Array The griffin classics - The Collected Works of Honore de Balzac

Thus Augustine came among this sparkling set in a spirit of distrust which no one could fail to see. She was a restraint on their freedom. Now an artist who feels restraint is pitiless; he stays away, or laughs it to scorn. Madame Guillaume, among other absurdities, had an excessive notion of the dignity she considered the prerogative of a married woman; and Augustine, though she had often made fun of it, could not help a slight imitation of her mother’s primness. This extreme propriety, which virtuous wives do not always avoid, suggested a few epigrams in the form of sketches, in which the harmless jest was in such good taste that Sommervieux could not take offence; and even if they had been more severe, these pleasantries were after all only reprisals from his friends. Still, nothing could seem a trifle to a spirit so open as Theodore’s to impressions from without. A coldness insensibly crept over him, and inevitably spread. To attain conjugal happiness we must climb a hill whose summit is a narrow ridge, close to a steep and slippery descent: the painter’s love was falling down it. He regarded his wife as incapable of appreciating the moral considerations which justified him in his own eyes for his singular behavior to her, and believed himself quite innocent in hiding from her thoughts she could not enter into, and peccadilloes outside the jurisdiction of a bourgeois conscience. Augustine wrapped herself in sullen and silent grief. These unconfessed feelings placed a shroud between the husband and wife which could not fail to grow thicker day by day. Though her husband never failed in consideration for her, Augustine could not help trembling as she saw that he kept for the outer world those treasures of wit and grace that he formerly would lay at her feet. She soon began to find sinister meaning in the jocular speeches that are current in the world as to the inconstancy of men. She made no complaints, but her demeanor conveyed reproach.

Three years after her marriage this pretty young woman, who dashed past in her handsome carriage, and lived in a sphere of glory and riches to the envy of heedless folk incapable of taking a just view of the situations of life, was a prey to intense grief. She lost her color; she reflected; she made comparisons; then sorrow unfolded to her the first lessons of experience. She determined to restrict herself bravely within the round of duty, hoping that by this generous conduct she might sooner or later win back her husband’s love. But it was not so. When Sommervieux, fired with work, came in from his studio, Augustine did not put away her work so quickly but that the painter might find his wife mending the household linen, and his own, with all the care of a good housewife. She supplied generously and without a murmur the money needed for his lavishness; but in her anxiety to husband her dear Theodore’s fortune, she was strictly economical for herself and in certain details of domestic management. Such conduct is incompatible with the easy-going habits of artists, who, at the end of their life, have enjoyed it so keenly that they never inquire into the causes of their ruin.

It is useless to note every tint of shadow by which the brilliant hues of their honeymoon were overcast till they were lost in utter blackness. One evening poor Augustine, who had for some time heard her husband speak with enthusiasm of the Duchesse de Carigliano, received from a friend certain malignantly charitable warnings as to the nature of the attachment which Sommervieux had formed for this celebrated flirt of the Imperial Court. At one-and-twenty, in all the splendor of youth and beauty, Augustine saw herself deserted for a woman of six-and-thirty. Feeling herself so wretched in the midst of a world of festivity which to her was a blank, the poor little thing could no longer understand the admiration she excited, or the envy of which she was the object. Her face assumed a different expression. Melancholy, tinged her features with the sweetness of resignation and the pallor of scorned love. Ere long she too was courted by the most fascinating men; but she remained lonely and virtuous. Some contemptuous words which escaped her husband filled her with incredible despair. A sinister flash showed her the breaches which, as a result of her sordid education, hindered the perfect union of her soul with Theodore’s; she loved him well enough to absolve him and condemn herself. She shed tears of blood, and perceived, too late, that there are mesalliances of the spirit as well as of rank and habits. As she recalled the early raptures of their union, she understood the full extent of that lost happiness, and accepted the conclusion that so rich a harvest of love was in itself a whole life, which only sorrow could pay for. At the same time, she loved too truly to lose all hope. At one-and-twenty she dared undertake to educate herself, and make her imagination, at least, worthy of that she admired. “If I am not a poet,” thought she, “at any rate, I will understand poetry.”

Then, with all the strength of will, all the energy which every woman can display when she loves, Madame de Sommervieux tried to alter her character, her manners, and her habits; but by dint of devouring books and learning undauntedly, she only succeeded in becoming less ignorant. Lightness of wit and the graces of conversation are a gift of nature, or the fruit of education begun in the cradle. She could appreciate music and enjoy it, but she could not sing with taste. She understood literature and the beauties of poetry, but it was too late to cultivate her refractory memory. She listened with pleasure to social conversation, but she could contribute nothing brilliant. Her religious notions and home-grown prejudices were antagonistic to the complete emancipation of her intelligence. Finally, a foregone conclusion against her had stolen into Theodore’s mind, and this she could not conquer. The artist would laugh, at those who flattered him about his wife, and his irony had some foundation; he so overawed the pathetic young creature that, in his presence, or alone with him, she trembled. Hampered by her too eager desire to please, her wits and her knowledge vanished in one absorbing feeling. Even her fidelity vexed the unfaithful husband, who seemed to bid her do wrong by stigmatizing her virtue as insensibility. Augustine tried in vain to abdicate her reason, to yield to her husband’s caprices and whims, to devote herself to the selfishness of his vanity. Her sacrifices bore no fruit. Perhaps they had both let the moment slip when souls may meet in comprehension. One day the young wife’s too sensitive heart received one of those blows which so strain the bonds of feeling that they seem to be broken. She withdrew into solitude. But before long a fatal idea suggested to her to seek counsel and comfort in the bosom of her family.

So one morning she made her way towards the grotesque facade of the humble, silent home where she had spent her childhood. She sighed as she looked up at the sash-window, whence one day she had sent her first kiss to him who now shed as much sorrow as glory on her life. Nothing was changed in the cavern, where the drapery business had, however, started on a new life. Augustine’s sister filled her mother’s old place at the desk. The unhappy young woman met her brother-in-law with his pen behind his ear; he hardly listened to her, he was so full of business. The formidable symptoms of stock-taking were visible all round him; he begged her to excuse him. She was received coldly enough by her sister, who owed her a grudge. In fact, Augustine, in her finery, and stepping out of a handsome carriage, had never been to see her but when passing by. The wife of the prudent Lebas, imagining that want of money was the prime cause of this early call, tried to keep up a tone of reserve which more than once made Augustine smile. The painter’s wife perceived that, apart from the cap and lappets, her mother had found in Virginie a successor who could uphold the ancient honor of the Cat and Racket. At breakfast she observed certain changes in the management of the house which did honor to Lebas’ good sense; the assistants did not rise before dessert; they were allowed to talk, and the abundant meal spoke of ease without luxury. The fashionable woman found some tickets for a box at the Francais, where she remembered having seen her sister from time to time. Madame Lebas had a cashmere shawl over her shoulders, of which the value bore witness to her husband’s generosity to her. In short, the couple were keeping pace with the times. During the two-thirds of the day she spent there, Augustine was touched to the heart by the equable happiness, devoid, to be sure, of all emotion, but equally free from storms, enjoyed by this well-matched couple. They had accepted life as a commercial enterprise, in which, above all, they must do credit to the business. Not finding any great love in her husband, Virginie had set to work to create it. Having by degrees learned to esteem and care for his wife, the time that his happiness had taken to germinate was to Joseph Lebas a guarantee of its durability. Hence, when Augustine plaintively set forth her painful position, she had to face the deluge of commonplace morality which the traditions of the Rue Saint-Denis furnished to her sister.