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This unique eBook edition of H. C. McNeile's complete works has been formatted to the highest digital standards and adjusted for readability on all devices.
Herman Cyril McNeile (1888-1937) commonly known as H. C. McNeile or Sapper, was a British soldier and author. Drawing on his experiences in the trenches during the First World War, he started writing short stories and getting them published in the Daily Mail. After the war McNeile left the army and continued writing, although he changed from war stories to thrillers. In 1920 he published Bulldog Drummond, whose eponymous hero became his best-known creation. The character was based on McNeile himself, on his friend Gerard Fairlie and on English gentlemen generally. His stories are either directly about the war, or contain people whose lives have been shaped by it. His thrillers are a continuation of his war stories, with upper class Englishmen defending England from foreigners plotting against it.
Contents:
Novels:
Mufti
Bulldog Drummond
The Black Gang
Jim Maitland
The Third Round
The Final Count
The Female of the Species
Temple Tower
Tiny Carteret
The Island of Terror
The Return of Bulldog Drummond
Knock-Out
Bulldog Drummond at Bay
Challenge
Short Story Collections:
The Lieutenant and Others
Sergeant Michael Cassidy, R.E.
Men, Women and Guns
No Man's Land
The Human Touch
The Man in Ratcatcher and Other Stories
The Dinner Club
Out of the Blue
Jim Brent
Word of Honour
Shorty Bill
The Saving Clause
When Carruthers Laughed
John Walters
The Finger of Fate
Ronald Standish
The Creaking Door
The Missing Chauffeur
The Haunted Rectory
A Matter of Tar
The House with the Kennels
The Third Message
Mystery of the Slip Coach
The Second Dog
The Men in Yellow
The Men with Samples
The Empty House
The Tidal River…

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Vane was no psychologist, and any way the psychology of sex follows no rules. It makes its own as it goes along. And the one thought which stood out from the jumbled chaos in his brain was a fierce pleasure at having beaten Baxter. The primitive Cave man was very much alive in him that night. . . .

Joan was his ; he knew it, and she knew it—and there was no more to be said. And with a short, exultant laugh Vane drew up an easy chair to the fire and lit a cigarette. He heard Mr. Sutton pass along the passage and go to his own room; and then gradually the house grew still. Outside the night was silent, and once he rose and went to the window. He stood there for a time staring out into the darkness, with his hands thrust deep in his pockets; then he returned to his chair again. He felt no wish to go to bed; he just wanted to sit and think of his girl.

Three days is a long time when one is at the beginning of it; and in all probability they would give him an extension. Three days with Joan—three whole complete days. . . .

They would go for a few long glorious tramps over the Downs, where the turf is springy to the foot, and the wind comes straight from the grey Atlantic, and the salt tang of it makes it good to be alive. And then one afternoon when they got home Joan would find a telegram awaiting her to say that coal had been discovered at Blandford, and did she think it would matter having the main shaft opening into the dining-room?

Something like that was bound to happen, and even if it didn't things would be no worse off than they were now. And in the meantime—three days. . . . For Vane had passed beyond the thinking stage; he was incapable of arguing things out or calling a halt even if he wanted to. It seemed to him that everything was so immeasurably little compared with the one great fact that Joan loved him.

He whistled softly under his breath, and started to unlace his shoes. "We'll cheat 'em yet," he muttered, "some old how." And even as he spoke he stiffened suddenly and stared at the door. On it had come two low faltering knocks. . . .

For a moment he remained where he was, incapable of movement, while his cigarette, bent in two and torn, fell unheeded in the grate. Every drop of blood in his body seemed to stand still, and then to pound madly on again, as the certainty of who was outside came to him. Then with two great strides he crossed to the door, and opened it. . . .

"Joan," he whispered, "my dear. . . ."

She was in a silk dressing-gown, and he could see the lace of her nightdress through the opening at her neck. Without a word she passed by him into the room, and crouched over the fire; while Vane, with his back to the door, stood, watching her with dilated eyes.

"Lock the door." He heard her words come faintly through the roaring in his ears, and mechanically he did as she asked.

