Earl Biggers - The Complete Charlie Chan Series – All 6 Mystery Novels in One Edition

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Charlie Chan is a Chinese American detective who lives on Hawaii and works for the Honolulu Police Department, but often travels around the world investigating mysteries and solving crimes.
The House Without a Key – Member of Boston society who has lived in Hawaii for a number of years is murdered. The victim's nephew, a straitlaced young Bostonian bond trader, could be of some assistance to detective Charlie Chan in solving the mystery.
The Chinese Parrot – A valuable string of pearls is purchased by a wealthy and eccentric financier. Jeweler's son and Charlie Chan also travel from Hawaii to California with the pearls and come across a few mysterious deaths.
Behind That Curtain – Sir Frederic Bruce, former head of Scotland Yard, is investigating a murder of a London solicitor from 15 years ago. A long-cold trail takes him to California, where detective Charlie Chan gets mixed up in the case.
The Black Camel – A Hollywood star Shelah Fane is stopping in Hawaii after she finished shooting a film in Tahiti, but gets murdered in a rental house in Waikiki. Charlie Chan investigates amid public clamor demanding that the murderer must be found.
Charlie Chan Carries On – Inspector Duff from Scotland Yard is pursuing a murderer on an around-the-world voyage. While his ship is docked in Honolulu, the detective is shot and wounded, and Chan takes his place on the cruise.
Keeper of the Keys – Charlie Chan is back in California where he meets a world-famous soprano, Ellen Ladona, who is murdered not too long after the meeting. Chan is expected to solve the mystery and he does not have to look far for suspects.
Earl Derr Biggers (1884-1933) was an American novelist best known for his mystery novels, especially those featuring Chinese American detective Charlie Chan.

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Bob Eden rose, and followed. "Why no—he hasn't."

"It's rather interesting. But dusty—say, I guess Louie was afraid to touch them. Nearly every one of these guns has a history. See—there's a typewritten card above each one. 'Presented to P.J. Madden by Til Taylor'—Taylor was one of the best sheriffs Oregon ever had. And here—look at this one—it's a beauty. Given to Madden by Bill Tilghman. That gun, my boy, saw action on Front Street in the old Dodge City days."

"What's the one with all the notches?" Eden asked.

"Used to belong to Billy the Kid," said Holley. "Ask them about Billy over in New Mexico. And here's one Bat Masterson used to tote. But the star of the collection"—Holley's eyes ran over the wall—"the beauty of the lot—" He turned to Eden. "It isn't there," he said.

"There's a gun missing?" inquired Eden slowly.

"Seems to be. One of the first Colts made—a forty-five—it was presented to Madden by Bill Hart, who's staged a lot of pictures round here." He pointed to an open space on the wall. "There's where it used to be," he added, and was moving away.

Eden caught his coat sleeve. "Wait a minute," he said in a low, tense voice. "Let me get this. A gun missing. And the card's gone, too. You can see where the tacks held it in place."

"Well, what's all the excitement—" began Holley surprised.

Eden ran his finger over the wall. "There's no dust where that card should be. What does that mean? That Bill Hart's gun has been removed within the last few days."

"My boy," said Holley. "What are you talking about—"

"Hush," warned Eden. The door opened and Madden, followed by Thorn, entered the room. For a moment the millionaire stood, regarding them intently.

"Good morning, Mr. Holley," he said. "I've got your interview here. You're wiring it to New York, you say?"

"Yes. I've queried my friend there about it this morning. I know he'll want it."

"Well, it's nothing startling. I hope you'll mention in the course of it where you got it. That will help to soothe the feelings of the boys I've turned down so often in New York. And you won't change what I've said?"

"Not a comma," smiled Holley. "I must hurry back to town now. Thank you again, Mr. Madden."

"That's all right," said Madden. "Glad to help you out."

Eden followed Holley to the yard. Out of earshot of the house, the editor stopped.

"You seemed a little het up about that gun. What's doing?"

"Oh, nothing, I suppose," said Eden. "On the other hand—"

"What?"

"Well, Holley, it strikes me that something queer may have happened lately on this ranch."

Holley stared. "It doesn't sound possible. However, don't keep me in suspense."

"I've got to. It's a long story, and Madden mustn't see us getting too chummy. I'll come in this afternoon, as I promised."

Holley climbed into his car. "All right," he said. "I can wait, I guess. See you later, then."

