G. Chesterton - Father Brown - Complete Series (All 53 Stories in One Volume)

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
The Innocence of Father Brown:
The Blue Cross
The Secret Garden
The Queer Feet
The Flying Stars
The Invisible Man
The Honour of Israel Gow
The Wrong Shape
The Sins of Prince Saradine
The Hammer of God
The Eye of Apollo
The Sign of the Broken Sword
The Three Tools of Death
The Wisdom of Father Brown:
The Absence of Mr Glass
The Paradise of Thieves
The Duel of Dr Hirsch
The Man in the Passage
The Mistake of the Machine
The Head of Caesar
The Purple Wig
The Perishing of the Pendragons
The God of the Gongs
The Salad of Colonel Cray
The Strange Crime of John Boulnois
The Fairy Tale of Father Brown
The Incredulity of Father Brown:
The Resurrection of Father Brown
The Arrow of Heaven
The Oracle of the Dog
The Miracle of Moon Crescent
The Curse of the Golden Cross
The Dagger with Wings
The Doom of the Darnaways
The Ghost of Gideon Wise
The Secret of Father Brown:
The Secret of Father Brown
The Mirror of the Magistrate
The Man With Two Beards
The Song of the Flying Fish
The Actor and the Alibi
The Vanishing of Vaudrey
The Worst Crime in the World
The Red Moon of Meru
The Chief Mourner of Marne
The Secret of Flambeau
The Scandal of Father Brown:
The Scandal of Father Brown
The Quick One
The Blast of the Book
The Green Man
The Pursuit of Mr Blue
The Crime of the Communist
The Point of a Pin
The Insoluble Problem
The Vampire of the Village
Uncollected Stories:
The Donnington Affair

Gilbert Keith Chesterton (1874-1936) was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. He is often referred to as the «prince of paradox». Chesterton is best known for his fictional priest-detective Father Brown, but also for his reasoned apologetics.

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"Who is that?" cried Father Brown, stepping back with a hissing intake of his breath.

"Oh, it is only that Hindoo humbug," growled Harris; "but I don't know what the deuce he's doing here."

"It looks like hypnotism," said Flambeau, biting his black moustache.

"Why are you unmedical fellows always talking bosh about hypnotism?" cried the doctor. "It looks a deal more like burglary."

"Well, we will speak to it, at any rate," said Flambeau, who was always for action. One long stride took him to the place where the Indian stood. Bowing from his great height, which overtopped even the Oriental's, he said with placid impudence:

"Good evening, sir. Do you want anything?"

Quite slowly, like a great ship turning into a harbour, the great yellow face turned, and looked at last over its white shoulder. They were startled to see that its yellow eyelids were quite sealed, as in sleep. "Thank you," said the face in excellent English. "I want nothing." Then, half opening the lids, so as to show a slit of opalescent eyeball, he repeated, "I want nothing." Then he opened his eyes wide with a startling stare, said, "I want nothing," and went rustling away into the rapidly darkening garden.

"The Christian is more modest," muttered Father Brown; "he wants something."

"What on earth was he doing?" asked Flambeau, knitting his black brows and lowering his voice.

"I should like to talk to you later," said Father Brown.

The sunlight was still a reality, but it was the red light of evening, and the bulk of the garden trees and bushes grew blacker and blacker against it. They turned round the end of the conservatory, and walked in silence down the other side to get round to the front door. As they went they seemed to wake something, as one startles a bird, in the deeper corner between the study and the main building; and again they saw the white-robed fakir slide out of the shadow, and slip round towards the front door. To their surprise, however, he had not been alone. They found themselves abruptly pulled up and forced to banish their bewilderment by the appearance of Mrs. Quinton, with her heavy golden hair and square pale face, advancing on them out of the twilight. She looked a little stern, but was entirely courteous.

"Good evening, Dr. Harris," was all she said.

"Good evening, Mrs. Quinton," said the little doctor heartily. "I am just going to give your husband his sleeping draught."

"Yes," she said in a clear voice. "I think it is quite time." And she smiled at them, and went sweeping into the house.

"That woman's over-driven," said Father Brown; "that's the kind of woman that does her duty for twenty years, and then does something dreadful."

