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Shirley Jackson: The Haunting of Hill House (Horror Classic)

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Shirley Jackson The Haunting of Hill House (Horror Classic)

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This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Hill House is an 80 year-old mansion built by long-deceased Hugh Crain. The story concerns four main characters: Dr. John Montague, an investigator of the supernatural; Eleanor Vance, a shy young woman who resents having lived as a recluse caring for her demanding invalid mother; Theodora, a flamboyant, bohemian, possibly lesbian artist; and Luke Sanderson, the young heir to Hill House, who is also the host to the others. Dr. Montague hopes to find scientific evidence of the existence of the supernatural. He rents Hill House for a summer and invites as his guests several people whom he has chosen because of their past experience with paranormal events. Of these, only Eleanor and Theodora accept. All four of the inhabitants begin to experience strange events while in the house, including unseen noises and ghosts roaming the halls at night, strange writing on the walls and other unexplained events. Eleanor tends to experience phenomena to which the others are oblivious. At the same time, Eleanor may be losing touch with reality…A finalist for the National Book Award, The Haunting of Hill House is considered as one of the best literary ghost stories published during the 20th century, even by stalwarts like Stephen King. It has been made into two feature films, a TV series and a play. Jackson's novel relies on terror rather than horror to elicit emotion in the reader, utilizing complex relationships between the mysterious events in the house and the characters' psyches. A must read!

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During the whole underside of her life, ever since her first memory, Eleanor had been waiting for something like Hill House. Caring for her mother, lifting a cross old lady from her chair to her bed, setting out endless little trays of soup and oatmeal, steeling herself to the filthy laundry, Eleanor had held fast to the belief that some day something would happen. She had accepted the invitation to Hill House by return mail, although her brother-in-law had insisted upon calling a couple of people to make sure that this doctor fellow was not aiming to introduce Eleanor to savage rites not unconnected with matters Eleanor’s sister deemed it improper for an unmarried young woman to know. Perhaps, Eleanor’s sister whispered in the privacy of the marital bedroom, perhaps Dr Montague—if that really was his name, after all—perhaps this Dr Montague used these women for some—well— experiments . You know— experiments , the way they do. Eleanor’s sister dwelt richly upon experiments she had heard these doctors did. Eleanor had no such ideas, or, having them, was not afraid. Eleanor, in short, would have gone anywhere.

Theodora—that was as much name as she used; her sketches were signed ‘Theo’ and on her apartment’s door and the window of her shop and her telephone listing and her pale stationery and the bottom of the lovely photograph of her which stood on the mantel, the name was always only Theodora—Theodora was not at all like Eleanor. Duty and conscience were, for Theodora, attributes which belonged properly to Girl Scouts. Theodora’s world was one of delight and soft colours; she had come on to Dr Montague’s list because—going laughing into the laboratory, bringing with her a rush of floral perfume—she had somehow been able, amused and excited over her own incredible skill, to identify correctly eighteen cards out of twenty, fifteen cards out of twenty, nineteen cards out of twenty, held up by an assistant out of sight and hearing. The name of Theodora shone in the records of the laboratory and so came inevitably to Dr Montague’s attention. Theodora had been entertained by Dr Montague’s first letter and answered it out of curiosity (perhaps the wakened knowledge in Theodora which told her the names of symbols on cards held out of sight urged her on her way towards Hill House), and yet fully intended to decline the invitation. Yet—perhaps the stirring, urgent sense again—when Dr Montague’s confirming letter arrived, Theodora had been tempted and had somehow plunged blindly, wantonly, into a violent quarrel with the friend with whom she shared an apartment. Things were said on both sides which only time could eradicate; Theodora had deliberately and heartlessly smashed the lovely little figurine her friend had carved of her, and her friend had cruelly ripped to shreds the volume of Alfred de Musset which had been a birthday present from Theodora, taking particular pains with the page which bore Theodora’s loving, teasing inscription. These acts were of course unforgettable, and before they could laugh over them together time would have to go by; Theodora had written that night, accepting Dr Montague’s invitation, and departed in cold silence the next day.

