Katherine Mansfield - The Complete Short Stories of Katherine Mansfield

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Kathleen Mansfield Murry (1888–1923) was a prominent modernist short story writer who wrote under the pen name of Katherine Mansfield. At 19, Mansfield left New Zealand and settled in the UK, where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf. Her short stories show the complexities of a character's interior life in all its various shades.
Bliss, and Other Stories
Bliss
Prelude
Je ne Parle pas Français
The Wind Blows
Psychology
Pictures
The Man without a Temperament
Mr. Reginald Peacock's Day
Sun and Moon
Feuille d'Album . . .
The Garden Party, and Other Stories
The Garden Party
At The Bay
The Daughters of the Late Colonel
Mr. and Mrs. Dove
The Young Girl
Life of Ma Parker
Marriage A La Mode
The Voyage
Miss Brill
Her First Ball
The Singing Lesson . . .
The Doves' Nest, and Other Stories
The Doves' Nest
The Doll's House
Honeymoon
A Cup of Tea
Taking the Veil
The Fly
The Canary
Something Childish, and Other Stories
Something Childish but very Natural
The Tiredness of Rosabel
How Pearl Button was Kidnapped
The Journey to Bruges
A Truthful Adventure
New Dresses
The Woman at the Store
Ole Underwood
The Little Girl
Millie
Pension Séguin
Violet
Bains Turcs
An Indiscreet Journey . . .
In a German Pension, and Other Stories
Germans at Meat
The Baron
The Sister of the Baroness
Frau Fischer
Frau Brechenmacher Attends A Wedding
The Modern Soul
At Lehmann's . . .
The Aloe
Last Moments Before
A Journey With The Storeman
The Day After
The Aloe
Unfinished Stories
A Married Man's Story
Six Years After
Daphne
Father and the Girls
All Serene!
A Bad Idea
A Man and His Dog
Such a Sweet Old Lady
Honesty
Susannah
Second Violin
Mr. and Mrs. Williams
Weak Heart
Widowed

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Another bend of the road, and down the hill there came a troop of little children, shrieking and giggling, little girls with sun-bleached hair, little boys in faded soldiers’ caps. In their hands they carried flowers—any kind of flowers—grabbed by the head, and these they offered, running beside the carriage. Lilac, faded lilac, greeny-white snowballs, one arum lily, a handful of hyacinths. They thrust the flowers and their impish faces into the carriage; one even threw into her lap a bunch of marigolds. Poor little mice! He had his hand in his trouser pocket before her. “For Heaven’s sake don’t give them anything. Oh, how typical of you! Horrid little monkeys! Now they’ll follow us all the way. Don’t encourage them; you would encourage beggars”; and she hurled the bunch out of the carriage with, “Well, do it when I’m not there, please.”

He saw the queer shock on the children’s faces. They stopped running, lagged behind, and then they began to shout something, and went on shouting until the carriage had rounded yet another bend.

“Oh, how many more are there before the top of the hill is reached? The horses haven’t trotted once. Surely it isn’t necessary for them to walk the whole way.”

“We shall be there in a minute now,” he said, and took out his cigarette-case. At that she turned round towards him. She clasped her hands and held them against her breast; her dark eyes looked immense, imploring, behind her veil; her nostrils quivered, she bit her lip, and her head shook with a little nervous spasm. But when she spoke, her voice was quite weak and very, very calm.

“I want to ask you something. I want to beg something of you,” she said. “I’ve asked you hundreds and hundreds of times before, but you’ve forgotten. It’s such a little thing, but if you knew what it meant to me. . . .” She pressed her hands together. “But you can’t know. No human creature could know and be so cruel.” And then, slowly, deliberately, gazing at him with those huge, sombre eyes: “I beg and implore you for the last time that when we are driving together you won’t smoke. If you could imagine,” she said, “the anguish I suffer when that smoke comes floating across my face. . . .”

“Very well,” he said. “I won’t. I forgot.” And he put the case back.

“Oh, no,” said she, and almost began to laugh, and put the back of her hand across her eyes. “You couldn’t have forgotten. Not that.”

