P. C. Wren - Beau Geste - Complete Series - Beau Geste Trilogy & Good Gestes Tales

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Michael «Beau» Geste is the protagonist. The main narrator (among others) is his younger brother John. The three Geste brothers are a metaphor for the British upper class values of a time gone by, and «the decent thing to do» is the leitmotif of the trilogy. The Geste brothers are orphans and have been brought up by their aunt at Brandon Abbas. The rest of Beau's band are mainly Isobel, Claudia and Augustus. When a precious jewel known as the «Blue Water» goes missing, Beau leaves Britain to join the French Foreign Legion, followed by his brothers, Digby (his twin) and John. Beau Sabreur and Beau Ideal are sequel novels and Good Gestes is a collection of short tales mainly about the Geste brothers and their American friends Hank and Buddy.
Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion.
Table of Contents:
The Beau Geste Trilogy:
BEAU GESTE
BEAU SABREUR
BEAU IDEAL
GOOD GESTES:
What's in a Name
A Gentleman of Colour
David and His Incredible Jonathan
The McSnorrt Reminiscent
Mad Murphy's Miracle
Buried Treasure
If Wishes were Horses
The Devil and Digby Geste
The Mule
Low Finance
Presentiments
Dreams Come True

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"Perhaps he was thirsty and drank the 'Blue Water'?" amended Isobel.

"Both very sound theories. Sounder still if Joss had been in the room," said Michael. "Come, John."

I followed my brother out into the hall. He led the way to his room.

"Take a pew, Johnny. I would hold converse with thee on certain dark matters," he said as we entered.

Having locked the door, he put his tobacco-jar on the low table beside the low arm-chair in which I was sitting.

"You leave the carbon cake too long in your pipes," he said. "That's what cracks them. Unequal expansion of the carbon and the wood, I suppose. You ought to scrape it out once a month or so."

He seated himself opposite to me and sprawled in the low chair, with his knees higher than his head.

"Oh, I like a well-caked pipe," I replied. "Nuttier and cooler."

"Ah, well! So long as you can afford to crack your pipes," he said lazily, and sat silent for a minute or two.

I was quite under his spell again, and had to keep whipping my feelings up into a state of resentment and disgust to maintain them in the condition that common justice demanded. If he were going to restore the sapphire that evening as he had hinted, why on earth couldn't he have done it just now? For the matter of that, why on earth couldn't he have returned it last night when he went to the drawing-room? Why had he ever denied taking the thing at all?

"Well, son, what about it?" he said suddenly.

"Yes, what about it, Beau?" I replied.

He looked at me quizzically.

"What's the game, should you think, Johnny?" he asked.

"That's what I want to know," I answered. "It seems a damned silly one, anyhow."

"Quite," agreed Michael. "Quite very. Very quite. And a little rough on the girls and our good Augustus."

"Exactly," said I. "And on Aunt Patricia."

An uncomfortable silence followed.

"Well?" said Michael, at length.

"Oh, put it back, Beau," I implored. "God alone knows what you're playing at! Do you ?"

Michael sat up and stared at me.

"Oh? You say ' Put it back ,' do you, John?" he said slowly and thoughtfully.

"I do," I replied. "Or look here, Beau. Aunt thinks a lot of you, and devilish little of me. It would be doing her a real kindness not to let her know it was you after all. Give it here, and I'll . . ." I coloured and felt a fool.

" Eric, or Little by Little. A Story of School Life . . . . The Boy with the Marble Brow ," murmured Michael, smiling. But his voice was very kind. . . .

"This grows interesting, Johnny," he went on. "If I go and fetch the 'Blue Water' now, will you take it to Aunt Patricia and say, ' Alone I did it. I cannot tell a lie. It is a far, far better thing I do . . . ?"

"Those very words, Beau," I grinned. "On condition you tell me what the game was, and why you did such a damned silly thing."

Thank God the wretched business was going to end--and yet, and yet . . . I felt quite sure that Michael would not let me take the blame--much as I would have preferred that to the wretched feeling of our Michael being the object of Aunt Patricia's scorn and contempt. The more she liked him and approved him now, the more would she dislike and despise him then. She might forbid him the house.

