Samuel Coleridge - The Complete Essays, Lectures & Letters of S. T. Coleridge (Illustrated)

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Samuel Taylor Coleridge (1772–1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson, and American transcendentalism. Coleridge is one of the most important figures in English poetry. His poems directly and deeply influenced all the major poets of the age. He was known by his contemporaries as a meticulous craftsman who was more rigorous in his careful reworking of his poems than any other poet, and Southey and Wordsworth were dependent on his professional advice.
Table of Contents: Introduction: The Spirit of the Age: Mr. Coleridge by William Hazlitt A Day With Samuel Taylor Coleridge by May Byron The Life of Samuel Taylor Coleridge by James Gillman Literary Essays, Lectures and Memoirs: BIOGRAPHIA LITERARIA ANIMA POETAE SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA AND THE STAGE AIDS TO REFLECTION CONFESSIONS OF AN INQUIRING SPIRIT AND MISCELLANEOUS ESSAYS FROM «THE FRIEND» HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE OMNIANA. 1812 A COURSE OF LECTURES LITERARY NOTES SPECIMENS OF THE TABLE TALK OF SAMUEL TAYLOR COLERIDGE LITERARY REMAINS OF S.T. COLERIDGE Complete Letters LETTERS OF SAMUEL TAYLOR COLERIDGE BIBLIOGRAPHIA EPISTOLARIS

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S. T. COLERIDGE.”

During the first lecture of the course in 1817, a young man of modest demeanor sent him a letter, and afterwards introduced himself, stating ti that he was a student in literature, and from his conversation, he struck Coleridge as one much more attached to the better part of our nature than to the love of gain. An intimacy consequently took place, and Coleridge addressed many letters to him, from which will be selected such as are critical or autobiographical. Fortunately they have been preserved, and are too valuable not to form a part of this volume.

The following is an answer to the first letter Coleridge received from him:

“Wednesday Morning, Jan. 28th, 1818.

DEAR SIR,

Your friendly letter was first delivered to me at the lecture-room door on yesterday evening, ten minutes before the lecture, and my spirits were so sadly depressed by the circumstance of my hoarseness, that I was literally incapable of reading it. I now express my acknowledgments, and with them the regret that I had not received the letter in time to have availed myself of it.

When I was young I used to laugh at flattery, as, on account of its absurdity, I now abhor it, from my repeated observations of its mischievous effects. Amongst these, not the least is, that it renders honourable natures more slow and reluctant in expressing their real feelings in praise of the deserving, than, for the interests of truth and virtue, might be desired. For the weakness of our moral and intellectual being, of which the comparatively strongest are often the most, and the most painfully, conscious, needs the confirmation derived from the coincidence and sympathy of the friend, as much as the voice of honour within us denounces the pretences of the flatterer. Be assured, then, that I write as I think, when I tell you that, from the style and thoughts of your letter, I should have drawn a very different conclusion from that which you appear to have done, concerning both your talents and the cultivation which they have received. Both the matter and manner are manly, simple, and correct.

Had I the time in my own power, compatibly with the performance of duties of immediate urgency, I would endeavour to give you, by letter, the most satisfactory answer to your questions that my reflections and the experience of my own fortunes could supply. But, at all events, I will not omit to avail myself of your judicious suggestion in my last lecture, in which it will form a consistent part of the subject and purpose of the discourse. Meantime, believe me, with great respect,

Your obliged fellow-student of the true and the beseeming

S. T. COLERIDGE.”

“Sept. 20th, 1818.

DEAR SIR,

Those who have hitherto chosen to take notice of me, as known to them only by my public character, have for the greater part taken out, not, indeed, a poetical, but a critical, license to make game of me, instead of sending game to me. Thank heaven! I am in this respect more tough than tender. But, to be serious, I heartily thank you for your polite remembrance; and, though my feeble health and valetudinarian stomach force me to attach no little value to the present itself, I feel still more obliged by the kindness that prompted it.

I trust that you will not come within the purlieus of Highgate without giving me the opportunity of assuring you personally that I am, with sincere respect,

Your obliged,

S. T. COLERIDGE.”

Following the chronological order I proposed, I am led to speak again of Lamb, who having at this time collected many little poems and essays, scattered in different publications, he reprinted and published them in two small volumes, which he dedicated to Coleridge; and those of my readers who have not seen this work will, doubtless, find it interesting. The simplicity of this dedication, and above all the biographical portion of it, seem to render it appropriate to this work, and it is therefore subjoined.