Luke Sanderson was a liar. He was also a thief. His aunt, who was the owner of Hill House, was fond of pointing out that her nephew had the best education, the best clothes, the best taste, and the worst companions of anyone she had ever known; she would have leaped at any chance to put him safely away for a few weeks. The family lawyer was prevailed upon to persuade Dr Montague that the house could on no account be rented to him for his purposes without the confining presence of a member of the family during his stay, and perhaps at their first meeting the doctor perceived in Luke a kind of strength, or catlike instinct for self-preservation, which made him almost as anxious as Mrs Sanderson to have Luke with him in the house. At any rate, Luke was amused, his aunt grateful, and Dr Montague more than satisfied. Mrs Sanderson told the family lawyer that at any rate there was really nothing in the house Luke could steal. The old silver there was of some value, she told the lawyer, but it represented an almost insuperable difficulty for Luke: it required energy to steal it and transform it into money. Mrs Sanderson did Luke an injustice. Luke was not at all likely to make off with the family silver, or Dr Montague’s watch, or Theodora’s bracelet; his dishonesty was largely confined to taking petty cash from his aunt’s pocketbook and cheating at cards. He was also apt to sell the watches and cigarette cases given him, fondly and with pretty blushes, by his aunt’s friends. Some day Luke would inherit Hill House, but he had never thought to find himself living in it.

III

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‘I just don’t think she should take the car, is all,’ Eleanor’s brother-in-law said stubbornly.

‘It’s half my car,’ Eleanor said. ‘I helped pay for it.’

‘I just don’t think she should take it, is all,’ her brother-in-law said. He appealed to his wife. ‘It isn’t fair she should have the use of it for the whole summer, and us have to do without.’

‘Carrie drives it all the time, and I never even take it out of the garage,’ Eleanor said. ‘Besides, you’ll be in the mountains all summer, and you can’t use it there . Carrie, you know you won’t use the car in the mountains.’

‘But suppose poor little Linnie got sick or something? And we needed a car to get her to a doctor?’

‘It’s half my car,’ Eleanor said. ‘I mean to take it.’

‘Suppose even Carrie got sick? Suppose we couldn’t get a doctor and needed to go to a hospital?’

‘I want it. I mean to take it.’

‘I don’t think so.’ Carrie spoke slowly, deliberately. ‘We don’t know where you’re going, do we? You haven’t seen fit to tell us very much about all this, have you? I don’t think I can see my way clear to letting you borrow my car.’

‘It’s half my car.’

‘No,’ Carrie said. ‘You may not.’

‘Right.’ Eleanor’s brother-in-law nodded. ‘We need it, like Carrie says.’

Carrie smiled slightly. ‘I’d never forgive myself, Eleanor, if I lent you the car and something happened. How do we know we can trust this doctor fellow? You’ve still a young woman, after all, and the car is worth a good deal of money.’

‘Well, now, Carrie, I did call Homer in the credit office, and he said this fellow was in good standing at some college or other——’

Carrie said, still smiling, ‘Of course, there is every reason to suppose that he is a decent man. But Eleanor does not choose to tell us where she is going, or how to reach her if we want the car back; something could happen, and we might never know. Even if Eleanor,’ she went on delicately, addressing her teacup, ‘even if Eleanor is prepared to run off to the ends of the earth at the invitation of any man, there is still no reason why she should be permitted to take my car with her.’

‘It’s half my car.’

‘Suppose poor little Linnie got sick, up there in the mountains, with nobody around? No doctor?’

‘In any case, Eleanor, I am sure that I am doing what Mother would have thought best. Mother had confidence in me and would certainly never have approved my letting you run wild, going off heaven knows where, in my car.’

‘Or suppose even I got sick, up there in——’

‘I am sure Mother would have agreed with me, Eleanor.’

‘Besides,’ Eleanor’s brother-in-law said, struck by a sudden idea, ‘how do we know she’d bring it back in good condition?’

There has to be a first time for everything, Eleanor told herself. She got out of the taxi, very early in the morning, trembling because by now, perhaps, her sister and her brother-in-law might be stirring with the first faint proddings of suspicion; she took her suitcase quickly out of the taxi while the driver lifted out the cardboard carton which had been on the front seat. Eleanor overtipped him, wondering if her sister and brother-in-law were following, were perhaps even now turning into the street and telling each other, ‘There she is, just as we thought, the thief, there she is’; she turned in haste to go into the huge city garage where their car was kept, glancing nervously towards the ends of the street. She crashed into a very little lady, sending packages in all directions, and saw with dismay a bag upset and break on the sidewalk, spilling out a broken piece of cheesecake, tomato slices, a hard roll. ‘Damn you damn you!’ the little lady screamed, her face pushed up close to Eleanor’s. ‘I was taking it home, damn you damn you!’

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