Slowly, with short, hesitating steps he came towards the fire, and stood beside her, while his nails cut into the palms of his hands. Then she rose and stood facing him.

"You've won," she said simply. "I've come to you." She swayed into his arms, and so for a long while did they stand, while the man twisted the great masses of hair that hung over her shoulders round and round his fingers. He touched her forehead and her cheeks with hands that shook a little, and suddenly he kissed her fiercely on the lips—so that she gasped, and began to tremble. He could feel her body against him through the thin silk wrap, and he clasped her tighter in his arms as if to warm her.

"My darling," he whispered, "you're cold . . . so cold. . . . Take my dressing gown. . . ."

But the girl only clung to him the more, and the man, being just a man, felt his senses beginning to swim with the wonder of it.

And then of a sudden she pushed him away, and with her hands on the mantelpiece stared into the fire.

Vane's breath came quickly. She looked so utterly desirable with the red glow of the fire lighting up her face, and her hair falling about her. He stretched out his hand and put it on her arm, as if to make sure that it was not a dream, and with the touch of his fingers something seemed to snap. A great wave of colour flooded her face, spreading down to her neck, and she began to shake uncontrollably. He bent over her, whispering in her ear, and suddenly she put both her arms round his neck. And then like a little child who goes to its mother for comfort she laid her head on his shoulder, and the tears came.

He soothed her gently, stroking her hair with his hand, and gradually, as the minutes went by, the raging storm in his mind died down, and gave place to a wonderful peace. All that was best in his nature was called forth by the girl crying so gently in his arms, and with a little flickering smile on his lips he stared at the flames over her head.

The passion had left him; a great sense of protection—man's divine heritage through the ages—had taken its place.

And so after a while he picked her up in his arms and laid her on his bed. He pulled the clothes around her, and taking her hand in his, sat down on a chair by her side.

All through the night he watched beside her, and as he listened to the hall clock striking the hours, gradually the realisation of what he must do came to him.

For he had not beaten Baxter; he had only beaten the girl. Baxter still stood where he was. Baxter still represented the way out for Joan. As a rival—man to man—he failed to count; he might just as well have been Jones or Smith. But as a weapon against the order of things Baxter remained where he was—the winner.

And even as he cursed that order of things, it struck him with a sort of amazed surprise that here he himself was actually up against one of Ramage's vested interests. . . . If Blandford had been nationalised, the problem would have been so easy. . . .

He moved irritably in his chair. What a muddle the whole thing was—what a muddle. And then with the touch of a woman he bent over the sleeping girl, and wiped away two tears that were glistening on her eyelashes. Poor little girl—poor little Joan. . . .

A sense of overwhelming pity and love for her drowned every other thought. Right or wrong, she was doing what she believed to be her job; and now he had come and made things a thousand times harder for her.

Very gently he withdrew his hand from hers and rose from his chair. He made up the fire again, and then started to pace slowly up and down the room. The drifting period was over; the matter had to be settled now.

He was no fool, and incidentally he knew as much about women as a man may know. He realised exactly why she had come to him that night; as clearly as if she had told him he understood the wild seething thoughts in her mind, the chaos, the sense of futility. And then the sudden irresistible longing to get things settled—to give up fighting—to take hold of happiness or what seemed to her to be happiness at the moment.

And supposing the mood had not broken—supposing the tears had not come. . . . He stopped in his slow walk, and stared at the sleeping girl thoughtfully. . . . What would have been the state of affairs by now?

"Sex—sex—sex. The most powerful thing in the world, and the most transitory." Her words before dinner, as they had stood in the hall came back to him, and he took a deep breath. That was the weapon he was using against her; he made no attempt to deceive himself on that score. After all—why not? It was the weapon that had been used since the beginning of things; it was the weapon which would continue to be used till the end. It was Nature's weapon . . . and yet. . . .

Once again he resumed his walk—six steps one way, turn, six steps back. He moved slowly, his chin sunk on his chest, and his hands twisting restlessly behind his back. Supposing she was right, supposing in a year, or in five, she should turn on him, and say: "Against my better judgment you overruled me. Even though I loved you, even though I still love you—you have made me buy my happiness at too great a price?"

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