TO S. T. COLERIDGE, Esq.

MY DEAR COLERIDGE,

You will smile to see the slender labors of your friend designated by the title of ‘Works’; but such was the wish of the gentlemen who have kindly undertaken the trouble of collecting them, and from their judgment could be no appeal.

It would be a kind of disloyalty to offer to any one but yourself, a volume containing the ‘early pieces’ which were first published among your poems, and were fairly derivatives from you and them. My friend Lloyd and myself came into our first battle (authorship is a sort of warfare) under cover of the greater Ajax. How this association, which shall always be a dear and proud recollection to me, came to be broken; — who snapped the threefold cord, — whether yourself (but I know that was not the case,) grew ashamed of your former companions, — or whether (which is by much the more probable) some ungracious bookseller was author of the separation, I cannot tell; — but wanting the support of your friendly elm, (I speak for myself,) my vine has, since that time, put forth few or no fruits; the sap (if ever it had any) has become in a manner dried up and extinct: and you will find your old associate in his second volume, dwindled into prose and criticism. Am I right in assuming this as the cause? or is it that, as years come upon us, (except with some more healthy-happy spirits,) life itself loses much of its poetry for us? we transcribe but what we read in the great volume of Nature: and, as the characters grow dim, we turn of and look another way. You, yourself, write no Christabels, nor Ancient Marriners, now. Some of the Sonnets, which shall be carelessly turned over by the general reader, may happily awaken in you remembrances, which I should be sorry should be ever totally extinct — the memory

Of summer days and of delightful years.

Even so far back as to those old suppers at our old —— Inn, when life was fresh, and topics exhaustless, — and you first kindled in me, if not the power, yet the love of poetry, and beauty and kindliness,

What words have I heard Spoke at the Mermaid?

The world has given you many a shrewd nip and gird since that time, but either my eyes are grown dimmer, or my old friend is the same, who stood before me three-and-twenty years ago — his hair a little confessing the hand of time, but still shrouding the same capacious brain, — his heart not altered, scarcely where it “alteration finds.”

One piece, Coleridge, I have ventured to publish in its original form, though I have heard you complain of a certain over-imitation of the antique in the style. If I could see any way of getting rid of the objection, without rewriting it entirely, I would make some sacrifices. But when I wrote John Woodville, I never proposed to myself any distinct deviation from common English. I had been newly initiated in the writings of our elder dramatists; Beaumont, and Fletcher, and Massinger, were then a ‘first love’; and from what I was so freshly conversant in, what wonder if my language imperceptibly took a tinge? The very ‘time’, which I had chosen for my story, that which immediately followed the Restoration, seemed to require in an English play, that the English should be of rather an older cast, than that of the precise year in which it happened to be written. I wish it had not some faults which I can less vindicate than the language.

I remain, my dear Coleridge, Yours, with unabated esteem, C. LAMB.

In Feb. 1819, application was made to Mr. Coleridge to give a course of lectures at the Russell Institution, to which he sent the following reply, addressed to Mr. Britton:

Highgate, 28th Feb., 1819.

DEAR SIR,

First permit me to remove a very natural, indeed almost inevitable, mistake, relative to my lectures; namely, that I ‘have’ them, or that the lectures of one place or season are in any way repeated in another. So far from it, that on any point that I had ever studied (and on no other should I dare discourse — I mean, that I would not lecture on any subject for which I had to ‘acquire’ the main knowledge, even though a month’s or three months’ previous time were allowed me; on no subject that had not employed my thoughts for a large portion of my life since earliest manhood, free of all outward and particular purpose) — on any point within my habit of thought, I should greatly prefer a subject I had never lectured on, to one which I had repeatedly given; and those who have attended me for any two seasons successively will bear witness, that the lecture given at the London Philosophical Society, on the ‘Romeo and Juliet’, for instance, was as different from that given at the Crown and Anchor, as if they had been by two individuals who, without any communication with each other, had only mastered the same principles of philosophical criticism. This was most strikingly evidenced in the coincidence between my lectures and those of Schlegel; such, and so close, that it was fortunate for my moral reputation that I had not only from five to seven hundred ear witnesses that the passages had been given by me at the Royal Institution two years before Schlegel commenced his lectures at Vienna, but that notes had been taken of these by several men and ladies of high rank. The fact is this; during a course of lectures, I faithfully employ all the intervening days in collecting and digesting the materials, whether I have or have not lectured on the same subject before, making no difference.

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