Michael rose.

"You really will?" he asked. "If I go and get it now, you'll take it straight to Aunt Patricia and say you pinched it for a lark?"

"Only too glad of the chance, Beau," I answered. "To get the beastly business over and done with and forgotten--and the girls and Gussie and Digby out of the silly mess."

"H'm," said Michael, sitting down. "You would, eh?"

"And might I ask you a question or two, John?" he went on.

"What were you doing with your hand on the glass cover when I put my hand on it last night?"

"Waiting to catch the ass that was returning the 'Blue Water,'" I replied.

"H'm! Why did you want to catch him?"

"Because I had twice been accused of the fool trick--just because I was standing close to the table when the light failed."

"So you were, too. . . . And what were you doing downstairs last night when I found you in the hall?"

"Looking for the key, Beau, as I told you," I answered.

"And what did you want the key for?"

"To see whether the sapphire had been put back--and to get some peace of mind and sleep, if it had."

"Did you go into the drawing-room?"

"No," I answered.

"Why not?"

"What need? I took it for granted that you had returned it," replied I.

"H'm!" said Michael. "Suppose a vote were taken among the eight of us, as to who is likeliest to be the thief, who do you suppose would top the poll?"

"Augustus," I stated promptly.

"Do you think he is the culprit?" asked my brother.

"No, I do not ," I replied significantly.

"Nor I," answered the enigmatic Michael. "In fact, I know he's not."

He sat silent, smoking reflectively for a few minutes.

"Go through the list," he said suddenly. "Would Aunt pinch her own jewel?"

"Hardly," said I.

"Would the Chaplain?"

"Still less," said I.

"Would Claudia?" he asked next--almost anxiously, I fancied (absurdly, no doubt).

"Don't be a fool," I replied.

"Would Isobel?"

"Don't be a cad," I said.

"Would Digby?"

"Utterly preposterous and absurd," I answered.

"Would Augustus?"

"I feel certain that he didn't anyhow," I answered.

"Would you?"

"I didn't, as it happens," I assured him.

"Would I?"

"I should have thought you almost the last person in the world, Beau," I assured him.

"Looks as though I did it then, doesn't it?" he asked. "Because if Augustus and Digby and you didn't do it--who the devil did, if I didn't? Yes--it looks as though I am the thief."

"It does--to me only though. Nobody else knows that I found you downstairs," I said. "Why didn't you put it back then, Beau?" I asked.

" Wish I had ," he said.

There came a bang at the door.

"Who's there?" cried Michael.

"Me," bawled the ungrammatical Digby.

Michael unlocked the door.

"What's up?" he asked.

"Isobel wants to speak to us three. She's been looking for you two. A thought has struck her. Blow severe but not fatal. All about the Painful Event . . . ."

"Where is she?" asked Michael.

"I said I'd lead you by the ear to the smoking-room at an early date--unless either of you had done a bunk with the loot," replied Digby.

"Well--I haven't fled yet, but I shall want a Bradshaw after lunch," said Michael, adding, "Let's go and hear Isobel's great thought. Generally worth hearing."

We went downstairs and made our way to the smoking-room. The brass box caught my eye, and an idea also struck me with some violence, as I noticed that the lid and front seemed brighter than the rest of it.

"Don't expose me yet, John," said Michael as we crossed the hall.

"John been catching you out?" asked Digby.

"Caught me last night, didn't you, John?" replied Michael.

"Red-handed," said I.

"It's blue-handed that Aunt wants to cop someone," said Digby, opening the door of the smoking-room. "Sapphire-blue."

Isobel was sitting by the fire looking tearful and depressed. It was at me that she looked as we entered.

"Caught them both in the act of bolting, Isobel," said Digby. "They've each got a half of the 'Blue Water'--about a pint apiece. But they are willing to hear your words if you are quick."

"Oh, I am so miserable," moaned Isobel. "I have been such a wicked, wicked beast. But I can't bear it any longer."

"Leave it with us, dear," said Digby, "and forget it. We'll smuggle it back, and share Aunt's few well-chosen words among us, won't we, Beau?"

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