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This unique eBook edition of H. C. McNeile's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Herman Cyril McNeile (1888-1937) commonly known as H. C. McNeile or Sapper, was a British soldier and author. Drawing on his experiences in the trenches during the First World War, he started writing short stories and getting them published in the Daily Mail. After the war McNeile left the army and continued writing, although he changed from war stories to thrillers. In 1920 he published Bulldog Drummond, whose eponymous hero became his best-known creation. The character was based on McNeile himself, on his friend Gerard Fairlie and on English gentlemen generally. His stories are either directly about the war, or contain people whose lives have been shaped by it. His thrillers are a continuation of his war stories, with upper class Englishmen defending England from foreigners plotting against it.
Contents:
Novels:
Mufti
Bulldog Drummond
The Black Gang
Jim Maitland
The Third Round
The Final Count
The Female of the Species
Temple Tower
Tiny Carteret
The Island of Terror
The Return of Bulldog Drummond
Knock-Out
Bulldog Drummond at Bay
Challenge
Short Story Collections:
The Lieutenant and Others
Sergeant Michael Cassidy, R.E.
Men, Women and Guns
No Man's Land
The Human Touch
The Man in Ratcatcher and Other Stories
The Dinner Club
Out of the Blue
Jim Brent
Word of Honour
Shorty Bill
The Saving Clause
When Carruthers Laughed
John Walters
The Finger of Fate
Ronald Standish
The Creaking Door
The Missing Chauffeur
The Haunted Rectory
A Matter of Tar
The House with the Kennels
The Third Message
Mystery of the Slip Coach
The Second Dog
The Men in Yellow
The Men with Samples
The Empty House
The Tidal River…

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Supposing she should say that—what then? Had he any right to make her run such a risk? Was it fair? Again and again he turned question and answer over in his brain. Of course it was fair—they loved one another; and love is the biggest thing in the universe. But was it only love in his case—was it not overmastering passion as well? Well—what if it was; there are cases where the two cannot be separated—and those cases are more precious than rubies. Against such it were laughable to put the fate of Blandford. . . . Quite—but whose point of view was that—his or hers?

Vane was essentially a fair man. The average Englishman is made that way—it being the peculiar nature of the brute. If anything—as a referee or a judge—he will give the decision against his own side, which is the reason why England has spread to the ends of the earth, and remained there at the express wish of the Little Peoples. Bias or favouritism are abhorrent to him; as far as in him lies the Englishman weighs the pros and the cons of the case and gives his decision without partiality or prejudice. He may blunder at times, but the blunder is honest and is recognised as such.

And so as Vane walked restlessly up and down his room, every instinct in him revolted at the idea of taking advantage of an emotional crisis such as he knew had been stirred in Joan that evening. It seemed to him to be unfair.

"It's her you've got to consider," he said to himself over and over again. "Only her. . . . It's she who stands to lose—much more than you."

He felt that he would go right away, clean out of her life—if, by doing so, it would help her. But would it? That was the crux. Was he justified in letting her make this sacrifice? As clearly as if he had seen it written in letters of fire upon the wall, he knew that the issue lay in his hands.

Once again he went to the window and looked out. In the east the first streaks of dawn were showing in the sky, and for a long while he stood staring at them, motionless. How often in France had he watched that same birth of a new day, and wondered what it held in store for him. But over there a man is a fatalist—his part is allotted to him, and he can but tread the beaten path blindly. Whereas here, however much one is the sport of the gods that play, there comes a time when one must play oneself. Incidentally that is the part of the performance which amuses the gods. They plot their fantastic jig-saws; but one of the rules is that the pieces must move themselves. And of their kindness they let the pieces think they control the movement. . . .

Suddenly Vane turned round, and crossed to the girl. He picked her up in his arms, and having silently opened the door he carried her to her room.

Utterly exhausted and worn out, she barely woke up even when he placed her in her own cold bed. Her eyes opened drowsily once, and he bent over and kissed her gently.

"Little Joan," he whispered. "Dear little grey girl."

But she did not hear him. With a tired sigh she had drifted on to sleep again.

