Fyodor Dostoyevsky - THE COMPLETE WORKS OF FYODOR DOSTOYEVSKY

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This unique collection of Fyodor Dostoyevsky's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature.
NOVELS:
Netochka Nezvanova
The Village of Stepanchikovo
The Insulted and the Injured
The House of the Dead
Crime and Punishment
The Idiot
The Possessed (Demons)
The Raw Youth (The Adolescent)
The Brothers Karamazov
NOVELLAS:
Poor Folk
The Double
The Landlady
Uncle's Dream
Notes from Underground
The Gambler
The Permanent Husband
SHORT STORIES:
The Grand Inquisitor (Chapter from The Brothers Karamazov)
Mr. Prohartchin
A Novel in Nine Letters
Another Man's Wife or, The Husband under the Bed
A Faint Heart
Polzunkov
The Honest Thief
The Christmas Tree and The Wedding
White Nights
A Little Hero
An Unpleasant Predicament (A Nasty Story)
The Crocodile
Bobok
The Heavenly Christmas Tree
A Gentle Spirit
The Peasant Marey
The Dream of a Ridiculous Man
LETTERS:
Letters of Fyodor Michailovitch Dostoyevsky to his Family and Friends
BIOGRAPHY:
Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky

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I had a foreboding from the very beginning that this was all premeditated, and that there was some motive behind it, but I was in such a position that whatever happened I was bound to listen to him. It was in Natasha’s interests and I was obliged to make up my mind to everything and endure it, for perhaps the whole affair was being settled at that moment. But how could I listen to his base, cynical jeers at her expense, how could I endure this coolly! And, to make things worse, he quite realized that I could not avoid listening to him, and that redoubled the offensiveness of it. Yet he is in need of me himself, I reflected, and I began answering him abruptly and rudely. He understood it.

“Look here, my young friend,” he began, looking at me seriously, “we can’t go on like this, you and I, and so we’d better come to an understanding. I have been intending, you see, to speak openly to you about something, and you are bound to be so obliging as to listen, whatever I may say. I want to speak as I choose and as I prefer; yes, in the present case that’s necessary. So how is it to be, my young friend, will you be so obliging?”

I controlled myself and was silent, although he was looking at me with such biting mockery, as though he were challenging me to the most outspoken protest. But he realized that I had already agreed not to go, and he went on,

“Don’t be angry with me, my friend! You are angry at something, aren’t you? Merely at something external, isn’t it? Why, you expected nothing else of me in substance, however I might have spoken to you, with perfumed courtesy, or as now; so the drift would have been the same in any case. You despise me, don’t you? You see how much charming simplicity there is in me, what candour, what bonhomie! I confess everything to you, even my childish caprices. Yes, mon cher, yes, a little more bonhomie on your side too, and we should agree and get on famously, and understand one another perfectly in the end. Don’t wonder at me. I am so sick of all this innocence, all these pastoral idyllics of Alyosha’s, all this Schillerism, all the loftiness of this damnable intrigue with this Natasha (not that she’s not a very taking little girl) that I am, so to speak, glad of an opportunity to have my fling at them. Well, the opportunity has come. Besides, I am longing to pour out my heart to you. Ha! ha! ha!”

“You surprise me, prince, and I hardly recognize you. You are sinking to the level of a Polichinello. These unexpected revelations….”

“Ha! ha! ha! to be sure that’s partly true! A charming comparison, ha-ha-ha! I’m out for a spree, my boy, I’m out for a spree! I’m enjoying myself! And you, my poet, must show me every possible indulgence. But we’d better drink,” he concluded filling up his glass, perfectly satisfied with himself. “I tell you what, my boy, that stupid evening at Natasha’s, do you remember, was enough to finish me off completely. It’s true she was very charming in herself, but I came away feeling horribly angry, and I don’t want to forget it. Neither to forget it nor to conceal it. Of course our time will come too, and it’s coming quickly indeed, but we’ll leave that for now. And among other things, I wanted to explain to you that I have one peculiarity of which you don’t know yet, that is my hatred for all these vulgar and worthless naivities and idyllic nonsense; and one of the enjoyments I relish most has always been putting on that style myself, falling in with that tone, making much of some ever-young Schiller, and egging him on, and then, suddenly, all at once, crushing him at one blow, suddenly taking off my mask before him, and suddenly distorting my ecstatic countenance into a grimace, putting out my tongue at him when he is least of all expecting such a surprise. What? You don’t understand that, you think it nasty, stupid, undignified perhaps, is that it?”

