Fyodor Dostoyevsky - THE COMPLETE WORKS OF FYODOR DOSTOYEVSKY

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This unique collection of Fyodor Dostoyevsky's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature.
NOVELS:
Netochka Nezvanova
The Village of Stepanchikovo
The Insulted and the Injured
The House of the Dead
Crime and Punishment
The Idiot
The Possessed (Demons)
The Raw Youth (The Adolescent)
The Brothers Karamazov
NOVELLAS:
Poor Folk
The Double
The Landlady
Uncle's Dream
Notes from Underground
The Gambler
The Permanent Husband
SHORT STORIES:
The Grand Inquisitor (Chapter from The Brothers Karamazov)
Mr. Prohartchin
A Novel in Nine Letters
Another Man's Wife or, The Husband under the Bed
A Faint Heart
Polzunkov
The Honest Thief
The Christmas Tree and The Wedding
White Nights
A Little Hero
An Unpleasant Predicament (A Nasty Story)
The Crocodile
Bobok
The Heavenly Christmas Tree
A Gentle Spirit
The Peasant Marey
The Dream of a Ridiculous Man
LETTERS:
Letters of Fyodor Michailovitch Dostoyevsky to his Family and Friends
BIOGRAPHY:
Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky

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“Very well,” he answered, smiling in spite of himself at this new whim, “very well, if you turn out a good, well-brought-up young lady, and will be obedient and will…”

“Take my powders?” put in Nellie.

“0-ho! To he sure, take your powders. A good girl,” he whispered to me again; “there’s a great deal, a great deal in her … that’s good and clever but … to get married … what a strange caprice….”

And he took her the medicine again. But this time she made no pretence about it but simply jerked the spoon up from below with her hand and all the medicine was splashed on the poor doctor’s shirtfront and in his face. Nellie laughed aloud, but not with the same merry, goodhumoured laugh as before. There was a look of something cruel and malicious in her face. All this time she seemed to avoid my eyes, only looked at the doctor, and with mockery, through which some uneasiness was discernible, waited to see what the “funny” old man would do next.

“Oh! You’ve done it again! …What a misfortune! But…I can mix you another powder! “ said the old man, wiping his face and his shirtfront with his handkerchief. This made a tremendous impression on Nellie. She had been prepared for our anger, thought that we should begin to scold and reprove her, and perhaps she was unconsciously longing at that moment for some excuse to cry, to sob hysterically, to upset some more powders as she had just now and even to break something in her vexation, and with all this to relieve her capricious and aching little heart. Such capricious humours are to be found not only in the sick and not only in Nellie. How often I have walked up and down the room with the unconscious desire for someone to insult me or to utter some word that I could interpret as an insult in order to vent my anger upon someone. Women, venting their anger in that way, begin to cry, shedding the most genuine tears, and the more emotional of them even go into hysterics. It’s a very simple and everyday experience, and happens most often when there is some other, often a secret, grief in the heart, to which one longs to give utterance but cannot.

But, struck by the angelic kindness of the old doctor and the patience with which he set to work to mix her another powder without uttering one word of reproach, Nellie suddenly subsided. The look of mockery vanished from her lips, the colour rushed to her face, her eyes grew moist. She stole a look at me and turned away at once. The doctor brought her the medicine. She took it meekly and shyly, seized the old man’s plump red hand, and looked slowly into his face.

“You … are angry that I’m horrid,” she tried to say, but could not finish; she ducked under the quilt, hid her head and burst into loud, hysterical sobs.

“Oh, my child, don’t weep! … It is nothing … It’s nerves, drink some water.”

But Nellie did not hear.

“Be comforted … don’t upset yourself,” he went on, almost whimpering over her, for he was a very sensitive man. “I’ll forgive you and be married to you if, like a good, well-brought-up girl, you’ll….”

“Take my powders,” came from under the quilt with a little nervous laugh that tinkled like a bell, and was broken by sobs — a laugh I knew very well.

