Fyodor Dostoyevsky - THE COMPLETE WORKS OF FYODOR DOSTOYEVSKY

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This unique collection of Fyodor Dostoyevsky's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature.
NOVELS:
Netochka Nezvanova
The Village of Stepanchikovo
The Insulted and the Injured
The House of the Dead
Crime and Punishment
The Idiot
The Possessed (Demons)
The Raw Youth (The Adolescent)
The Brothers Karamazov
NOVELLAS:
Poor Folk
The Double
The Landlady
Uncle's Dream
Notes from Underground
The Gambler
The Permanent Husband
SHORT STORIES:
The Grand Inquisitor (Chapter from The Brothers Karamazov)
Mr. Prohartchin
A Novel in Nine Letters
Another Man's Wife or, The Husband under the Bed
A Faint Heart
Polzunkov
The Honest Thief
The Christmas Tree and The Wedding
White Nights
A Little Hero
An Unpleasant Predicament (A Nasty Story)
The Crocodile
Bobok
The Heavenly Christmas Tree
A Gentle Spirit
The Peasant Marey
The Dream of a Ridiculous Man
LETTERS:
Letters of Fyodor Michailovitch Dostoyevsky to his Family and Friends
BIOGRAPHY:
Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky

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“The man’s praised,” she thought about me, “but there’s no knowing what for. An author, a poet…. But what is an author after all?”

CHAPTER VI

Table of Contents

I READ THEM my novel at one sitting. We began immediately after tea, and stayed up till two o’clock. The old man frowned at first. He was expecting something infinitely lofty, which might be beyond his comprehension, but must in any case be elevated. But, instead of that, he heard such commonplace, familiar things — precisely such as were always happening about him. And if only the hero had been a great or interesting man, or something historical like Roslavlev, or Yury Miloslavsky; instead of that he was described as a little, downtrodden, rather foolish clerk, with buttons missing from his uniform; and all this written in such simple language, exactly as we talk ourselves … Strange!

Anna Andreyevna looked inquiringly at Nikolay Sergeyitch, and seemed positively pouting a little as though she were resentful.

“Is it really worth while to print and read such nonsense, and they pay money for it, too,” was written on her face. Natasha was all attention, she listened greedily, never taking her eyes off me, watching my lips as I pronounced each word, moving her own pretty lips after me. And yet before I had read half of it, tears were falling from the eyes of all three of them. Anna Andreyevna was genuinely crying, feeling for the troubles of my hero with all her heart, and longing with great naivety to help him in some way out of his troubles, as I gathered from her exclamations. The old man had already abandoned all hopes of anything elevated. “From the first step it’s clear that you’ll never be at the top of the tree; there it is, it’s simply a little story; but it wrings your heart,” he said, “and what’s happening all round one grows easier to understand, and to remember, and one learns that the most downtrodden, humblest man is a man, too, and a brother.”

Natasha listened, cried, and squeezed my hand tight by stealth under the table. The reading was over. She got up, her cheeks were flushed, tears stood in her eyes. All at once she snatched my hand, kissed it, and ran out of the room. The father and mother looked at one another.

“Hm! what an enthusiastic creature she is,” said the old man, struck by his daughter’s behaviour. “That’s nothing though, nothing, it’s a good thing, a generous impulse! She’s a good girl…,” he muttered, looking askance at his wife as though to justify Natasha and at the same time wanting to defend me too.

But though Anna Andreyevna had been rather agitated and touched during the reading, she looked now as though she would say: “Of course Alexander of Macedon was a hero, but why break the furniture?” etc.

Natasha soon came back, gay and happy, and coming over to me gave me a sly pinch. The old man attempted to play the stern critic of my novel again, but in his joy he was carried away and could not keep up the part.