The wind came, blowing stronger. They were at the top of the hill. “Hoy-yip-yip-yip,” cried the driver. They swung down the road that fell into a small valley, skirted the sea coast at the bottom of it, and then coiled over a gentle ridge on the other side. Now there were houses again, blue-shuttered against the heat, with bright burning gardens, with geranium carpets flung over the pinkish walls. The coast-line was dark; on the edge of the sea a white silky fringe just stirred. The carriage swung down the hill, bumped, shook. “Yi-ip,” shouted the driver. She clutched the sides of the seat, she closed her eyes, and he knew she felt this was happening on purpose; this swinging and bumping, this was all done—and he was responsible for it, somehow—to spite her because she had asked if they couldn’t go a little faster. But just as they reached the bottom of the valley there was one tremendous lurch. The carriage nearly overturned, and he saw her eyes blaze at him, and she positively hissed, “I suppose you are enjoying this?”

They went on. They reached the bottom of the valley. Suddenly she stood up. “ Cocher! Cocher! Arrêtez-vous! ” She turned round and looked into the crumpled hood behind. “I knew it,” she exclaimed. “I knew it. I heard it fall, and so did you, at that last bump.”

“What? Where?”

“My parasol. It’s gone. The parasol that belonged to my mother. The parasol that I prize more than—more than . . .” She was simply beside herself. The driver turned round, his gay, broad face smiling.

“I, too, heard something,” said he, simply and gaily. “But I thought as Monsieur and Madame said nothing . . .”

“There. You hear that. Then you must have heard it too. So that accounts for the extraordinary smile on your face. . . .”

“Look here,” he said, “it can’t be gone. If it fell out it will be there still. Stay where you are. I’ll fetch it.”

But she saw through that. Oh, how she saw through it! “No, thank you.” And she bent her spiteful, smiling eyes upon him, regardless of the driver. “I’ll go myself. I’ll walk back and find it, and trust you not to follow. For”—knowing the driver did not understand, she spoke softly, gently—“if I don’t escape from you for a minute I shall go mad.”

She stepped out of the carriage. “My bag.” He handed it to her.

“Madame prefers . . .”

But the driver had already swung down from his seat, and was seated on the parapet reading a small newspaper. The horses stood with hanging heads. It was still. The man in the carriage stretched himself out, folded his arms. He felt the sun beat on his knees. His head was sunk on his breast. “Hish, hish,” sounded from the sea. The wind sighed in the valley and was quiet. He felt himself, lying there, a hollow man, a parched, withered man, as it were, of ashes. And the sea sounded, “Hish, hish.”

It was then that he saw the tree, that he was conscious of its presence just inside a garden gate. It was an immense tree with a round, thick silver stem and a great arc of copper leaves that gave back the light and yet were sombre. There was something beyond the tree—a whiteness, a softness, an opaque mass, half-hidden—with delicate pillars. As he looked at the tree he felt his breathing die away and he became part of the silence. It seemed to grow, it seemed to expand in the quivering heat until the great carved leaves hid the sky, and yet it was motionless. Then from within its depths or from beyond there came the sound of a woman’s voice. A woman was singing. The warm untroubled voice floated upon the air, and it was all part of the silence as he was part of it. Suddenly, as the voice rose, soft, dreaming, gentle, he knew that it would come floating to him from the hidden leaves and his peace was shattered. What was happening to him? Something stirred in his breast. Something dark, something unbearable and dreadful pushed in his bosom, and like a great weed it floated, rocked . . . it was warm, stifling. He tried to struggle to tear at it, and at the same moment—all was over. Deep, deep, he sank into the silence, staring at the tree and waiting for the voice that came floating, falling, until he felt himself enfolded.

. . . . .

In the shaking corridor of the train. It was night. The train rushed and roared through the dark. He held on with both hands to the brass rail. The door of their carriage was open.

“Do not disturb yourself, Monsieur. He will come in and sit down when he wants to. He likes—he likes—it is his habit. . . . Oui, Madame, je suis un peu souffrante. . . . Mes nerfs. Oh, but my husband is never so happy as when he is travelling. He likes roughing it. . . . My husband. . . . My husband. . . .”

The voices murmured, murmured. They were never still. But so great was his heavenly happiness as he stood there he wished he might live for ever.

THE GARDEN PARTY, AND OTHER STORIES

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