Gustave Flaubert - Gustave Flaubert - Madame Bovary, Salammbô & Sentimental Education (3 Books in One Edition)

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Madame Bovary, written by Gustave Flaubert, was published in 1857 in French. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel's true art lies in its details and hidden patterns. Salammbô (1862) is a historical novel by Gustave Flaubert. It is set in Carthage during the 3rd century BC, immediately before and during the Mercenary Revolt which took place shortly after the First Punic War. Sentimental Education (1869) is a novel by Gustave Flaubert, and is considered one of the most influential novels of the 19th century. The novel describes the life of a young man living through the revolution of 1848 and the founding of the Second French Empire, and his love for an older woman. The novel's tone is by turns ironic and pessimistic; it occasionally lampoons French society. The main character, Frédéric, often gives himself to romantic flights of fancy.
Gustave Flaubert ( 1821 – 1880) was an influential French writer who is counted among the greatest novelists in Western literature. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his art and style.

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The crowd came into the main street from both ends of the village. People poured in from the lanes, the alleys, the houses; and from time to time one heard knockers banging against doors closing behind women with their gloves, who were going out to see the fete. What was most admired were two long lamp-stands covered with lanterns, that flanked a platform on which the authorities were to sit. Besides this there were against the four columns of the town hall four kinds of poles, each bearing a small standard of greenish cloth, embellished with inscriptions in gold letters.

On one was written, “To Commerce”; on the other, “To Agriculture”; on the third, “To Industry”; and on the fourth, “To the Fine Arts.”

But the jubilation that brightened all faces seemed to darken that of Madame Lefrancois, the innkeeper. Standing on her kitchen-steps she muttered to herself, “What rubbish! what rubbish! With their canvas booth! Do they think the prefect will be glad to dine down there under a tent like a gipsy? They call all this fussing doing good to the place! Then it wasn’t worth while sending to Neufchatel for the keeper of a cookshop! And for whom? For cowherds! tatterdemalions!”

The druggist was passing. He had on a frock-coat, nankeen trousers, beaver shoes, and, for a wonder, a hat with a low crown.

“Your servant! Excuse me, I am in a hurry.” And as the fat widow asked where he was going —

“It seems odd to you, doesn’t it, I who am always more cooped up in my laboratory than the man’s rat in his cheese.”

“What cheese?” asked the landlady.

“Oh, nothing! nothing!” Homais continued. “I merely wished to convey to you, Madame Lefrancois, that I usually live at home like a recluse. To-day, however, considering the circumstances, it is necessary —”

“Oh, you’re going down there!” she said contemptuously.

“Yes, I am going,” replied the druggist, astonished. “Am I not a member of the consulting commission?”

Mere Lefrancois looked at him for a few moments, and ended by saying with a smile —

“That’s another pair of shoes! But what does agriculture matter to you? Do you understand anything about it?”

“Certainly I understand it, since I am a druggist — that is to say, a chemist. And the object of chemistry, Madame Lefrancois, being the knowledge of the reciprocal and molecular action of all natural bodies, it follows that agriculture is comprised within its domain. And, in fact, the composition of the manure, the fermentation of liquids, the analyses of gases, and the influence of miasmata, what, I ask you, is all this, if it isn’t chemistry, pure and simple?”

The landlady did not answer. Homais went on —

“Do you think that to be an agriculturist it is necessary to have tilled the earth or fattened fowls oneself? It is necessary rather to know the composition of the substances in question — the geological strata, the atmospheric actions, the quality of the soil, the minerals, the waters, the density of the different bodies, their capillarity, and what not. And one must be master of all the principles of hygiene in order to direct, criticize the construction of buildings, the feeding of animals, the diet of domestics. And, moreover, Madame Lefrancois, one must know botany, be able to distinguish between plants, you understand, which are the wholesome and those that are deleterious, which are unproductive and which nutritive, if it is well to pull them up here and re-sow them there, to propagate some, destroy others; in brief, one must keep pace with science by means of pamphlets and public papers, be always on the alert to find out improvements.”

The landlady never took her eyes off the “Cafe Francois” and the chemist went on —

“Would to God our agriculturists were chemists, or that at least they would pay more attention to the counsels of science. Thus lately I myself wrote a considerable tract, a memoir of over seventy-two pages, entitled, ‘Cider, its Manufacture and its Effects, together with some New Reflections on the Subject,’ that I sent to the Agricultural Society of Rouen, and which even procured me the honour of being received among its members — Section, Agriculture; Class, Pomological. Well, if my work had been given to the public —” But the druggist stopped, Madame Lefrancois seemed so preoccupied.

“Just look at them!” she said. “It’s past comprehension! Such a cookshop as that!” And with a shrug of the shoulders that stretched out over her breast the stitches of her knitted bodice, she pointed with both hands at her rival’s inn, whence songs were heard issuing. “Well, it won’t last long,” she added. “It’ll be over before a week.”

Homais drew back with stupefaction. She came down three steps and whispered in his ear —

“What! you didn’t know it? There is to be an execution in next week. It’s Lheureux who is selling him out; he has killed him with bills.”

“What a terrible catastrophe!” cried the druggist, who always found expressions in harmony with all imaginable circumstances.

Then the landlady began telling him the story that she had heard from Theodore, Monsieur Guillaumin’s servant, and although she detested Tellier, she blamed Lheureux. He was “a wheedler, a sneak.”

“There!” she said. “Look at him! he is in the market; he is bowing to Madame Bovary, who’s got on a green bonnet. Why, she’s taking Monsieur Boulanger’s arm.”

“Madame Bovary!” exclaimed Homais. “I must go at once and pay her my respects. Perhaps she’ll be very glad to have a seat in the enclosure under the peristyle.” And, without heeding Madame Lefrancois, who was calling him back to tell him more about it, the druggist walked off rapidly with a smile on his lips, with straight knees, bowing copiously to right and left, and taking up much room with the large tails of his frock-coat that fluttered behind him in the wind.

Rodolphe, having caught sight of him from afar, hurried on, but Madame Bovary lost her breath; so he walked more slowly, and, smiling at her, said in a rough tone —

“It’s only to get away from that fat fellow, you know, the druggist.” She pressed his elbow.

“What’s the meaning of that?” he asked himself. And he looked at her out of the corner of his eyes.

Her profile was so calm that one could guess nothing from it. It stood out in the light from the oval of her bonnet, with pale ribbons on it like the leaves of weeds. Her eyes with their long curved lashes looked straight before her, and though wide open, they seemed slightly puckered by the cheek-bones, because of the blood pulsing gently under the delicate skin. A pink line ran along the partition between her nostrils. Her head was bent upon her shoulder, and the pearl tips of her white teeth were seen between her lips.

“Is she making fun of me?” thought Rodolphe.

Emma’s gesture, however, had only been meant for a warning; for Monsieur Lheureux was accompanying them, and spoke now and again as if to enter into the conversation.

“What a superb day! Everybody is out! The wind is east!”

And neither Madame Bovary nor Rodolphe answered him, whilst at the slightest movement made by them he drew near, saying, “I beg your pardon!” and raised his hat.

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