Joseph Conrad - The Collected Works of Joseph Conrad - Novels, Short Stories, Letters & Memoirs

"Good luck to you, Mrs. Willems. Don't lose any time. You may get along by the bushes; the fence there is out of repair. Don't lose time. Don't forget that it is a matter of . . . life and death. And don't forget that I know nothing. I trust you."

He heard inside a noise as of a chest-lid falling down. She made a few steps. Then a sigh, profound and long, and some faint words which he did not catch. He moved away from the door on tiptoe, kicked off his slippers in a corner of the verandah, then entered the passage puffing at his pipe; entered cautiously in a gentle creaking of planks and turned into a curtained entrance to the left. There was a big room. On the floor a small binnacle lamp—that had found its way to the house years ago from the lumber-room of the Flash—did duty for a night-light. It glimmered very small and dull in the great darkness. Almayer walked to it, and picking it up revived the flame by pulling the wick with his fingers, which he shook directly after with a grimace of pain. Sleeping shapes, covered—head and all—with white sheets, lay about on the mats on the floor. In the middle of the room a small cot, under a square white mosquito net, stood—the only piece of furniture between the four walls—looking like an altar of transparent marble in a gloomy temple. A woman, half-lying on the floor with her head dropped on her arms, which were crossed on the foot of the cot, woke up as Almayer strode over her outstretched legs. She sat up without a word, leaning forward, and, clasping her knees, stared down with sad eyes, full of sleep.

Almayer, the smoky light in one hand, his pipe in the other, stood before the curtained cot looking at his daughter—at his little Nina—at that part of himself, at that small and unconscious particle of humanity that seemed to him to contain all his soul. And it was as if he had been bathed in a bright and warm wave of tenderness, in a tenderness greater than the world, more precious than life; the only thing real, living, sweet, tangible, beautiful and safe amongst the elusive, the distorted and menacing shadows of existence. On his face, lit up indistinctly by the short yellow flame of the lamp, came a look of rapt attention while he looked into her future. And he could see things there! Things charming and splendid passing before him in a magic unrolling of resplendent pictures; pictures of events brilliant, happy, inexpressibly glorious, that would make up her life. He would do it! He would do it. He would! He would—for that child! And as he stood in the still night, lost in his enchanting and gorgeous dreams, while the ascending, thin thread of tobacco smoke spread into a faint bluish cloud above his head, he appeared strangely impressive and ecstatic: like a devout and mystic worshipper, adoring, transported and mute; burning incense before a shrine, a diaphanous shrine of a child-idol with closed eyes; before a pure and vaporous shrine of a small god—fragile, powerless, unconscious and sleeping.

When Ali, roused by loud and repeated shouting of his name, stumbled outside the door of his hut, he saw a narrow streak of trembling gold above the forests and a pale sky with faded stars overhead: signs of the coming day. His master stood before the door waving a piece of paper in his hand and shouting excitedly—"Quick, Ali! Quick!" When he saw his servant he rushed forward, and pressing the paper on him objurgated him, in tones which induced Ali to think that something awful had happened, to hurry up and get the whale-boat ready to go immediately—at once, at once—after Captain Lingard. Ali remonstrated, agitated also, having caught the infection of distracted haste.

"If must go quick, better canoe. Whale-boat no can catch, same as small canoe."

"No, no! Whale-boat! whale-boat! You dolt! you wretch!" howled Almayer, with all the appearance of having gone mad. "Call the men! Get along with it. Fly!"

And Ali rushed about the courtyard kicking the doors of huts open to put his head in and yell frightfully inside; and as he dashed from hovel to hovel, men shivering and sleepy were coming out, looking after him stupidly, while they scratched their ribs with bewildered apathy. It was hard work to put them in motion. They wanted time to stretch themselves and to shiver a little. Some wanted food. One said he was sick. Nobody knew where the rudder was. Ali darted here and there, ordering, abusing, pushing one, then another, and stopping in his exertions at times to wring his hands hastily and groan, because the whale-boat was much slower than the worst canoe and his master would not listen to his protestations.

Almayer saw the boat go off at last, pulled anyhow by men that were cold, hungry, and sulky; and he remained on the jetty watching it down the reach. It was broad day then, and the sky was perfectly cloudless. Almayer went up to the house for a moment. His household was all astir and wondering at the strange disappearance of the Sirani woman, who had taken her child and had left her luggage. Almayer spoke to no one, got his revolver, and went down to the river again. He jumped into a small canoe and paddled himself towards the schooner. He worked very leisurely, but as soon as he was nearly alongside he began to hail the silent craft with the tone and appearance of a man in a tremendous hurry.

"Schooner ahoy! schooner ahoy!" he shouted.

A row of blank faces popped up above the bulwark. After a while a man with a woolly head of hair said—

"Sir!"

"The mate! the mate! Call him, steward!" said Almayer, excitedly, making a frantic grab at a rope thrown down to him by somebody.

In less than a minute the mate put his head over. He asked, surprised—

"What can I do for you, Mr. Almayer?"

"Let me have the gig at once, Mr. Swan—at once. I ask in Captain Lingard's name. I must have it. Matter of life and death."

The mate was impressed by Almayer's agitation

"You shall have it, sir. . . . Man the gig there! Bear a hand, serang! . . . It's hanging astern, Mr. Almayer," he said, looking down again. "Get into it, sir. The men are coming down by the painter."

By the time Almayer had clambered over into the stern sheets, four calashes were in the boat and the oars were being passed over the taffrail. The mate was looking on. Suddenly he said—

"Is it dangerous work? Do you want any help? I would come . . ."

"Yes, yes!" cried Almayer. "Come along. Don't lose a moment. Go and get your revolver. Hurry up! hurry up!"

Yet, notwithstanding his feverish anxiety to be off, he lolled back very quiet and unconcerned till the mate got in and, passing over the thwarts, sat down by his side. Then he seemed to wake up, and called out—

"Let go—let go the painter!"

"Let go the painter—the painter!" yelled the bowman, jerking at it.

People on board also shouted "Let go!" to one another, till it occurred at last to somebody to cast off the rope; and the boat drifted rapidly away from the schooner in the sudden silencing of all voices.

Almayer steered. The mate sat by his side, pushing the cartridges into the chambers of his revolver. When the weapon was loaded he asked—

"What is it? Are you after somebody?"

"Yes," said Almayer, curtly, with his eyes fixed ahead on the river. "We must catch a dangerous man."

"I like a bit of a chase myself," declared the mate, and then, discouraged by Almayer's aspect of severe thoughtfulness, said nothing more.

Nearly an hour passed. The calashes stretched forward head first and lay back with their faces to the sky, alternately, in a regular swing that sent the boat flying through the water; and the two sitters, very upright in the stern sheets, swayed rhythmically a little at every stroke of the long oars plied vigorously.

The mate observed: "The tide is with us."

"The current always runs down in this river," said Almayer.