George W. M. Reynolds - The Mysteries of London

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The Mysteries of London is a «penny blood» classic. There are many plots in the story, but the overarching purpose is to reveal different facets of life in London, from its seedy underbelly to its over-indulgent and corrupt aristocrats. The Mysteries of London are considered to be among the seminal works of the Victorian «urban mysteries» genre, a style of sensational fiction which adapted elements of Gothic novels – with their haunted castles, innocent noble damsels in distress and nefarious villains – to produce stories which instead emphasized the poverty, crime, and violence of a great metropolis, complete with detailed and often sympathetic descriptions of the lives of lower-class lawbreakers and extensive glossaries of thieves' cant, all interwoven with a frank sexuality not usually found in popular fiction of the time.

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"Act as you will," said the lady; "but let there remain behind no motive which can lead you to repeat your visits to this house. You comprehend me?"

"Perfectly," replied Montague. "But once more let me implore you—"

"Enough—enough!" exclaimed Walter. "You know not the firmness of the female mind: perhaps I have this morning taught you a lesson in that respect. We must now part, Mr. Montague; and believe me—believe me, that, although no power on earth can alter the resolution to which I came during the long and painful vigil of the past night, I still wish you well;—and, remember, my gratitude accompanies you!"

Walter hesitated for a moment, as if another observation were trembling upon her tongue: then stifling her emotions with a powerful effort, she waved her hand to the delinquent, and abruptly left the room.

"Is this a loftiness of mind of which not even the greatest of men often afford example? or is it the miserable caprice of a vacillating woman?" said Montague to himself, as he prepared to take his departure from the villa in which he had spent some happy hours. "I must candidly admit that this time I am at fault. All appears to be lost in this quarter—and that, too, through my own confounded folly. But Stephens's secret still remains to me; and that secret shall be as good as an annuity for years to come. Let me see—I must have money now to insure my silence, upon breaking off all further connexion with the business. Then I must keep an eye upon him; and should he succeed on the 26th of this month—and he must succeed, if this punctilious lady does not see through his designs in the meantime—then can I step forward and demand another sum under a threat of exposing the entire scheme. And then, too," he added, while his countenance wore an expression of mingled revenge and triumph—"then, too, can I appear before this vain, this scrupulous, this haughty woman, and with one word send her on her knees before me! Then will she stoop her proud brow, and her prayers and intercessions upon that occasion shall be expressed as humbly as her reproaches and her taunts were tyrannically levelled at me to-day! Yes—I will keep my eye upon Walter Sydney and her benefactor Stephens," he said, with an ironical chuckle: "they may obtain their princely fortune, but a due share shall find its way into my pocket!"

These or similar reflections continued to occupy the mind of George Montague, after he had left the villa, and while he was on his way to the nearest point where he could obtain a conveyance to take him into the City.

CHAPTER XXIII.

THE OLD HOUSE IN SMITHFIELD AGAIN.

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THE visitor to the Polytechnic Institution or the Adelaide Gallery, has doubtless seen the exhibition of the microscope. A drop of the purest water, magnified by that instrument some thousands of times, appears filled with horrible reptiles and monsters of revolting forms.

Such is London.

Fair and attractive as the mighty metropolis may appear to the superficial observer, it swarms with disgusting, loathsome, and venomous objects, wearing human shapes.

Oh! London is a city of strange contrasts!

The bustle of business, and the smile of pleasure—the peaceful citizen, and the gay soldier—the splendid shop, and the itinerant pastry-stall—the gorgeous equipage, and the humble market-cart—the palaces of nobles, and the hovels of the poor—the psalm from the chapel, and the shout of laughter from the tavern—the dandies lounging in the west-end streets, and the paupers cleansing away the mud—the funeral procession, and the bridal cavalcade—the wealthy and high-born lady whose reputation is above all cavil, and the lost girl whose shame is below all notice—the adventurer who defends his honour with a duel, and the poor tradesman whom unavoidable bankruptcy has branded as a rogue—the elegantly-clad banker whose insolvency must soon transpire, and the ragged old miser whose wealth is not suspected—the monuments of glory, and the hospitals of the poor—the temples where men adore a God with affectation, and the shrines at which they lose their gold to a deity whom they adore without affectation—in a word, grandeur and squalor, wealth and misery, virtue and vice—honesty which has never been tried, and crime which yielded to the force of irresistible circumstances—all the features, all the characteristics, all the morals, of a great city, must occupy the attention of him who surveys London with microscopic eye.

And what a splendid subject for the contemplation of the moralist is a mighty city which, at every succeeding hour, presents a new phase of interest to the view;—in the morning, when only the industrious and the thrifty are abroad, and while the wealthy and the great are sleeping off the night's pleasure and dissipation:—at noon, when the streets are swarming with life, as if some secret source without the walls poured at that hour myriads of animated streams into the countless avenues and thoroughfares;—in the evening, when the men of pleasure again venture forth, and music, and dancing, and revelry prevail around;—and at night, when every lazar-house vomits forth its filth, every den lets loose its horrors, and every foul court and alley echoes to the footsteps of crime!

It was about two o'clock in the morning, (three hours after the burglarious attempt upon the villa,) that a man, drenched by the rain which continued to pour in torrents, with his hat drawn over his eyes, and his hands thrust in his pockets to protect them against the cold, crept cautiously down West Street, from Smithfield, dodged past the policeman, and entered the old house which we have described at the opening of our narrative.

Having closed and carefully bolted the front door, he hastily ascended to the room on the first floor where Walter Sydney had seen him and his companion conceal their plunder four years and four months previously.

This man—so wet, so cold, and so miserable—was Bill Bolter, the murderer.

Having groped about for a few moments, he found a match, struck it, and obtained a light. One of the secret recesses furnished a candle; and the flickering glare fell upon the haggard, unshaven, and dirty countenance of the ruffian.

Scarcely had he lighted the candle, when a peculiar whistle was heard in the street, just under the window. The features of Bolter became suddenly animated with joy; and, as he hastily descended the stairs, he muttered to himself, "Well, at all events here's one on 'em."

The individual to whom he opened the door was Dick Flairer—in no better plight, mentally and bodily, than himself.

"Is there any bingo, Bill?" demanded Dick, the moment he set foot in the up-stairs room.

"Not a drain," answered Bolter, after a close inspection of the cupboard in the wall between the windows; "and not a morsel of grub neither."

"Blow the grub," said Dick. "I ain't in no humour for eating; but I could drink a gallon. I've been thinking as I come along, and after the first shock was over, wot cursed fools you and me was to be humbugged in this here affair. Either that young feller was the brother of the one which we threw down the trap——"

"No: I could swear that he is the same," interrupted Bill.

"Well—then he must have made his escape—and that's all," added Dick Flairer.

"That must be it," observed Bolter, after a long pause. "But it was so sudden upon us—and then without no time to think—and all that——"

"You may say what you like, Bill—but I shall never forgive myself. I was the first to bolt; and I was a coward. How shall I ever be able to look the Cracksman in the face again, or go to the parlour of the boozing-ken?"

"It's no use complaining like this, Dick. You was used to be the bold 'un—and now it seems as if it was me that must say 'Cheer up.' The fact is, someot must be done without delay. I told you and Tom what had happened at my crib; and so, lay up for some time I must. Come, now—Dick, you won't desert a pal in trouble?"

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