Earl Biggers - The Complete Charlie Chan Series – All 6 Mystery Novels in One Edition

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Charlie Chan is a Chinese American detective who lives on Hawaii and works for the Honolulu Police Department, but often travels around the world investigating mysteries and solving crimes.
The House Without a Key – Member of Boston society who has lived in Hawaii for a number of years is murdered. The victim's nephew, a straitlaced young Bostonian bond trader, could be of some assistance to detective Charlie Chan in solving the mystery.
The Chinese Parrot – A valuable string of pearls is purchased by a wealthy and eccentric financier. Jeweler's son and Charlie Chan also travel from Hawaii to California with the pearls and come across a few mysterious deaths.
Behind That Curtain – Sir Frederic Bruce, former head of Scotland Yard, is investigating a murder of a London solicitor from 15 years ago. A long-cold trail takes him to California, where detective Charlie Chan gets mixed up in the case.
The Black Camel – A Hollywood star Shelah Fane is stopping in Hawaii after she finished shooting a film in Tahiti, but gets murdered in a rental house in Waikiki. Charlie Chan investigates amid public clamor demanding that the murderer must be found.
Charlie Chan Carries On – Inspector Duff from Scotland Yard is pursuing a murderer on an around-the-world voyage. While his ship is docked in Honolulu, the detective is shot and wounded, and Chan takes his place on the cruise.
Keeper of the Keys – Charlie Chan is back in California where he meets a world-famous soprano, Ellen Ladona, who is murdered not too long after the meeting. Chan is expected to solve the mystery and he does not have to look far for suspects.
Earl Derr Biggers (1884-1933) was an American novelist best known for his mystery novels, especially those featuring Chinese American detective Charlie Chan.

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"I'll go up and change," he said uncomfortably "We'll talk things over later—"

He went into the hall. At the foot of the stairs he paused.

From above came a low, heart-breaking moan of anguish. Barbara. Poor Barbara, who had been so happy less than an hour ago.

John Quincy felt his head go hot, the blood pound in his temples. How dare any one strike down a Winterslip! How dare any one inflict this grief on his Cousin Barbara! He clenched his fists and stood for a moment, feeling that he, too, could kill.

Action—he must have action! He rushed through the living-room, past the astonished Miss Minerva. In the drive stood a car, the three men were already in it.

"Wait a minute," called John Quincy. "I'm going with you."

"Hop in," said Captain Hallet.

The car rolled down the drive and out on to the hot asphalt of Kalia Road. John Quincy sat erect, his eyes flashing, by the side of a huge grinning Chinaman.

Chapter IX. At the Reef and Palm

Table of Contents

They reached Kalakaua Avenue and swerving sharply to the right, Captain Hallet stepped on the gas. Since the car was without a top, John Quincy was getting an unrestricted view of this land that lay at his journey's end. As a small boy squirming about on the hard pew in the First Unitarian Church, he had heard much of Heaven, and his youthful imagination had pictured it as something like this. A warm, rather languid country, freshly painted in the gaudiest colors available.

Creamy white clouds wrapped the tops of the distant mountains, and their slopes were bright with tropical foliage. John Quincy heard near at hand the low monotone of breakers lapping the shore. Occasionally he caught a glimpse of apple-green water and a dazzling white stretch of sand. "Oh, Waikiki! Oh, scene of peace—" What was the rest of that poem his Aunt Minerva had quoted in her last letter—the one in which she had announced that she was staying on indefinitely. "And looking down from tum-tum skies, the angels smile on Waikiki." Sentimental, but sentiment was one of Hawaii's chief exports. One had only to look at the place to understand and forgive.

John Quincy had not delayed for a hat, and the sun was beating down fiercely on his brown head. Charlie Chan glanced at him.

"Humbly begging pardon," remarked the Chinaman, "would say it is unadvisable to venture forth without headgear. Especially since you are a malihini."

"A what?"

"The term carries no offense. Malihini—stranger, newcomer."

"Oh." John Quincy looked at him curiously. "Are you a malihini?"

"Not in the least," grinned Chan. "I am kamaaina—old-timer. Pursuing the truth further, I have been twenty-five years in the Islands."

They passed a huge hotel, and presently John Quincy saw Diamond Head standing an impressive guardian at the far end of that lovely curving beach. A little farther along the captain drew up to the curb and the four men alighted. On the other side of a dilapidated fence was a garden that might have been Eden at its best.

