J. S. Fletcher - The Collected Works of J. S. Fletcher - 17 Novels & 28 Short Stories (Illustrated Edition)

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Novels
Perris of the Cherry Trees
The Middle Temple Murder
Dead Men's Money
The Talleyrand Maxim
The Paradise Mystery
The Borough Treasurer
The Chestermarke Instinct
The Herapath Property
The Orange-Yellow Diamond
The Root of All Evil
In The Mayor's Parlour
The Middle of Things
Ravensdene Court
The Rayner-Slade Amalgamation
Scarhaven Keep
In the Days of Drake
Where Highways Cross
Short Stories
Paul Campenhaye – Specialist in Criminology
The French Maid
The Yorkshire Manufacturer
The Covent Garden Fruit Shop
The Irish Mail
The Tobacco-Box
Mrs. Duquesne
The House on Hardress Head
The Champagne Bottle
The Settling Day
The Magician of Cannon Street
Mr. Poskitt's Nightcaps (Stories of a Yorkshire Farmer)
The Guardian of High Elms Farm
A Stranger in Arcady
The Man Who Was Nobody
Little Miss Partridge
The Marriage of Mr. Jarvis
Bread Cast upon the Waters
William Henry and the Dairymaid
The Spoils to the Victor
An Arcadian Courtship
The Way of the Comet
Brothers in Affliction
A Man or a Mouse
A Deal in Odd Volumes
The Chief Magistrate
Other Stories
The Ivory God
The Other Sense
The New Sun
The Lighthouse on Shivering Sand
Historical Works
Mistress Spitfire
Baden-Powell of Mafeking
Joseph Smith Fletcher (1863-1933) was an English author, one of the leading writers of detective fiction in the Golden Age.

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"Yes!" answered Nesta unflinchingly. "You're acting like an enemy—you are an enemy!"

"I've hoped that you and I would be friends—good friends," said Pratt, with something like a sigh. "And if I may say so, I've no feeling of enmity towards you. When I speak of us being adversaries, I mean it in—well, let's say a sort of legal sense. But now I'll show you my hand—that is, as far as I please. Will you listen quietly to me?"

"I've no choice," replied Nesta bluntly. "And I came here to know what you've got to say for yourself. Say it!"

Pratt moved his chair a little nearer to his visitor.

"Now," he said, speaking very quietly and deliberately, "I'll go through what I have to say to you carefully, point by point. I shall ask you to go back a little way. It is now some time since I discovered a secret about your mother, Mrs. Mallathorpe. Ah, you start!—it may be with indignation, but I assure you I'm telling you, and am going to tell you, the absolute truth. I say—a secret! No one knows it but myself—not one living soul! Except, of course, your mother. I shall not reveal it to you—under any consideration, or in any circumstances—but I can tell you this—if that secret were revealed, your mother would be ruined for life—and you yourself would suffer in more ways than one."

Nesta looked at him incredulously—and yet she began to feel he was telling some truth. And Pratt shook his head at the incredulous expression.

"It's quite so!" he said. "You'll begin to believe it—-from other things. Now, it was in connection with this that I paid a visit to Normandale Grange one evening some months ago. Perhaps you never heard of that? I was alone with your mother for some time in the study."

"I have heard of it," she answered.

"Very good," said Pratt. "But you haven't heard that your mother came to see me at my rooms here in Barford—my lodgings—the very next night! On the same business, of course. But she did—I know how she came, too. Secretly—heavily veiled—naturally, she didn't want anybody to know. Are you beginning to see something in it, Miss Mallathorpe?"

"Go on with your—story," answered Nesta.

"I go on, then, to the day before your brother's death," continued Pratt. "Namely, a certain Friday. Now, if you please, I'll invite you to listen carefully to certain facts—which are indisputable, which I can prove, easily. On that Friday, the day before your brother's death, Mrs. Mallathorpe was in the shrubbery at Normandale Grange which is near the north end of the old foot-bridge. She was approached by Hoskins, an old woodman, who has been on the estate a great many years—you know him well enough. Hoskins told Mrs. Mallathorpe that the foot-bridge between the north and south shrubberies, spanning the cut which was made there a long time since so that a nearer road could be made to the stables, was in an extremely dangerous condition—so dangerous, in fact, that in his opinion, it would collapse under even a moderate weight. I impress this fact upon you strongly."