“Of course it is.”

“You are candid. I dare say, but what am I to do if they plague me? I’m stupidly candid too, but such is my character. But I want to tell you some characteristic incidents in my life. It will make you understand me better, and it will be very interesting. Yes, I really am, perhaps, like a Polichinello today, but a Polichinello is candid, isn’t he?”

“Listen, prince, it’s late now, and really….”

“What? Good heavens, what impatience! Besides what’s the hurry? You think I’m drunk. Never mind. So much the better. Ha-ha-ha! These friendly interviews are always remembered so long afterwards, you know, one recalls them with such enjoyment. You’re not a goodnatured man, Ivan Petrovitch. There’s no sentimentality, no feeling about you. What is a paltry hour or two to you for the sake of a friend like me? Besides, it has a bearing on a certain affair…. Of course you must realize that, and you a literary man too; yes, you ought to bless the chance. You might create a type from me, ha-haha! My word, how sweetly candid I am to-day!”

He was evidently drunk. His face changed and began to assume a spiteful expression. He was obviously longing to wound, to sting, to bite, to jeer. “In a way it’s better he’s drunk,” I thought, “men always let things out when they’re drunk.” But he knew what he was about.

“My young friend,” he began, unmistakably enjoying himself, “I made you a confession just now, perhaps an inappropriate one, that I sometimes have an irresistible desire to put out my tongue at people in certain cases. For this naive and simplehearted frankness you compare me to Polichinello, which really amuses me. But if you wonder or reproach me for being rude to you now, and perhaps as unmannerly as a peasant, with having changed my tone to you in fact, in that case you are quite unjust. In the first place it happens to suit me, and secondly I am not at home, but out with you…by which I mean we’re out for a spree together like good friends, and thirdly I’m awfully given to acting on my fancies. Do you know that once I had a fancy to become a metaphysician and a philanthropist, and came round almost to the same ideas as you? But that was ages ago, in the golden days of my youth. I remember at that time going to my home in the country with humane intentions, and was, of course, bored to extinction. And you wouldn’t believe what happened to me then. In my boredom I began to make the acquaintance of some pretty little girls…. What, you’re not making faces already? Oh, my young friend! Why, we’re talking as friends now! One must sometimes enjoy oneself, one must sometimes let oneself go! I have the Russian temperament, you know, a genuine Russian temperament, I’m a patriot, I love to throw off everything; besides one must snatch the moment to enjoy life.. We shall die — and what comes then! Well, so I took to dangling after the girls. I remember one little shepherdess had a husband, a handsome lad he was. I gave him a sound thrashing and meant to send him for a soldier (past pranks, my poet), but I didn’t send him for a soldier. He died in my hospital. I had a hospital in the village, with twelve beds, splendidly fitted up; such cleanliness, parquet floors. I abolished it long ago though, but at that time I was proud of it: I was a philanthropist. Well, I nearly flogged the peasant to death on his wife’s account…. Why are you making faces again? It disgusts you to hear about it? It revolts your noble feelings? There, there, don’t upset yourself! All that’s a thing of the past. I did that when I was in my romantic stage. I wanted to be a benefactor of humanity, to found a philanthropic society… . That was the groove I was in at that time. And then it was I went in for thrashing. Now I never do it; now one has to grimace about it; now we all grimace about it — such are the times…. But what amuses me most of all now is that fool Ichmenyev. I’m convinced that he knew all about that episode with the peasant…and what do you think? In the goodness of his heart, which is made, I do believe, of treacle, and because he was in love with me at that time, and was cracking me up to himself, he made up his mind not to believe a word of it, and he didn’t believe a word of it; that is, he refused to believe in the fact and for twelve years he stood firm as a rock for me, till he was touched himself. Ha-ha-ha! But all that’s nonsense! Let us drink, my young friend. Listen: are you fond of women?”

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