Jack London - Jack London - All 22 Novels in One Illustrated Edition

Joe swept his arm in a descending gesture toward Union Street, and said: "Down there, sir."

"And who gave it that name?"

"I did," Joe answered, as though confessing to a specified crime.

"It 's most appropriate, I 'm sure, and denotes imagination. It could n't really be bettered. You must do well at school, sir, with your English."

This did not increase Joe's happiness, for English was the only study of which he did not have to feel ashamed.

And, while he stood thus a silent picture of misery and disgrace, Mr. Bronson looked upon him through the eyes of his own boyhood with an understanding which Joe could not have believed possible.

"However, what you need just now is not a discourse, but a bath and court-plaster and witch-hazel and cold-water bandages," Mr. Bronson said; "so to bed with you. You 'll need all the sleep you can get, and you 'll feel stiff and sore to-morrow morning, I promise you."

The clock struck one as Joe pulled the bedclothes around him; and the next he knew he was being worried by a soft, insistent rapping, which seemed to continue through several centuries, until at last, unable to endure it longer, he opened his eyes and sat up.

The day was streaming in through the window—bright and sunshiny day. He stretched his arms to yawn; but a shooting pain darted through all the muscles, and his arms came down more rapidly than they had gone up. He looked at them with a bewildered stare, till suddenly the events of the night rushed in upon him, and he groaned.

The rapping still persisted, and he cried: "Yes, I hear. What time is it?"

"Eight o'clock," Bessie's voice came to him through the door. "Eight o'clock, and you 'll have to hurry if you don't want to be late for school."

"Goodness!" He sprang out of bed precipitately, groaned with the pain from all his stiff muscles, and collapsed slowly and carefully on a chair. "Why did n't you call me sooner?" he growled.

"Father said to let you sleep."

Joe groaned again, in another fashion Then his history-book caught his eye, and he groaned yet again and in still another fashion.

"All right," he called. "Go on. I 'll be down in a jiffy."

He did come down in fairly brief order; but if Bessie had watched him descend the stairs she would have been astounded at the remarkable caution he observed and at the twinges of pain that every now and then contorted his face. As it was, when she came upon him in the dining-room she uttered a frightened cry and ran over to him.

"What 's the matter, Joe?" she asked tremulously. "What has happened?"

"Nothing," he grunted, putting sugar on his porridge.

"But surely—" she began.

"Please don't bother me," he interrupted. "I 'm late, and I want to eat my breakfast."

And just then Mrs. Bronson caught Bessie's eye, and that young lady, still mystified, made haste to withdraw herself.

Joe was thankful to his mother for that, and thankful that she refrained from remarking upon his appearance. Father had told her; that was one thing sure. He could trust her not to worry him; it was never her way.

And, meditating in this way, he hurried through with his solitary breakfast, vaguely conscious in an uncomfortable way that his mother was fluttering anxiously about him. Tender as she always was, he noticed that she kissed him with unusual tenderness as he started out with his books swinging at the end of a strap; and he also noticed, as he turned the corner, that she was still looking after him through the window.

But of more vital importance than that, to him, was his stiffness and soreness. As he walked along, each step was an effort and a torment. Severely as the reflected sunlight from the cement sidewalk hurt his bruised eye, and severely as his various wounds pained him, still more severely did he suffer from his muscles and joints. He had never imagined such stiffness. Each individual muscle in his whole body protested when called upon to move. His fingers were badly swollen, and it was agony to clasp and unclasp them; while his arms were sore from wrist to elbow. This, he said to himself, was caused by the many blows which he had warded off from his face and body. He wondered if Brick Simpson was in similar plight, and the thought of their mutual misery made him feel a certain kinship for that redoubtable young ruffian.

When he entered the school-yard he quickly became aware that he was the center of attraction for all eyes. The boys crowded around in an awe-stricken way, and even his classmates and those with whom he was well acquainted looked at him with a certain respect he had never seen before.

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It was plain that Fred and Charley had spread the news of their descent into the Pit, and of their battle with the Simpson clan and the Fishes. He heard the nine-o'clock bell with feelings of relief, and passed into the school, a mark for admiring glances from all the boys. The girls, too, looked at him in a timid and fearful way—as they might have looked at Daniel when he came out of the lions' den, Joe thought, or at David after his battle with Goliath. It made him uncomfortable and painfully self-conscious, this hero-worshiping, and he wished heartily that they would look in some other direction for a change.

Soon they did look in another direction. While big sheets of foolscap were being distributed to every desk, Miss Wilson, the teacher (an austere-looking young woman who went through the world as though it were a refrigerator, and who, even on the warmest days in the classroom, was to be found with a shawl or cape about her shoulders), arose, and on the blackboard where all could see wrote the Roman numeral "I." Every eye, and there were fifty pairs of them, hung with expectancy upon her hand, and in the pause that followed the room was quiet as the grave.

Underneath the Roman numeral "I" she wrote: "(a) What were the laws of Draco? (b) Why did an Athenian orator say that they were written 'not in ink, but in blood'?"

Forty-nine heads bent down and forty-nine pens scratched lustily across as many sheets of foolscap. Joe's head alone remained up, and he regarded the blackboard with so blank a stare that Miss Wilson, glancing over her shoulder after having written "II," stopped to look at him. Then she wrote:

"(a) How did the war between Athens and Megara, respecting the island of Salamis, bring about the reforms of Solon? (b) In what way did they differ from the laws of Draco?"

She turned to look at Joe again. He was staring as blankly as ever.

"What is the matter, Joe?" she asked. "Have you no paper?"

"Yes, I have, thank you," he answered, and began moodily to sharpen a lead-pencil.

He made a fine point to it. Then he made a very fine point. Then, and with infinite patience, he proceeded to make it very much finer. Several of his classmates raised their heads inquiringly at the noise. But he did not notice. He was too absorbed in his pencil-sharpening and in thinking thoughts far away from both pencil-sharpening and Greek history.

"Of course you all understand that the examination papers are to be written with ink."

Miss Wilson addressed the class in general, but her eyes rested on Joe.

Just as it was about as fine as it could possibly be the point broke, and Joe began over again.

"I am afraid, Joe, that you annoy the class," Miss Wilson said in final desperation.

He put the pencil down, closed the knife with a snap, and returned to his blank staring at the blackboard. What did he know about Draco? or Solon? or the rest of the Greeks? It was a flunk, and that was all there was to it. No need for him to look at the rest of the questions, and even if he did know the answers to two or three, there was no use in writing them down. It would not prevent the flunk. Besides, his arm hurt him too much to write. It hurt his eyes to look at the blackboard, and his eyes hurt even when they were closed; and it seemed positively to hurt him to think.