Entering past a gate that hung sorrowfully on one hinge they walked up a dirt path and in a moment a ramshackle old building came into view. They were approaching it on an angle, and John Quincy saw that the greater part of it extended out over the water. The tottering structure was of two stories, with double-decked balconies on both sides and the rear. It had rather an air about it; once, no doubt, it had been worthy to stand in this setting. Flowering vines clambered over it in a friendly endeavor to hide its imperfections from the world.

"Some day," announced Charlie Chan solemnly, "those rafters underneath will disintegrate and the Reef and Palm Hotel will descend into the sea with a most horrid gurgle."

As they drew nearer, it seemed to John Quincy that the Chinaman's prophecy might come true at any moment. They paused at the foot of a crumbling stair that led to the front door, and as they did so a man emerged hurriedly from the Reef and Palm. His once white clothes were yellowed, his face lined, his eyes tired and disillusioned. But about him, as about the hotel, hung the suggestion of a distinguished past.

"Mr. Egan," said Captain Hallet promptly.

"Oh—how are you?" the man replied, with an accent that recalled to John Quincy's mind his meeting with Captain Arthur Temple Cope.

"We want to talk to you," announced Hallet bruskly.

A shadow crossed Egan's face. "I'm frightfully sorry," he said, "but I have a most important engagement, and I'm late as it is. Some other time—"

"Now!" cut in Hallet. The word shot through the morning like a rocket. He started up the steps.

"Impossible," said Egan. He did not raise his voice. "Nothing on earth could keep me from the dock this morning—"

The captain of detectives seized his arm. "Come inside!" he ordered.

Egan's face flushed. "Take your hand off me, damn you! By what right—"

"You watch your step, Egan," advised Hallet angrily. "You know why I'm here."

"I do not."

Hallet stared into the man's face. "Dan Winterslip was murdered last night," he said.

Jim Egan removed his hat, and looked helplessly out toward Kalakaua Avenue. "So I read in the morning paper," he replied. "What has his death to do with me?"

"You were the last person to see him alive," Hallet answered. "Now quit bluffing and come inside."

Egan cast one final baffled glance at the street, where a trolley bound for the city three miles away was rattling swiftly by. Then he bowed his head and led the way into the hotel.

They entered a huge, poorly furnished public room, deserted save for a woman tourist writing post-cards at a table, and a shabby Japanese clerk lolling behind the desk. "This way," Egan said, and they followed him past the desk and into a small private office. Here all was confusion, dusty piles of magazines and newspapers were everywhere, battered old ledgers lay upon the floor. On the wall hung a portrait of Queen Victoria; many pictures cut from the London illustrated weeklies were tacked up haphazardly. Jennison spread a newspaper carefully over the window-sill and sat down there. Egan cleared chairs for Hallet, Chan and John Quincy, and himself took his place before an ancient roll-top desk.

"If you will be brief, Captain," he suggested, "I might still have time—" He glanced at a clock above the desk.

"Forget that," advised Hallet sharply. His manner was considerably different from that he employed in the house of a leading citizen like Dan Winterslip. "Let's get to business." He turned to Chan. "Got your book, Charlie?"

"Preparations are complete," replied Chan, his pencil poised.

"All right." Hallet drew his chair closer to the desk. "Now Egan, you come through and come clean. I know that last night about seven-thirty you called up Dan Winterslip and tried to slide out of an appointment you had made with him. I know that he refused to let you off, and insisted on seeing you at eleven. About that time you went to his house. You and he had a rather excited talk. At one-twenty-five Winterslip was found dead. Murdered, Egan! Now give me your end of it."

Jim Egan ran his fingers through his curly, close-cropped hair—straw-colored once, but now mostly gray. "That's all quite true," he said. "Do—do you mind if I smoke?" He took out a silver case and removed a cigarette. His hand trembled slightly as he applied the match. "I did make an appointment with Winterslip for last night," he continued. "During the course of the day I—changed my mind. When I called up to tell him so, he insisted on seeing me. He urged me to come at eleven, and I went."

"Who let you in?" Hallet asked.

"Winterslip was waiting in the garden when I came. We went inside—"

Hallet glanced at the cigarette in Egan's hand. "By the door leading directly into the living-room?" he asked.

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