of their most profitable stock-takings, and told each other old stories of the Saint-Denis quarter. At two o’clock old Guillaume went to cast an eye on the business at the Cat and Racket; on his way back he called at all the shops, formerly the rivals of his own, where the young proprietors hoped to inveigle the old draper into some risky discount, which, as was his wont, he never refused point-blank. Two good Normandy horses were dying of their own fat in the stables of the big house; Madame Guillaume never used them but to drag her on Sundays to high Mass at the parish church. Three times a week the worthy couple kept open house. By the influence of his son-in-law Sommervieux, Monsieur Guillaume had been named a member of the consulting board for the clothing of the Army. Since her husband had stood so high in office, Madame Guillaume had decided that she must receive; her rooms were so crammed with gold and silver ornaments, and furniture, tasteless but of undoubted value, that the simplest room in the house looked like a chapel. Economy and expense seemed to be struggling for the upper hand in every accessory. It was as though Monsieur Guillaume had looked to a good investment, even in the purchase of a candlestick. In the midst of this bazaar, where splendor revealed the owner’s want of occupation, Sommervieux’s famous picture filled the place of honor, and in it Monsieur and Madame Guillaume found their chief consolation, turning their eyes, harnessed with eye-glasses, twenty times a day on this presentment of their past life, to them so active and amusing. The appearance of this mansion and these rooms, where everything had an aroma of staleness and mediocrity, the spectacle offered by these two beings, cast away, as it were, on a rock far from the world and the ideas which are life, startled Augustine; she could here contemplate the sequel of the scene of which the first part had struck her at the house of Lebas — a life of stir without movement, a mechanical and instinctive existence like that of the beaver; and then she felt an indefinable pride in her troubles, as she reflected that they had their source in eighteen months of such happiness as, in her eyes, was worth a thousand lives like this; its vacuity seemed to her horrible. However, she concealed this not very charitable feeling, and displayed for her parents her newly-acquired accomplishments of mind, and the ingratiating tenderness that love had revealed to her, disposing them to listen to her matrimonial grievances. Old people have a weakness for this kind of confidence. Madame Guillaume wanted to know the most trivial details of that alien life, which to her seemed almost fabulous. The travels of Baron da la Houtan, which she began again and again and never finished, told her nothing more unheard-of concerning the Canadian savages.

“What, child, your husband shuts himself into a room with naked women! And you are so simple as to believe that he draws them?”

As she uttered this exclamation, the grandmother laid her spectacles on a little work-table, shook her skirts, and clasped her hands on her knees, raised by a foot-warmer, her favorite pedestal.

“But, mother, all artists are obliged to have models.”

“He took good care not to tell us that when he asked leave to marry you. If I had known it, I would never had given my daughter to a man who followed such a trade. Religion forbids such horrors; they are immoral. And at what time of night do you say he comes home?”

“At one o’clock — two — — ”

The old folks looked at each other in utter amazement.

“Then he gambles?” said Monsieur Guillaume. “In my day only gamblers stayed out so late.”

Augustine made a face that scorned the accusation.

“He must keep you up through dreadful nights waiting for him,” said Madame Guillaume. “But you go to bed, don’t you? And when he has lost, the wretch wakes you.”

“No, mamma, on the contrary, he is sometimes in very good spirits. Not unfrequently, indeed, when it is fine, he suggests that I should get up and go into the woods.”

“The woods! At that hour? Then have you such a small set of rooms that his bedroom and his sitting-room are not enough, and that he must run about? But it is just to give you cold that the wretch proposes such expeditions. He wants to get rid of you. Did one ever hear of a man settled in life, a well-behaved, quiet man galloping about like a warlock?”

“But, my dear mother, you do not understand that he must have excitement to fire his genius. He is fond of scenes which — — ”

“I would make scenes for him, fine scenes!” cried Madame Guillaume, interrupting her daughter. “How can you show any consideration to such a man? In the first place, I don’t like his drinking water only; it is not wholesome. Why does he object to see a woman eating? What queer notion is that! But he is mad. All you tell us about him is impossible. A man cannot leave his home without a word, and never come back for ten days. And then he tells you he has been to Dieppe to paint the sea. As if any one painted the sea! He crams you with a pack of tales that are too absurd.”

Augustine opened her lips to defend her husband; but Madame Guillaume enjoined silence with a wave of her hand, which she obeyed by a survival of habit, and her mother went on in harsh tones: “Don’t talk to me about the man! He never set foot in church excepting to see you and to be married. People without religion are capable of anything. Did Guillaume ever dream of hiding anything from me, of spending three days without saying a word to me, and of chattering afterwards like a blind magpie?”

“My dear mother, you judge superior people too severely. If their ideas were the same as other folks’, they would not be men of genius.”

“Very well, then let men of genius stop at home and not get married. What! A man of genius is to make his wife miserable? And because he is a genius it is all right! Genius, genius! It is not so very clever to say black one minute and white the next, as he does, to interrupt other people, to dance such rigs at home, never to let you know which foot you are to stand on, to compel his wife never to be amused unless my lord is in gay spirits, and to be dull when he is dull.”