"Well?" said Nesta.

"Hoskins," Pratt went on, "urged upon Mrs. Mallathorpe the necessity of having the bridge closed at once, or barricaded. He pointed out to her from where they stood certain places in the bridge, and in the railing on one side of it, which already sagged in such a fashion, that he, as a man of experience, knew that planks and railings were literally rotten with damp. Now what did Mrs. Mallathorpe do? She said nothing to Hoskins, except that she'd have the thing seen to. But she immediately went to the estate carpenter's shop, and there she procured two short lengths of chain, and two padlocks, and she herself went back to the foot-bridge and secured its wicket gates at both ends. I beg you will bear that in mind, too, Miss Mallathorpe."

"I am bearing everything in mind," said Nesta resolutely. "Don't be afraid that I shall forget one word that you say."

"I hear that sneer in your voice," answered Pratt, as he turned, unlocked a drawer, and drew out some papers. "But I think you will soon learn that the sneer at what I'm telling you is foolish. Mrs. Mallathorpe had a set purpose in locking up those gates—as you will see presently. You will see it from what I am now going to tell you. Oblige me, if you please, by looking at that letter. Do you recognize your mother's handwriting?"

"Yes!" admitted Nesta, with a sudden feeling of apprehension. "That is her writing."

"Very good," said Pratt. "Then before I read it to you, I'll just tell you what this letter is. It formed, when it was written, an invitation from Mrs. Mallathorpe to me—an invitation to walk, innocently, into what she knew—knew, mind you!—to be a death-trap! She meant me to fall through the bridge!"

Chapter XV. Pratt Offers a Hand

Table of Contents

For a full moment of tense silence Nesta and Pratt looked at each other across the letter which he held in his outstretched hand—looked steadily and with a certain amount of stern inquiry. And it was Nesta's eyes which first gave way—beaten by the certainty in Pratt's. She looked aside; her cheeks flamed; she felt as if something were rising in her throat—to choke her.

"I can't believe that!" she muttered. "You're—mistaken! Oh—utterly mistaken!"

"No mistake!" said Pratt confidently. "I tell you your mother meant me—me!—to meet my death at that bridge. Here's the proof in this letter! I'll tell you, first, when I received it: then I'll read you what's in it, and if you doubt my reading of it, you shall read it yourself—but it won't go out of my hands! And first as to my getting it, for that's important. It reached me, by registered post, mind you, on the Saturday morning on which your brother met his death. It was handed in at Normandale village post-office for registration late on the Friday afternoon. And—by whom do you think?"

"I—don't know!" replied Nesta faintly. This merciless piling up of details was beginning to frighten her—already she felt as if she herself were some criminal, forced to listen from the dock to the opening address of a prosecuting counsel. "How should I know?—how can I think?"

"It was handed in for registration by your mother's maid, Esther Mawson," said Pratt with a dark look. "I've got her evidence, anyway! And that was all part of a plan—just as a certain something that was enclosed was a part of the same plan—a plot. And now I'll read you the letter—and you'll bear it in mind that I got it by first post that Saturday morning. This is what it—what your mother—says:—

"I particularly wish to see you again, at once, about the matter between us and to have another look at that document . Can you come here, bringing it with you, tomorrow, Saturday afternoon, by the train which leaves soon after two o'clock? As I am most anxious that your visit should be private and unknown to any one here, do not come to the house. Take the path across the park to the shrubberies near the house, so that if you are met people would think you were taking a near cut to the village. I will meet you in the shrubbery on the house side of the little foot-bridge. The gates—'"

Pratt suddenly paused, and before proceeding looked hard at his visitor.

"Now listen to what follows—and bear in mind what your mother knew, and had done, at the time she wrote this letter. This is how the letter goes on—-let every word fix itself in your mind, Miss Mallathorpe!"

"'The gates of the foot-bridge are locked, but the enclosed keys will open them. I will meet you amongst the trees on the further side. Be sure to come and to bring that document —I have something to say about it on seeing it again.'"

Pratt turned to the drawer from which he had taken the letter and took out two small keys, evidently belonging to patent padlocks. He held them up before Nesta.

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