CHAPTER XVI

Table of Content

When Joan woke the next morning it was with the consciousness that something had happened. And then the events of the last night flashed over her mind, and for a while she lay very still. The details seemed all hazy and blurred; only the main fact stood out clear and dominant, the fact that she had gone to his room.

After that things got a bit confused. She had a recollection of being carried in his arms, of his bending over her and whispering "Little Joan," of his kissing her—but it all seemed merged in an exquisite dream.

"Oh! my dear," she whispered, while the love-light shone in her grey eyes; "but what a dear you are. . . ."

By the very nature of things she was incapable of realising the tremendous strain to which she had subjected him; it only seemed to her that there was a new and wonderful secret to share with him. And to the girl, still under the influence of her mood of the night before, the secret forged the final link in the chain. She wondered how she could ever have hesitated; it all seemed so very easy and obvious now.

Baxter, Blandford—what did anything matter? She had gone to Derek; the matter was decided. . . .

Her maid came into the room, and advanced cautiously to the bed.

"Ah! but Mam'selle es awake," she said. "And ze tea, mon Dieu, but it es quite cold."

"What time is it, Celeste?" asked Joan.

"Nine o'clock, Mam'selle. I have ze dejeuner outside. And a note from M'sieur le Capitaine." She held out an envelope to Joan, and busied herself about the room. "Ah! but he is gentil—M'sieur le Capitaine; young and of a great air." Celeste, it may be stated, viewed Baxter rather like a noisome insect.

"Bring me my breakfast, please."

Joan waited till the maid had left the room before opening the envelope. There was just a line inside, and her eyes grew very tender as she read the words.

"I've got something to say to you, little Joan, which has got to be said in the big spaces. Will you come out with me this morning on to the Downs?"

She read it through half a dozen times and then she turned to Celeste.

"Tell Captain Vane that I will be ready in an hour," she said.

* * * * * *

Vane was standing in the hall when Joan appeared. A faintly tremulous smile was on her lips, but she came steadily up to him and held out both her hands.

"Good morning, my lady," he said gently. "Would you to be liking to know how wonderful you look?"

"Oh! Derek," she whispered. "My dear!"

"Ostensibly you are going into Lewes to shop," he remarked with a grin. "I am dealing with Boche prisoners. . . . At least that's what I told our worthy host over the kidneys at breakfast. . . ."

She gave a little happy laugh. "And in reality?"

"We're both going to be dropped somewhere, and we're going to tell the car to run away and play, while we walk home over the Downs."

"And my shopping?"

"You couldn't find anything you wanted."

"And your prisoners?"

"Well the only thing about my prisoners that is likely to give the show away is if I turn up at the prison," smiled Vane. "Let us hope Mr. Sutton doesn't know the governor."

And suddenly he added irrelevantly. "Our host was a little surprised that you failed to appear at breakfast, seeing how early he packed you off to bed." He watched the slight quickening of her breath, the faint colour dyeing her cheeks, and suddenly the resolution he had made seemed singularly futile. Then with a big effort he took hold of himself, and for greater safety put both his hands in his pockets. "I think," he remarked quietly, "you'd better go and get ready. The car will be round in a moment. . . ."

Without a word she left him and went upstairs to her room, while Vane strolled to the front door. The car was just coming out of the garage, and he nodded to the chauffeur.

"Glorious day, isn't it?"

"Pity you've got to waste it, sir, over them prisoners," said the man.

"Yes," agreed Vane thoughtfully. "I'll want you to drop me in the town, and then I'll walk back over the Downs. . . . Splendid day for a walk. . . ." He turned and found Joan beside him. "And lightning performance," he smiled at her. "I won't be a moment."

He slipped on his coat and handed her into the car. "Drop me in the High Street, will you—opposite to the Post Office?" he said to the chauffeur. "I'm expecting a letter."

"I'm afraid," she said, as the car rolled down the drive, "that like most men you're rather prone to overact." With a little, happy laugh she snuggled up to him and slid her hand into his under the rug.

"I shall be walking home, thank you, Thomas," said Joan as she got out of the car, and the man stood waiting for orders.

He touched his cap, and they stood watching the car go down the High

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