“Well, Vanya, my boy, it’s good, it’s good! You’ve comforted me, relieved my mind more than I expected. It’s not elevated, it’s not great, that’s evident… . Over there there lies the ‘Liberation of Moscow,’ it was written in Moscow, you know. Well, you can see in that from the first line, my boy, that the author, so to speak, soars like an eagle. But, do you know, Vanya, yours is somehow simpler, easier to understand. That’s why I like it, because it’s easier to understand. It’s more akin to us as it were; it’s as though it had all happened to me myself. And what’s the use of the highflown stuff? I shouldn’t have understood it myself. I should have improved the language. I’m praising it, but say what you will, it’s not very refined. But there, it’s too late now, it’s printed, unless perhaps there’s a second edition? But I say, my boy, maybe it will go into a second edition! Then there’ll be money again! Hmm!”

“And can you really have got so much money for it, Ivan Petrovitch?” observed Anna Andreyevna. “I look at you and somehow can’t believe it. Mercy on us, what people will give money for nowadays!”

“You know, Vanya,” said the old man, more and more carried away by enthusiasm, “it’s a career, though it’s not the service. Even the highest in the land will read it. Here you tell me Gogol receives a yearly allowance and was sent abroad. What if it were the same with you, eh? Or is it too soon? Must you write something more? Then write it, my boy, write it as quick as possible. Don’t rest on your laurels. What hinders you?”

And he said this with such an air of conviction, with such good nature that I could not pluck up resolution to stop him and throw cold water on his fancies.

“Or they may be giving you a snuffbox directly, mayn’t they? Why not? They want to encourage you. And who knows, maybe you’ll be presented at court,” he added in a half whisper, screwing up his left eye with a significant air— “or not? Is it too soon for the court?”

“The court, indeed!” said Anna Andreyevna with an offended air.

“In another minute you’ll be making me a general,” I answered, laughing heartily.

The old man laughed too. He was exceedingly pleased.

“Your excellency, won’t you have something to eat?” cried Natasha playfully. — she had meantime been getting supper for us.

She laughed, ran to her father and flung her warm arms round him.

“Dear, kind daddy!”

The old man was moved,

“Well, well, that’s all right! I speak in the simplicity of my heart. General or no general, come to supper. Ah, you sentimental girl!” he added, patting his Natasha on her flushed cheek, as he was fond of doing on every convenient occasion. “I spoke because I love you, Vanya, you know. But even if not a general (far from it!) you’re a distinguished man, an author.”

“Nowadays, daddy, they call them writers.”

“Not authors? I didn’t know. Well, let it be writers then, but I tell you what I wanted to say: people are not made kammerherrs, of course, because they write novels; it’s no use to dream of that; but anyway you can make your mark; become, an attache of some sort. They may send you abroad, to Italy, for the sake of your health, or somewhere to perfect yourself in, your studies; you’ll be helped with money. Of course it must all be honourable on your side; you must get money and honour by work, by real good work, and not through patronage of one sort or another.”

“And don’t you be too proud then, Ivan Petrovich,” added Anna Andreyevna, laughing.

“You’d better give him a star, at once, daddy; after all, what’s the good of an attache?”

And she pinched my arm again.

“This girl keeps making fun of me,” said the old man, looking delightedly at Natasha, whose cheeks were glowing and whose eyes were shining like stars. “I think I really may have overshot the mark, children; but I’ve always been like that… But do you know, Vanya, I keep wondering at you: how perfectly simple you are…”

“Why, good heavens, daddy, what else could he be?”

“Oh, no. I didn’t mean that. Only, Vanya, you’ve a face that’s not what one would call a poet’s. They’re pale, they say, you know, the poets, and with hair like this, you know, and a look in their eyes … like Goethe, you know, and the rest of them, I’ve read that in Abaddon … well? Have I put my foot in it again? Ah, the rogue, she’s giggling at me! I’m not a scholar, my dears, but I can feel. Well, face or no face, that’s no great matter, yours is all right for me, and I like it very much. I didn’t mean that… . Only be honest, Vanya, be honest. That’s the great thing, live honestly, don’t be conceited! The road lies open before you. Serve your work honestly, that’s what I meant to say; yes, that’s just what I wanted to say!”

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