Samuel Coleridge - The Complete Essays, Lectures & Letters of S. T. Coleridge (Illustrated)

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Samuel Taylor Coleridge (1772–1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson, and American transcendentalism. Coleridge is one of the most important figures in English poetry. His poems directly and deeply influenced all the major poets of the age. He was known by his contemporaries as a meticulous craftsman who was more rigorous in his careful reworking of his poems than any other poet, and Southey and Wordsworth were dependent on his professional advice.
Table of Contents: Introduction: The Spirit of the Age: Mr. Coleridge by William Hazlitt A Day With Samuel Taylor Coleridge by May Byron The Life of Samuel Taylor Coleridge by James Gillman Literary Essays, Lectures and Memoirs: BIOGRAPHIA LITERARIA ANIMA POETAE SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA AND THE STAGE AIDS TO REFLECTION CONFESSIONS OF AN INQUIRING SPIRIT AND MISCELLANEOUS ESSAYS FROM «THE FRIEND» HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE OMNIANA. 1812 A COURSE OF LECTURES LITERARY NOTES SPECIMENS OF THE TABLE TALK OF SAMUEL TAYLOR COLERIDGE LITERARY REMAINS OF S.T. COLERIDGE Complete Letters LETTERS OF SAMUEL TAYLOR COLERIDGE BIBLIOGRAPHIA EPISTOLARIS

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As I was sitting at the foot of my bed, reading with my face downwards, I saw a phantom of my face upon the nightcap which lay just on the middle of my pillow—it was indistinct but of bright colours, and came only as my head bent low. Was it the action of the rays of my face upon my eyes? that is, did my eyes see my face, and from the sidelong and faint action of the rays place the image in that situation? But I moved the nightcap and I lost it.

Dec. 19, 1803, morning

I have only to shut my eyes to feel how ignorant I am whence these forms and coloured forms, and colours distinguishable beyond what I can distinguish, derive their birth. These varying and infinite co-present colours, what are they? I ask, to what do they belong in my waking remembrance? and almost never receive an answer. Only I perceive and know that whatever I change, in any part of me, produces some change in these eye-spectra; as, for instance, if I press my legs or change sides.

OF STREAMY ASSOCIATION

I will at least make the attempt to explain to myself the origin of moral evil from the streamy nature of association, which thinking curbs and rudders. Do not the bad passions in dreams throw light and show of proof upon this hypothesis? If I can but explain those passions I shall gain light, I am sure. A clue! a clue! a Hecatomb à la Pythagoras, if it unlabyrinth me.

December 28, 1803, 11 o'clock

I note the beautiful luminous shadow of my pencil-point which follows it from the candle, or rather goes before it and illuminates the word I am writing. But, to resume, take in the blessedness of innocent children, the blessedness of sweet sleep, do they or do they not contradict the argument of evil from streamy associations? I hope not, but all is to be thought over and into . And what is the height and ideal of mere association? Delirium. But how far is this state produced by pain and denaturalisation? And what are these? In short, as far as I can see anything in this total mist, vice is imperfect yet existing volition, giving diseased currents of association, because it yields on all sides and yet is —so, too, think of madness!

A DOUBTFUL EXPERIMENT

December 30th, half-past one o'clock, or, rather, Saturday morning, December 31st, put rolled bits of paper, many tiny bits of wick, some tallow, and the soap together. The whole flame, equal in size to half-a-dozen candles, did not give the light of one, and the letters of the book looked by the unsteady flare just as through tears or in dizziness—every line of every letter dislocated into angles, or like the mica in crumbly stones.

THE PSYCHOLOGY OF MOTION

The experiment over leaf illustrates my idea of motion, namely, that it is a presence and absence rapidly alternating, so that the fits of absence exist continuously in the feeling, and the fits of presence vice versâ continuedly in the eye. Of course I am speaking of motion psychologically, not physically, what it is in us, not what the supposed mundane cause may be. I believe that what we call motion is our consciousness of motion arising from the interruption of motion, the action of the soul in suffering resistance. Free unresisted action, the going forth of the soul, life without consciousness, is, properly, infinite, that is unlimited. For whatever resists limits, and whatever is unresisted is unlimited. This, psychologically speaking, is space, while the sense of resistance or limitation is time, and motion is a synthesis of the two. The closest approach of time to space forms co-existent multitude.

