J. S. Fletcher - The Collected Works of J. S. Fletcher - 17 Novels & 28 Short Stories (Illustrated Edition)

But she had not killed Meekin. He rose like a badly wounded thing—half rose, that is, as I have seen crippled animals rise, and he cried like a beast in a trap, fighting with his hands. And the woman struck again with the knife—and again he sank back, and again he rose, and … I shut my eyes, sick with horror, as she drove the knife into him for the third time.

But that was nothing to the horror to come. When I looked again, he was still writhing and crying, and fighting blindly for his life, and I cried out on her to leave him alone, for I saw that in a few minutes he would be dead. I even made an effort to crawl to them, that I might drag her away from him, but my knee gave at the movement and I fell back half-fainting. And taking no more notice of me than if I had been one of the stocks and stones close by, she suddenly gripped him, writhing as he was, by the throat, and drawing him over the bank as easily as if he had been a child in her grasp, she plunged knee-deep into the Till and held him down under the water until he was drowned.

There was a most extraordinary horror came over me as I lay there, powerless to move, propped up on my elbow, watching. The purposeful deliberation with which the woman finished her work; the dead silence about us, broken only by an occasional faint lapping of the river against its bank; the knowledge that this was a deed of revenge—all these things produced a mental state in me which was as near to the awful as ever I approached it. I could only lie and watch—fascinated. But it was over at last, and she let the body go, and stood watching for a moment as it floated into a dark pool beneath the alders; and then, shaking herself like a dog, she came up the bank and looked at me, in silence.

"That was—in revenge for Crone," I managed to get out.

"It was them killed Crone," she answered in a queer dry voice. "Let the pollis find this one where they found Crone! You're not greatly hurt yourself—and there's somebody at hand."

Then she suddenly turned and vanished amongst the trees, and, twisting myself round in the direction to which she had pointed, I saw a gamekeeper coming along. His gun was thrown carelessly in the crook of his arm, and he was whistling, gaily and unconcernedly.

I have a perpetual memento of that morning in my somewhat crippled knee. And once, two years ago, when I was on business in a certain English town, and in a quarter of it into which few but its own denizens penetrate, I met for one moment, at a slum corner, a great raw-boned Irishwoman who noticed my bit of a limp, and turned her eyes for an instant to give me a sharp look that won as sharp an answer. And there may have been mutual understanding and sympathy in the glance we thus exchanged—certainly, when it had passed between us, we continued on our separate ways, silent.

THE END

Table of Contents

Chapter I. Death Brings Opportunity

Chapter II. In Trust

Chapter III. The Shop-Boy

Chapter IV. The Fortunate Possessors

Chapter V. Point-Blank

Chapter VI. The Unexpected

Chapter VII. The Supreme Inducement

Chapter VIII. Terms

Chapter IX. Until Next Spring

Chapter X. The Foot-Bridge

Chapter XI. The Prevalent Atmosphere

Chapter XII. The Power of Attorney

Chapter XIII. The First Trick

Chapter XIV. Cards on the Table

Chapter XV. Pratt Offers a Hand

Chapter XVI. A Headquarters Conference

Chapter XVII. Advertisement

Chapter XVIII. The Confiding Landlord

Chapter XIX. The Eye-Witness

Chapter XX. The Green Man

Chapter XXI. The Direct Charge

Chapter XXII. The Cat's Paw

Chapter XXIII. Smooth Face and Anxious Brain

Chapter XXIV. The Better Half

Chapter XXV. Dry Sherry

Chapter XXVI. The Telephone Message

Chapter XXVII. Restored to Energy

Chapter XXVIII. The Woman in Black

Table of Contents

Linford Pratt, senior clerk to Eldrick & Pascoe, solicitors, of Barford, a young man who earnestly desired to get on in life, by hook or by crook, with no objection whatever to crookedness, so long as it could be performed in safety and secrecy, had once during one of his periodical visits to the town Reference Library, lighted on a maxim of that other unscrupulous person, Prince Talleyrand, which had pleased him greatly. "With time and patience," said Talleyrand, "the mulberry leaf is turned into satin." This seemed to Linford Pratt one of the finest and soundest pieces of wisdom which he had ever known put into words.

A mulberry leaf is a very insignificant thing, but a piece of satin is a highly marketable commodity, with money in it. Henceforth, he regarded himself as a mulberry leaf which his own wit and skill must transform into satin: at the same time he knew that there is another thing, in addition to time and patience, which is valuable to young men of his peculiar qualities, a thing also much beloved by Talleyrand—opportunity. He could find the patience, and he had the time—but it would give him great happiness if opportunity came along to help in the work. In everyday language, Linford Pratt wanted a chance—he waited the arrival of the tide in his affairs which would lead him on to fortune.

Leave him alone—he said to himself—to be sure to take it at the flood. If Pratt had only known it, as he stood in the outer office of Eldrick & Pascoe at the end of a certain winter afternoon, opportunity was slowly climbing the staircase outside—not only opportunity, but temptation, both assisted by the Devil. They came at the right moment, for Pratt was alone; the partners had gone: the other clerks had gone: the office-boy had gone: in another minute Pratt would have gone, too: he was only looking round before locking up for the night. Then these things came—combined in the person of an old man, Antony Bartle, who opened the door, pushed in a queer, wrinkled face, and asked in a quavering voice if anybody was in.

"I'm in, Mr. Bartle," answered Pratt, turning up a gas jet which he had just lowered. "Come in, sir. What can I do for you?"

Antony Bartle came in, wheezing and coughing. He was a very, very old man, feeble and bent, with little that looked alive about him but his light, alert eyes. Everybody knew him—he was one of the institutions of Barford—as well known as the Town Hall or the Parish Church. For fifty years he had kept a second-hand bookshop in Quagg Alley, the narrow passage-way which connected Market Street with Beck Street. It was not by any means a common or ordinary second-hand bookshop: its proprietor styled himself an "antiquarian bookseller"; and he had a reputation in two Continents, and dealt with millionaire buyers and virtuosos in both.

Barford people sometimes marvelled at the news that Mr. Antony Bartle had given two thousand guineas for a Book of Hours, and had sold a Missal for twice that amount to some American collector; and they got a hazy notion that the old man must be well-to-do—despite his snuffiness and shabbiness, and that his queer old shop, in the window of which there was rarely anything to be seen but a few ancient tomes, and two or three rare engravings, contained much that he could turn at an hour's notice into gold. All that was surmise—but Eldrick & Pascoe—which term included Linford Pratt—knew all about Antony Bartle, being his solicitors: his will was safely deposited in their keeping, and Pratt had been one of the attesting witnesses.

The old man, having slowly walked into the outer office, leaned against a table, panting a little. Pratt hastened to open an inner door.

"Come into Mr. Eldrick's room, Mr. Bartle," he said. "There's a nice easy chair there—come and sit down in it. Those stairs are a bit trying, aren't they? I often wish we were on the ground floor."