Gustave Flaubert - Gustave Flaubert - Madame Bovary, Salammbô & Sentimental Education (3 Books in One Edition)

With his elbows on the long board on which she was ironing, he greedily watched all these women’s clothes spread about him, the dimity petticoats, the fichus, the collars, and the drawers with running strings, wide at the hips and growing narrower below.

“What is that for?” asked the young fellow, passing his hand over the crinoline or the hooks and eyes.

“Why, haven’t you ever seen anything?” Felicite answered laughing. “As if your mistress, Madame Homais, didn’t wear the same.”

“Oh, I daresay! Madame Homais!” And he added with a meditative air, “As if she were a lady like madame!”

But Felicite grew impatient of seeing him hanging round her. She was six years older than he, and Theodore, Monsieur Guillaumin’s servant, was beginning to pay court to her.

“Let me alone,” she said, moving her pot of starch. “You’d better be off and pound almonds; you are always dangling about women. Before you meddle with such things, bad boy, wait till you’ve got a beard to your chin.”

“Oh, don’t be cross! I’ll go and clean her boots.”

And he at once took down from the shelf Emma’s boots, all coated with mud, the mud of the rendezvous, that crumbled into powder beneath his fingers, and that he watched as it gently rose in a ray of sunlight.

“How afraid you are of spoiling them!” said the servant, who wasn’t so particular when she cleaned them herself, because as soon as the stuff of the boots was no longer fresh madame handed them over to her.

Emma had a number in her cupboard that she squandered one after the other, without Charles allowing himself the slightest observation. So also he disbursed three hundred francs for a wooden leg that she thought proper to make a present of to Hippolyte. Its top was covered with cork, and it had spring joints, a complicated mechanism, covered over by black trousers ending in a patent-leather boot. But Hippolyte, not daring to use such a handsome leg every day, begged Madame Bovary to get him another more convenient one. The doctor, of course, had again to defray the expense of this purchase.

So little by little the stable-man took up his work again. One saw him running about the village as before, and when Charles heard from afar the sharp noise of the wooden leg, he at once went in another direction.

It was Monsieur Lheureux, the shopkeeper, who had undertaken the order; this provided him with an excuse for visiting Emma. He chatted with her about the new goods from Paris, about a thousand feminine trifles, made himself very obliging, and never asked for his money. Emma yielded to this lazy mode of satisfying all her caprices. Thus she wanted to have a very handsome ridding-whip that was at an umbrella-maker’s at Rouen to give to Rodolphe. The week after Monsieur Lheureux placed it on her table.

But the next day he called on her with a bill for two hundred and seventy francs, not counting the centimes. Emma was much embarrassed; all the drawers of the writing-table were empty; they owed over a fortnight’s wages to Lestiboudois, two quarters to the servant, for any quantity of other things, and Bovary was impatiently expecting Monsieur Derozeray’s account, which he was in the habit of paying every year about Midsummer.

She succeeded at first in putting off Lheureux. At last he lost patience; he was being sued; his capital was out, and unless he got some in he should be forced to take back all the goods she had received.

“Oh, very well, take them!” said Emma.

“I was only joking,” he replied; “the only thing I regret is the whip. My word! I’ll ask monsieur to return it to me.”

“No, no!” she said.

“Ah! I’ve got you!” thought Lheureux.

And, certain of his discovery, he went out repeating to himself in an undertone, and with his usual low whistle —

“Good! we shall see! we shall see!”

She was thinking how to get out of this when the servant coming in put on the mantelpiece a small roll of blue paper “from Monsieur Derozeray’s.” Emma pounced upon and opened it. It contained fifteen napoleons; it was the account. She heard Charles on the stairs; threw the gold to the back of her drawer, and took out the key.

Three days after Lheureux reappeared.

“I have an arrangement to suggest to you,” he said. “If, instead of the sum agreed on, you would take —”

“Here it is,” she said placing fourteen napoleons in his hand.

The tradesman was dumfounded. Then, to conceal his disappointment, he was profuse in apologies and proffers of service, all of which Emma declined; then she remained a few moments fingering in the pocket of her apron the two five-franc pieces that he had given her in change. She promised herself she would economise in order to pay back later on. “Pshaw!” she thought, “he won’t think about it again.”

Besides the riding-whip with its silver-gilt handle, Rodolphe had received a seal with the motto Amor nel cor 14 furthermore, a scarf for a muffler, and, finally, a cigar-case exactly like the Viscount’s, that Charles had formerly picked up in the road, and that Emma had kept. These presents, however, humiliated him; he refused several; she insisted, and he ended by obeying, thinking her tyrannical and overexacting.

Then she had strange ideas.

“When midnight strikes,” she said, “you must think of me.”

And if he confessed that he had not thought of her, there were floods of reproaches that always ended with the eternal question —

“Do you love me?”

“Why, of course I love you,” he answered.

“A great deal?”

“Certainly!”

“You haven’t loved any others?”

“Did you think you’d got a virgin?” he exclaimed laughing.

Emma cried, and he tried to console her, adorning his protestations with puns.

“Oh,” she went on, “I love you! I love you so that I could not live without you, do you see? There are times when I long to see you again, when I am torn by all the anger of love. I ask myself, Where is he? Perhaps he is talking to other women. They smile upon him; he approaches. Oh no; no one else pleases you. There are some more beautiful, but I love you best. I know how to love best. I am your servant, your concubine! You are my king, my idol! You are good, you are beautiful, you are clever, you are strong!”

He had so often heard these things said that they did not strike him as original. Emma was like all his mistresses; and the charm of novelty, gradually falling away like a garment, laid bare the eternal monotony of passion, that has always the same forms and the same language. He did not distinguish, this man of so much experience, the difference of sentiment beneath the sameness of expression. Because lips libertine and venal had murmured such words to him, he believed but little in the candour of hers; exaggerated speeches hiding mediocre affections must be discounted; as if the fullness of the soul did not sometimes overflow in the emptiest metaphors, since no one can ever give the exact measure of his needs, nor of his conceptions, nor of his sorrows; and since human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars.