Gustave Flaubert - Gustave Flaubert - Madame Bovary, Salammbô & Sentimental Education (3 Books in One Edition)

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Madame Bovary, written by Gustave Flaubert, was published in 1857 in French. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel's true art lies in its details and hidden patterns. Salammbô (1862) is a historical novel by Gustave Flaubert. It is set in Carthage during the 3rd century BC, immediately before and during the Mercenary Revolt which took place shortly after the First Punic War. Sentimental Education (1869) is a novel by Gustave Flaubert, and is considered one of the most influential novels of the 19th century. The novel describes the life of a young man living through the revolution of 1848 and the founding of the Second French Empire, and his love for an older woman. The novel's tone is by turns ironic and pessimistic; it occasionally lampoons French society. The main character, Frédéric, often gives himself to romantic flights of fancy.
Gustave Flaubert ( 1821 – 1880) was an influential French writer who is counted among the greatest novelists in Western literature. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his art and style.

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The feast was long, noisy, ill served; the guests were so crowded that they could hardly move their elbows; and the narrow planks used for forms almost broke down under their weight. They ate hugely. Each one stuffed himself on his own account. Sweat stood on every brow, and a whitish steam, like the vapour of a stream on an autumn morning, floated above the table between the hanging lamps. Rodolphe, leaning against the calico of the tent was thinking so earnestly of Emma that he heard nothing. Behind him on the grass the servants were piling up the dirty plates, his neighbours were talking; he did not answer them; they filled his glass, and there was silence in his thoughts in spite of the growing noise. He was dreaming of what she had said, of the line of her lips; her face, as in a magic mirror, shone on the plates of the shakos, the folds of her gown fell along the walls, and days of love unrolled to all infinity before him in the vistas of the future.

He saw her again in the evening during the fireworks, but she was with her husband, Madame Homais, and the druggist, who was worrying about the danger of stray rockets, and every moment he left the company to go and give some advice to Binet.

The pyrotechnic pieces sent to Monsieur Tuvache had, through an excess of caution, been shut up in his cellar, and so the damp powder would not light, and the principal set piece, that was to represent a dragon biting his tail, failed completely. Now and then a meagre Roman-candle went off; then the gaping crowd sent up a shout that mingled with the cry of the women, whose waists were being squeezed in the darkness. Emma silently nestled against Charles’s shoulder; then, raising her chin, she watched the luminous rays of the rockets against the dark sky. Rodolphe gazed at her in the light of the burning lanterns.

They went out one by one. The stars shone out. A few crops of rain began to fall. She knotted her fichu round her bare head.

At this moment the councillor’s carriage came out from the inn.

His coachman, who was drunk, suddenly dozed off, and one could see from the distance, above the hood, between the two lanterns, the mass of his body, that swayed from right to left with the giving of the traces.

“Truly,” said the druggist, “one ought to proceed most rigorously against drunkenness! I should like to see written up weekly at the door of the town hall on a board ad hoc 13 the names of all those who during the week got intoxicated on alcohol. Besides, with regard to statistics, one would thus have, as it were, public records that one could refer to in case of need. But excuse me!”

And he once more ran off to the captain. The latter was going back to see his lathe again.

“Perhaps you would not do ill,” Homais said to him, “to send one of your men, or to go yourself —”

“Leave me alone!” answered the tax-collector. “It’s all right!”

“Do not be uneasy,” said the druggist, when he returned to his friends. “Monsieur Binet has assured me that all precautions have been taken. No sparks have fallen; the pumps are full. Let us go to rest.”

“Ma foi! I want it,” said Madame Homais, yawning at large. “But never mind; we’ve had a beautiful day for our fete.”

Rodolphe repeated in a low voice, and with a tender look, “Oh, yes! very beautiful!”

And having bowed to one another, they separated.

Two days later, in the “Final de Rouen,” there was a long article on the show. Homais had composed it with verve the very next morning.

“Why these festoons, these flowers, these garlands? Whither hurries this crowd like the waves of a furious sea under the torrents of a tropical sun pouring its heat upon our heads?”

Then he spoke of the condition of the peasants. Certainly the Government was doing much, but not enough. “Courage!” he cried to it; “a thousand reforms are indispensable; let us accomplish them!” Then touching on the entry of the councillor, he did not forget “the martial air of our militia;” nor “our most merry village maidens;” nor the “bald-headed old men like patriarchs who were there, and of whom some, the remnants of our phalanxes, still felt their hearts beat at the manly sound of the drums.” He cited himself among the first of the members of the jury, and he even called attention in a note to the fact that Monsieur Homais, chemist, had sent a memoir on cider to the agricultural society.

When he came to the distribution of the prizes, he painted the joy of the prize-winners in dithyrambic strophes. “The father embraced the son, the brother the brother, the husband his consort. More than one showed his humble medal with pride; and no doubt when he got home to his good housewife, he hung it up weeping on the modest walls of his cot.

“About six o’clock a banquet prepared in the meadow of Monsieur Leigeard brought together the principal personages of the fete. The greatest cordiality reigned here. Divers toasts were proposed: Monsieur Lieuvain, the King; Monsieur Tuvache, the Prefect; Monsieur Derozerays, Agriculture; Monsieur Homais, Industry and the Fine Arts, those twin sisters; Monsieur Leplichey, Progress. In the evening some brilliant fireworks on a sudden illumined the air. One would have called it a veritable kaleidoscope, a real operatic scene; and for a moment our little locality might have thought itself transported into the midst of a dream of the ‘Thousand and One Nights.’ “Let us state that no untoward event disturbed this family meeting.” And he added “Only the absence of the clergy was remarked. No doubt the priests understand progress in another fashion. Just as you please, messieurs the followers of Loyola!”

12 Upon my word!

13 Specifically for that.

Chapter Nine

Table of Contents

Six weeks passed. Rodolphe did not come again. At last one evening he appeared.

The day after the show he had said to himself —“We mustn’t go back too soon; that would be a mistake.”

And at the end of a week he had gone off hunting. After the hunting he had thought it was too late, and then he reasoned thus —

“If from the first day she loved me, she must from impatience to see me again love me more. Let’s go on with it!”

And he knew that his calculation had been right when, on entering the room, he saw Emma turn pale.

She was alone. The day was drawing in. The small muslin curtain along the windows deepened the twilight, and the gilding of the barometer, on which the rays of the sun fell, shone in the looking-glass between the meshes of the coral.

Rodolphe remained standing, and Emma hardly answered his first conventional phrases.

“I,” he said, “have been busy. I have been ill.”

“Seriously?” she cried.

“Well,” said Rodolphe, sitting down at her side on a footstool, “no; it was because I did not want to come back.”

“Why?”

“Can you not guess?”

He looked at her again, but so hard that she lowered her head, blushing. He went on —

“Emma!”

“Sir,” she said, drawing back a little.

“Ah! you see,” replied he in a melancholy voice, “that I was right not to come back; for this name, this name that fills my whole soul, and that escaped me, you forbid me to use! Madame Bovary! why all the world calls you thus! Besides, it is not your name; it is the name of another!”

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