The little doctor looked at him for the first time with an eye of interest. "Did you ever study medicine?" he asked.

"You have to know something of the mind as well as the body," answered the priest; "we have to know something of the body as well as the mind."

"Well," said the doctor, "I think I'll go and give Quinton his stuff."

They had turned the corner of the front façade, and were approaching the front doorway. As they turned into it they saw the man in the white robe for the third time. He came so straight towards the front door that it seemed quite incredible that he had not just come out of the study opposite to it. Yet they knew that the study door was locked.

Father Brown and Flambeau, however, kept this weird contradiction to themselves, and Dr. Harris was not a man to waste his thoughts on the impossible. He permitted the omnipresent Asiatic to make his exit, and then stepped briskly into the hall. There he found a figure which he had already forgotten. The inane Atkinson was still hanging about, humming and poking things with his knobby cane. The doctor's face had a spasm of disgust and decision, and he whispered rapidly to his companion: "I must lock the door again, or this rat will get in. But I shall be out again in two minutes."

He rapidly unlocked the door and locked it again behind him, just balking a blundering charge from the young man in the billycock. The young man threw himself impatiently on a hall chair. Flambeau looked at a Persian illumination on the wall; Father Brown, who seemed in a sort of daze, dully eyed the door. In about four minutes the door was opened again. Atkinson was quicker this time. He sprang forward, held the door open for an instant, and called out: "Oh, I say, Quinton, I want——"

From the other end of the study came the clear voice of Quinton, in something between a yawn and a yell of weary laughter.

"Oh, I know what you want. Take it, and leave me in peace. I'm writing a song about peacocks."

Before the door closed half a sovereign came flying through the aperture; and Atkinson, stumbling forward, caught it with singular dexterity.

"So that's settled," said the doctor, and, locking the door savagely, he led the way out into the garden.

"Poor Leonard can get a little peace now," he added to Father Brown; "he's locked in all by himself for an hour or two."

"Yes," answered the priest; "and his voice sounded jolly enough when we left him." Then he looked gravely round the garden, and saw the loose figure of Atkinson standing and jingling the half-sovereign in his pocket, and beyond, in the purple twilight, the figure of the Indian sitting bolt upright upon a bank of grass with his face turned towards the setting sun. Then he said abruptly: "Where is Mrs. Quinton!"

"She has gone up to her room," said the doctor. "That is her shadow on the blind."

Father Brown looked up, and frowningly scrutinised a dark outline at the gas-lit window.

"Yes," he said, "that is her shadow," and he walked a yard or two and threw himself upon a garden seat.

Flambeau sat down beside him; but the doctor was one of those energetic people who live naturally on their legs. He walked away, smoking, into the twilight, and the two friends were left together.

"My father," said Flambeau in French, "what is the matter with you?"

Father Brown was silent and motionless for half a minute, then he said: "Superstition is irreligious, but there is something in the air of this place. I think it's that Indian—at least, partly."

He sank into silence, and watched the distant outline of the Indian, who still sat rigid as if in prayer. At first sight he seemed motionless, but as Father Brown watched him he saw that the man swayed ever so slightly with a rhythmic movement, just as the dark tree-tops swayed ever so slightly in the wind that was creeping up the dim garden paths and shuffling the fallen leaves a little.

The landscape was growing rapidly dark, as if for a storm, but they could still see all the figures in their various places. Atkinson was leaning against a tree with a listless face; Quinton's wife was still at her window; the doctor had gone strolling round the end of the conservatory; they could see his cigar like a will-o'-the-wisp; and the fakir still sat rigid and yet rocking, while the trees above him began to rock and almost to roar. Storm was certainly coming.

"When that Indian spoke to us," went on Brown in a conversational undertone, "I had a sort of vision, a vision of him and all his universe. Yet he only said the same thing three times. When first he said 'I want nothing,' it meant only that he was impenetrable, that Asia does not give itself away. Then he said again, 'I want nothing,' and I knew that he meant that he was sufficient to himself, like a cosmos, that he needed no God, neither admitted any sins. And when he said the third time, 'I want nothing,' he said it with blazing eyes. And I knew that he meant literally what he said; that nothing was his desire and his home; that he was weary for nothing as for wine; that annihilation, the mere destruction of everything or anything——"

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