Joseph Conrad - The Collected Works of Joseph Conrad - Novels, Short Stories, Letters & Memoirs

"Open the gate and go first," said Abdulla; "there is no danger?"

"On my life, no!" answered Babalatchi, lifting the rattan ring. "He is all peace and content, like a thirsty man who has drunk water after many days."

He swung the gate wide, made a few paces into the gloom of the enclosure, and retraced his steps suddenly.

"He may be made useful in many ways," he whispered to Abdulla, who had stopped short, seeing him come back.

"O Sin! O Temptation!" sighed out Abdulla, faintly. "Our refuge is with the Most High. Can I feed this infidel for ever and for ever?" he added, impatiently.

"No," breathed out Babalatchi. "No! Not for ever. Only while he serves your designs, O Dispenser of Allah's gifts! When the time comes—and your order . . ."

He sidled close to Abdulla, and brushed with a delicate touch the hand that hung down listlessly, holding the prayer-beads.

"I am your slave and your offering," he murmured, in a distinct and polite tone, into Abdulla's ear. "When your wisdom speaks, there may be found a little poison that will not lie. Who knows?"

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Babalatchi saw Abdulla pass through the low and narrow entrance into the darkness of Omar's hut; heard them exchange the usual greetings and the distinguished visitor's grave voice asking: "There is no misfortune—please God—but the sight?" and then, becoming aware of the disapproving looks of the two Arabs who had accompanied Abdulla, he followed their example and fell back out of earshot. He did it unwillingly, although he did not ignore that what was going to happen in there was now absolutely beyond his control. He roamed irresolutely about for awhile, and at last wandered with careless steps towards the fire, which had been moved, from under the tree, close to the hut and a little to windward of its entrance. He squatted on his heels and began playing pensively with live embers, as was his habit when engrossed in thought, withdrawing his hand sharply and shaking it above his head when he burnt his fingers in a fit of deeper abstraction. Sitting there he could hear the murmur of the talk inside the hut, and he could distinguish the voices but not the words. Abdulla spoke in deep tones, and now and then this flowing monotone was interrupted by a querulous exclamation, a weak moan or a plaintive quaver of the old man. Yes. It was annoying not to be able to make out what they were saying, thought Babalatchi, as he sat gazing fixedly at the unsteady glow of the fire. But it will be right. All will be right. Abdulla inspired him with confidence. He came up fully to his expectation. From the very first moment when he set his eye on him he felt sure that this man—whom he had known by reputation only—was very resolute. Perhaps too resolute. Perhaps he would want to grasp too much later on. A shadow flitted over Babalatchi's face. On the eve of the accomplishment of his desires he felt the bitter taste of that drop of doubt which is mixed with the sweetness of every success.

When, hearing footsteps on the verandah of the big house, he lifted his head, the shadow had passed away and on his face there was an expression of watchful alertness. Willems was coming down the plankway, into the courtyard. The light within trickled through the cracks of the badly joined walls of the house, and in the illuminated doorway appeared the moving form of Aissa. She also passed into the night outside and disappeared from view. Babalatchi wondered where she had got to, and for the moment forgot the approach of Willems. The voice of the white man speaking roughly above his head made him jump to his feet as if impelled upwards by a powerful spring.

"Where's Abdulla?"

Babalatchi waved his hand towards the hut and stood listening intently. The voices within had ceased, then recommenced again. He shot an oblique glance at Willems, whose indistinct form towered above the glow of dying embers.

"Make up this fire," said Willems, abruptly. "I want to see your face."

With obliging alacrity Babalatchi put some dry brushwood on the coals from a handy pile, keeping all the time a watchful eye on Willems. When he straightened himself up his hand wandered almost involuntarily towards his left side to feel the handle of a kriss amongst the folds of his sarong, but he tried to look unconcerned under the angry stare.

"You are in good health, please God?" he murmured.

"Yes!" answered Willems, with an unexpected loudness that caused Babalatchi to start nervously. "Yes! . . . Health! . . . You . . ."

He made a long stride and dropped both his hands on the Malay's shoulders. In the powerful grip Babalatchi swayed to and fro limply, but his face was as peaceful as when he sat—a little while ago—dreaming by the fire. With a final vicious jerk Willems let go suddenly, and turning away on his heel stretched his hands over the fire. Babalatchi stumbled backwards, recovered himself, and wriggled his shoulders laboriously.

"Tse! Tse! Tse!" he clicked, deprecatingly. After a short silence he went on with accentuated admiration: "What a man it is! What a strong man! A man like that"—he concluded, in a tone of meditative wonder—"a man like that could upset mountains—mountains!"

He gazed hopefully for a while at Willems' broad shoulders, and continued, addressing the inimical back, in a low and persuasive voice—

"But why be angry with me? With me who think only of your good? Did I not give her refuge, in my own house? Yes, Tuan! This is my own house. I will let you have it without any recompense because she must have a shelter. Therefore you and she shall live here. Who can know a woman's mind? And such a woman! If she wanted to go away from that other place, who am I—to say no! I am Omar's servant. I said: 'Gladden my heart by taking my house.' Did I say right?"

"I'll tell you something," said Willems, without changing his position; "if she takes a fancy to go away from this place it is you who shall suffer. I will wring your neck."

"When the heart is full of love there is no room in it for justice," recommenced Babalatchi, with unmoved and persistent softness. "Why slay me? You know, Tuan, what she wants. A splendid destiny is her desire—as of all women. You have been wronged and cast out by your people. She knows that. But you are brave, you are strong—you are a man; and, Tuan—I am older than you—you are in her hand. Such is the fate of strong men. And she is of noble birth and cannot live like a slave. You know her—and you are in her hand. You are like a snared bird, because of your strength. And—remember I am a man that has seen much—submit, Tuan! Submit! . . . Or else . . ."

He drawled out the last words in a hesitating manner and broke off his sentence. Still stretching his hands in turns towards the blaze and without moving his head, Willems gave a short, lugubrious laugh, and asked—

"Or else what?"

"She may go away again. Who knows?" finished Babalatchi, in a gentle and insinuating tone.

This time Willems spun round sharply. Babalatchi stepped back.

"If she does it will be the worse for you," said Willems, in a menacing voice. "It will be your doing, and I . . ."

Babalatchi spoke, from beyond the circle of light, with calm disdain.

"Hai—ya! I have heard before. If she goes—then I die. Good! Will that bring her back do you think—Tuan? If it is my doing it shall be well done, O white man! and—who knows—you will have to live without her."

Willems gasped and started back like a confident wayfarer who, pursuing a path he thinks safe, should see just in time a bottomless chasm under his feet. Babalatchi came into the light and approached Willems sideways, with his head thrown back and a little on one side so as to bring his only eye to bear full on the countenance of the tall white man.