RECOLLECTION AND REMEMBRANCE

There is an important distinction between the memory or reminiscent faculty of sensation which young children seem to possess in so small a degree, from their perpetual desire to have a tale repeated to them, and the memory of words and images which the very same children manifestly possess in an unusual degree, even to sealing-wax accuracy of retention and representation.

THE ETHICS OF SPINOZA

If Spinoza had left the doctrine of miracles untouched, and had not written so powerfully in support of universal toleration, his ethics would never have brought on him the charge of Atheism. His doctrine, in this respect, is truly and severely orthodox, in the reformed Church; neither do I know that the Church of Rome has authoritatively decided between the Spinosists and Scotists in their great controversy on the nature of the being which creatures possess.

A UNITARIAN SCHOOLMAN

Creation is explained by Joannes Scotus Erigena as only a manifestation of the unity of God in forms— et fit et facit, et creat et creatur . Lib. 4. p. 7.

P. 8. A curious and highly-philosophical account of the Trinity, and completely Unitarian. God is, is wise, and is living. The essence we call Father, the wisdom Son, the life the Holy Spirit. And he positively affirms that these three exist only as distinguishable relations— habitudines ; and he states the whole doctrine to be an invention and condescension of Theology to the intellect of man, which must define , and consequently personify , in order to understand, and must have some phantom of understanding in order to keep alive in the heart the substantial faith. They are fuel to the sacred fire—in the empyrean it may burn without fuel, and they who do so are seraphs.

A CROWD OF THOUGHTS

A fine epitheton of man would be "Lord of fire and light." All other creatures whose existence we perceive are mere alms-receivers of both.

A company of children driving a hungry, hard-skinned ass out of a corn-field. The ass cannot by such weaklings be driven so hard but he will feed as he goes.

Such light as lovers love, when the waxing moon steals in behind a black, black cloud, emerging soon enough to make the blush visible which the long kiss had kindled.

All notions [remain] hushed in the phantasms of place and time that still escape the finest sieve and most searching winnow of our reason and abstraction.

A rosemary tree, large as a timber tree, is a sweet sign of the antiquity and antique manners of the house against which it groweth. "Rosemary" (says Parkinson, Theatrum Botanicum [London, 1640] p. 76) "is a herb of as great use with us in these days as any whatsoever, not only for physical but civil purposes—the civil uses, as all know, are at weddings, funerals, &c., to bestow on friends."

Great harm is done by bad poets in trivialising beautiful expressions and images and associating disgust and indifference with the technical forms of poetry.

Advantage of public schools. [They teach men to be] content with school praise when they publish. Apply this to Cottle and J. Jennings.

Religious slang operates better on women than on men. N.B.—Why? I will give over—it is not tanti !

Poem. Ghost of a mountain—the forms, seizing my body as I passed, became realities—I a ghost, till I had reconquered my substance.

The sopha of sods. Lack-wit and the clock find him at last in the Yorkshire cave, where the waterfall is.

[The reference is, no doubt, to Wordsworth's "Idiot Boy," which was composed at Nether Stowey, in 1798. In a letter addressed to John Wilson of June 5, 1802, Wordsworth discusses and discards the use of the word "lackwit" as an equivalent to "idiot." The "Sopha of Sods" was on Latrigg. In her journal for August, 1800, Dorothy Wordsworth records the making of a seat on Windybrow, a part of Latrigg. Possibly this was the "Sopha of Sods."— Life of W. Wordsworth , 1889, i. 268, 403.]

The old stump of the tree, with briar-roses and bramble leaves wreathed round and round—a bramble arch—a foxglove in the centre.

The palm, still faithful to forsaken deserts, an emblem of hope.

The stedfast rainbow in the fast-moving, fast-hurrying hail-mist! What a congregation of images and feelings, of fantastic permanence amidst the rapid change of tempest—quietness the daughter of storm.

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