Eden was sorry to watch Horace Greeley stagger down the dusty road. Somehow the newspaper man brought a warm, human atmosphere to the ranch, an atmosphere that was needed there. But a moment later he was sorry no longer, for a little speck of brown in the distance became a smart roadster, and at its wheel he saw the girl of the Oasis, Paula Wendell.

He held open the gate, and with a cheery wave of her hand the girl drove past him into the yard.

"Hello," he said, as she alighted. "I was beginning to fear you weren't coming."

"I overslept," she explained. "Always do, in this desert country. Have you noticed the air? People who are in a position to know tell me it's like wine."

"Had a merry breakfast, I suppose?"

"I certainly did. At the Oasis."

"You poor child. That coffee."

"I didn't mind. Will Holley says that Madden's here."

"Madden? That's right—you do want to see Madden, don't you? Well, come along inside."

Thorn was alone in the living-room. He regarded the girl with a fishy eye. Not many men could have managed that, but Thorn was different.

"Thorn," said Eden. "Here's a young woman who wants to see Mr. Madden."

"I have a letter from him," the girl explained, "offering me the use of the ranch to take some pictures. You may remember—I was here Wednesday night."

"I remember," said Thorn sourly. "And I regret very much that Mr Madden can not see you. He also asks me to say that unfortunately he must withdraw the permission he gave you in his letter."

"I'll accept that word from no one but Mr. Madden himself," resumed the girl, and a steely light flamed suddenly in her eyes.

"I repeat—he will not see you," persisted Thorn.

The girl sat down. "Tell Mr. Madden his ranch is charming," she said. "Tell him I am seated in a chair in his living-room and that I shall certainly continue to sit here until he comes and speaks to me himself."

Thorn hesitated a moment, glaring angrily. Then he went out.

"I say—you're all right," Eden laughed.

"I aim to be," the girl answered, "and I've been on my own too long to take any nonsense from a mere secretary."

Madden blustered in. "What is all this—"

"Mr. Madden," the girl said, rising and smiling with amazing sweetness, "I was sure you'd see me. I have here a letter you wrote me from San Francisco. You recall it, of course."

Madden took the letter and glanced at it. "Yes, yes—of course. I'm very sorry, Miss Wendell, but since I wrote that certain matters have come up—I have a business deal on—" He glanced at Eden. "In short, it would be most inconvenient for me to have the ranch overrun with picture people at this time. I can't tell you how I regret it."

The girl's smile vanished. "Very well," she said, "but it means a black mark against me with the company. The people I work for don't accept excuses—only results. I have told them everything was arranged."

"Well, you were a little premature, weren't you?"

"I don't see why. I had the word of P.J. Madden. I believed—foolishly, perhaps—the old rumor that the word of Madden was never broken."

The millionaire looked decidedly uncomfortable. "Well—I—er—of course I never break my word. When did you want to bring your people here?"

"It's all arranged for Monday," said the girl.

"Out of the question," replied Madden. "But if you could postpone it a few days—say, until Thursday." Once more he looked at Eden. "Our business should be settled by Thursday," he added.

"Unquestionably," agreed Eden, glad to help.

"Very well," said Madden. He looked at the girl, and his eyes were kindly. He was no Thorn. "Make it Thursday, and the place is yours. I may not be here then myself, but I'll leave word to that effect."

"Mr. Madden, you're a dear," she told him. "I knew I could rely on you."

With a disgusted look at his employer's back, Thorn went out.

"You bet you can," said Madden, smiling pleasantly. He was melting fast. "And the record of P.J. Madden is intact. His word is as good as his bond—isn't that so?"

"If any one doubts it, let him ask me," replied the girl.

"It's nearly lunch time," Madden said. "You'll stay?"

"Well—I—really, Mr. Madden—"

"Of course she'll stay," Bob Eden broke in. "She's eating at a place in Eldorado called the Oasis, and if she doesn't stay, then she's just gone and lost her mind."

The girl laughed. "You're all so good to me," she said.

"Why not?" inquired Madden. "Then it's settled. We need some one like you around to brighten things up. Ah Kim," he added, as the Chinese entered, "another place for lunch. In about ten minutes, Miss Wendell."

He went out. The girl looked at Bob Eden. "Well, that's that. I knew it would be all right, if only he would see me."

"Naturally," said Eden. "Everything in this world would be all right, if every man in it could only see you."

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