“A goodhearted, grateful child!” said the doctor triumphantly, almost with tears in his eyes. “Poor girl!”

And a strange and wonderful affection sprang up from that day between him and Nellie. With me, on the contrary, Nellie became more and more sullen, nervous, and irritable. I didn’t know what to ascribe this to, and wondered at her, especially as this change in her seemed to happen suddenly. During the first days of her illness she was particularly tender and caressing with me; it seemed as though she could not take her eyes off me; she would not let me leave her side, clutched my hand in her feverish little hand and made me sit beside her, and if she noticed that I was gloomy and anxious she tried to cheer me up, made jokes, played with me and smiled at me, evidently making an effort to overcome her own sufferings. She did not want me to work at night, or to sit up to look after her, and was grieved because I would not listen to her. Sometimes I noticed an anxious look in her face; she began to question me, and tried to find out why I was sad, what was in my mind. But strange to say, when Natasha’s name was mentioned she immediately dropped the conversation or began to speak of something else. She seemed to avoid speaking of Natasha, and that struck me. When I came home she was delighted. When I took up my hat she looked at me dejectedly and rather strangely, following me with her eyes, as it were reproachfully.

On the fourth day of her illness, I spent the whole evening with Natasha and stayed long after midnight. There was something we had to discuss. As I went out I said to my invalid that I should be back very soon, as indeed I reckoned on being. Being detained almost unexpectedly at Natasha’s, I felt quite easy in my mind about Nellie. Alexandra Semyonovna was sitting up with her, having heard from Masloboev, who came in to see me for a moment, that Nellie was ill and that I was in great difficulties and absolutely without help. Good heavens, what a fuss kindhearted Alexandra Semyonovna was in!

“So of course he won’t come to dinner with us now! Ach, mercy on us! And he’s all alone, poor fellow, all alone! Well, now we can show how kindly we feel to him. Here’s the opportunity. We mustn’t let it slip.”

She immediately appeared at my flat, bringing with her in a cab a regular hamper. Declaring at the first word that she was going to stay and had come to help me in my trouble, she undid her parcels. In them there were syrups and preserves for the invalid, chickens and a fowl in case the patient began to be convalescent, apples for baking, oranges, dry Kiev preserves (in case the doctor would allow them) and finally linen, sheets, dinner napkins, nightgowns, bandages, compresses — an outfit for a whole hospital.

“We’ve got everything,” she said to me, articulating every word as though in haste, “and, you see, you live like a bachelor. You’ve not much of all this. So please allow me … and Filip Filippovitch told me to. Well, what now … make haste, make haste, what shall I do now? How is she? Conscious? Ah, how uncomfortably she is lying! I must put her pillow straight that she may lie with her head low, and, what do you think, wouldn’t a leather pillow be better? The leather is cooler. Ah, what a fool I am! It never occurred to me to bring one. I’ll go and get it. Oughtn’t we to light a fire? I’ll send my old woman to you. I know an old woman. You’ve no servant, have you?…Well, what shall I do now? What’s that? Herbs…did the doctor prescribe them? For some herb tea, I suppose? I’ll go at once and light the fire.”

But I reassured her, and she was much surprised and even rather chagrined that there turned out to be not so very much to do. But this did not discourage her altogether. She made friends with Nellie at once and was a great help to me all through her illness. She visited us almost every day and she always used to come in looking as though something had been lost or had gone astray and she must hasten to catch it up. She always added that Filip Filippovitch had told her to come. Nellie liked her very much. They took to each other like two sisters, and I fancy that in many things Alexandra Semyonovna was as much of a baby as Nellie. She used to tell the child stories and amuse her, and Nellie often missed her when she had gone home. Her first appearance surprised my invalid, but she quickly guessed why the uninvited visitor had come, and as usual frowned and became silent and ungracious.

“Why did she come to see us?” asked Nellie, with an air of displeasure after Alexandra Semyonovna had gone away.

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