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Shirley Jackson: The Haunting of Hill House (Horror Classic)

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Shirley Jackson The Haunting of Hill House (Horror Classic)

The Haunting of Hill House (Horror Classic): краткое содержание, описание и аннотация

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This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Hill House is an 80 year-old mansion built by long-deceased Hugh Crain. The story concerns four main characters: Dr. John Montague, an investigator of the supernatural; Eleanor Vance, a shy young woman who resents having lived as a recluse caring for her demanding invalid mother; Theodora, a flamboyant, bohemian, possibly lesbian artist; and Luke Sanderson, the young heir to Hill House, who is also the host to the others. Dr. Montague hopes to find scientific evidence of the existence of the supernatural. He rents Hill House for a summer and invites as his guests several people whom he has chosen because of their past experience with paranormal events. Of these, only Eleanor and Theodora accept. All four of the inhabitants begin to experience strange events while in the house, including unseen noises and ghosts roaming the halls at night, strange writing on the walls and other unexplained events. Eleanor tends to experience phenomena to which the others are oblivious. At the same time, Eleanor may be losing touch with reality…A finalist for the National Book Award, The Haunting of Hill House is considered as one of the best literary ghost stories published during the 20th century, even by stalwarts like Stephen King. It has been made into two feature films, a TV series and a play. Jackson's novel relies on terror rather than horror to elicit emotion in the reader, utilizing complex relationships between the mysterious events in the house and the characters' psyches. A must read!

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The road, her intimate friend now, turned and dipped, going around turns where surprises waited—once a cow, regarding her over a fence, once an incurious dog—down into hollows where small towns lay, past fields and orchards. On the main street of one village she passed a vast house, pillared and walled, with shutters over the windows and a pair of stone lions guarding the steps, and she thought that perhaps she might live there, dusting the lions each morning and patting their heads good night. Time is beginning this morning in June, she assured herself, but it is a time that is strangely new and of itself; in these few seconds I have lived a lifetime in a house with two lions in front. Every morning I swept the porch and dusted the lions, and every evening I patted their heads good night, and once a week I washed their faces and manes and paws with warm water and soda and cleaned between their teeth with a swab. Inside the house the rooms were tall and clear with shining floors and polished windows. A little dainty old lady took care of me, moving starchily with a silver tea service on a tray and bringing me a glass of elderberry wine each evening for my health’s sake. I took my dinner alone in the long, quiet dining-room at the gleaming table, and between the tall windows the white panelling of the walls shone in the candlelight; I dined upon a bird, and radishes from the garden, and home-made plum jam. When I slept it was under a canopy of white organdie, and a nightlight guarded me from the hall. People bowed to me on the streets of the town because everyone was very proud of my lions. When I died . . .

She had left the town far behind by now, and was going past dirty, closed lunch stands and torn signs. There had been a fair somewhere near here once, long ago, with motorcycle races; the signs still carried fragments of words. Dare, one of them read, and another, EVIL, and she laughed at herself, perceiving how she sought out omens everywhere; the word is DAREDEVIL, Eleanor, daredevil drivers, and she slowed her car because she was driving too fast and might reach Hill House too soon.

At one spot she stopped altogether beside the road to stare in disbelief and wonder. Along the road for perhaps a quarter of a mile she had been passing and admiring a row of splendid tended oleanders, blooming pink and white in a steady row. Now she had come to the gateway they protected, and past the gateway the trees continued. The gateway was no more than a pair of ruined stone pillars, with a road leading away between them into empty fields. She could see that the oleander trees cut away from the road and ran up each side of a great square, and she could see all the way to the farther side of the square, which was a line of oleander trees seemingly going along a little river. Inside the oleander square there was nothing, no house, no building, nothing but the straight road going across and ending at the stream. Now what was here, she wondered, what was here and is gone, or what was going to be here and never came? Was it going to be a house or a garden or an orchard; were they driven away for ever or are they coming back? Oleanders are poisonous, she remembered; could they be here guarding something? Will I, she thought, will I get out of my car and go between the ruined gates and then, once I am in the magic oleander square, find that I have wandered into a fairyland, protected poisonously from the eyes of people passing? Once I have stepped between the magic gateposts, will I find myself through the protective barrier, the spell broken? I will go into a sweet garden, with fountains and low benches and roses trained over arbours, and find one path—jewelled, perhaps, with rubies and emeralds, soft enough for a king’s daughter to walk upon with her little sandalled feet—and it will lead me directly to the palace which lies under a spell. I will walk up low stone steps past stone lions guarding and into a courtyard where a fountain plays and the queen waits, weeping, for the princess to return. She will drop her embroidery when she sees me, and cry out to the palace servants—stirring at last after their long sleep—to prepare a great feast, because the enchantment is ended and the palace is itself again. And we shall live happily ever after.

No, of course, she thought, turning to start her car again, once the palace becomes visible and the spell is broken, the whole spell will be broken and all this countryside outside the oleanders will return to its proper form, fading away, towns and signs and cows, into a soft green picture from a fairy tale. Then, coming down from the hills there will be a prince riding, bright in green and silver with a hundred bowmen riding behind him, pennants stirring, horses tossing, jewels flashing . . .

She laughed and turned to smile good-bye at the magic oleanders. Another day, she told them, another day I’ll come back and break your spell.

She stopped for lunch after she had driven a hundred miles and a mile. She found a country restaurant which advertised itself as an old mill and found herself seated, incredibly, upon a balcony over a dashing stream, looking down upon wet rocks and the intoxicating sparkle of moving water, with a cut-glass bowl of cottage cheese on the table before her, and corn sticks in a napkin. Because this was a time and a land where enchantments were swiftly made and broken she wanted to linger over her lunch, knowing that Hill House always waited for her at the end of her day. The only other people in the dining-room were a family party, a mother and father with a small boy and girl, and they talked to one another softly and gently, and once the little girl turned and regarded Eleanor with frank curiosity and, after a minute, smiled. The lights from the stream below touched the ceiling and the polished tables and glanced along the little girl’s curls, and the little girl’s mother said, ‘She wants her cup of stars.’

Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, ‘She wants her cup of stars.’

Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course.

‘Her little cup,’ the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill’s good country milk was not rich enough for the little girl. ‘It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.’ The waitress nodded, unconvinced, and the mother told the little girl, ‘You’ll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?’

Don’t do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don’t do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.

‘You’re spoiling her,’ the father said. ‘She ought not to be allowed these whims.’

‘Just this once,’ the mother said. She put down the glass of milk and touched the little girl gently on the hand. ‘Eat your ice cream,’ she said.

When they left, the little girl waved good-bye to Eleanor, and Eleanor waved back, sitting in joyful loneliness to finish her coffee while the gay stream tumbled along below her. I have not very much farther to go, Eleanor thought; I am more than half-way there. Journey’s end, she thought, and far back in her mind, sparkling like the little stream, a tag end of a tune danced through her head, bringing distantly a word or so; ‘In delay there lies no plenty,’ she thought, ‘in delay there lies no plenty.’

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