Joseph Sheridan Le Fanu - THE SCREAM - 60 Horror Tales in One Edition

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Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era.
Table of Contents:
Novels & Novellas:
Uncle Silas
The Cock and Anchor
The House by the Church-Yard
Wylder's Hand
Guy Deverell
The Tenants of Malory
Haunted Lives
The Wyvern Mystery
Checkmate
Willing to Die
The Haunted Baronet
Spalatro
Short Story Collections:
In a Glass Darkly:
Green Tea
The Familiar
Mr Justice Harbottle
The Room in the Dragon Volant
Carmilla
The Purcell Papers:
The Ghost and the Bone-Setter
The Fortunes of Sir Robert Ardagh
The Last Heir of Castle Connor
The Drunkard's Dream
Passage in the Secret History of an Irish Countess
The Bridal of Carrigvarah
Strange Event in the Life of Schalken the Painter
Scraps of Hibernian Ballads
Jim Sulivan's Adventures in the Great Snow
A Chapter in the History of a Tyrone Family
An Adventure of Hardress Fitzgerald
The Quare Gander
Billy Maloney's Taste of Love and Glory
Other Tales:
Madam Crowl's Ghost
Squire Toby's Will
Dickon the Devil
The Child That Went with the Fairies
The White Cat of Drumgunniol
An Account of Some Strange Distrubances in Aungier Street
Ghost Stories of Chapelizod
Wicked Captain Walshawe, of Wauling
Sir Dominick's Bargain
Ultor de Lacy
The Vision of Tom Chuff
Stories of Lough Guir
The Evil Guest
The Watcher
Laura Silver Bell
The Murdered Cousin
The Mysterious Lodger
An Authentic Narrative of a Haunted House
The Dead Sexton
A Debt of Honor
Devereux's Dream
Catherine's Quest
Haunted
Pichon and Sons
The Phantom Fourth
The Spirit's Whisper
Dr. Feversham's Story…

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But when silence came, to the surprise of the company he submitted, though with manifest trepidation, and told them that he would sing as the company desired. It was a song from a good old writer upon fasting in Lent, and was, in fact, a reproof to all hypocrisy. Hereupon there was a great ringing of glasses and a jolly round of laughter rose up in the cheer that welcomed the announcement. Father Roach looked queer and disconcerted, and shot a look of suspicion at Devereux, for poor Dan Loftus had, in truth, hit that divine strait in a very tender spot.

The fact is, Father Roach was, as Irish priests were sometimes then, a bit of a sportsman. He and Toole used occasionally to make mysterious excursions to the Dublin mountains. He had a couple of mighty good dogs, which he lent freely, being a good-natured fellow. He liked good living and jolly young fellows, and was popular among the officers, who used to pop in freely enough at his reverence’s green hall-door whenever they wanted a loan of his dogs, or to take counsel of the ghostly father (whose opinion was valued more highly even than Toole’s) upon the case of a sick dog or a lame nag.

Well, one morning — only a few weeks before — Devereux and Toole together had looked in on some such business upon his reverence — a little suddenly — and found him eating a hare! — by all the gods, it was — hare-pie in the middle of Lent!

It was at breakfast. His dinner was the meal of an anchorite, and who would have guessed that these confounded sparks would have bounced into his little refectory at that hour of the morning? There was no room for equivocation; he had been caught in the very act of criminal conversation with the hare-pie. He rose with a spring, like a Jack-ina-box, as they entered, and knife and fork in hand, and with shining chops, stared at them with an angry, bothered, and alarmed countenance, which increased their laughter. It was a good while before he obtained a hearing, such was the hilarity, so sustained the fire of ironical compliments, enquiries, and pleasantries, and the general uproar.

When he did, with hand uplifted, after the manner of a prisoner arraigned for murder, he pleaded ‘a dispensation.’ I suppose it was true, for he backed the allegation with several most religious oaths and imprecations, and explained how men were not always quite so strong as they looked; that he might, if he liked it, by permission of his bishop, eat meat at every meal in the day, and every day in the week; that his not doing so was a voluntary abstinence — not conscientious, only expedient — to prevent the ‘unreasonable remarks’ of his parishioners (a roar of laughter); that he was, perhaps, rightly served for not having publicly availed himself of his bishop’s dispensation (renewed peals of merriment). By this foolish delicacy (more of that detestable horse-laughter), he had got himself into a false position; and so on, till the ad misericordiam peroration addressed to ‘Captain Devereux, dear,’ and ‘Toole, my honey.’ Well, they quizzed him unmercifully; they sat down and eat all that was left of the hare-pie, under his wistful ogle. They made him narrate minutely every circumstance connected with the smuggling of the game, and the illicit distillation for the mess. They never passed so pleasant a morning. Of course he bound them over to eternal secrecy, and of course, as in all similar cases, the vow was religiously observed; nothing was ever heard of it at mess — oh, no — and Toole never gave a dramatic representation of the occurrence, heightened and embellished with all the little doctor’s genius for farce.

There certainly was a monologue to which he frequently afterwards treated the Aldermen of Skinner’s Alley, and other convivial bodies, at supper, the doctor’s gestures were made with knife and fork in hand, and it was spoken in a rich brogue and tones sometimes of thrilling pathos, anon of sharp and vehement indignation, and again of childlike endearment, amidst pounding and jingling of glasses, and screams of laughter from the company. Indeed the lord mayor, a fat slob of a fellow, though not much given to undue merriment, laughed his ribs into such a state of breathless torture, that he implored of Toole, with a wave of his hand — he could not speak — to give him breathing time, which that voluble performer disregarding, his lordship had to rise twice, and get to the window, or, as he afterwards said, he should have lost his life; and when the performance was ended, his fat cheeks were covered with tears, his mouth hung down, his head wagged slowly from side to side, and with short gasping ‘oohs,’ and ‘oohs,’ his hands pressed to his pudgy ribs, he looked so pale and breathless, that although they said nothing, several of his comrades stared hard at him, and thought him in rather a queer state.

Shortly after this little surprise, I suppose by way of ratifying the secret treaty of silence, Father Roach gave the officers and Toole a grand Lent dinner of fish, with no less than nineteen different plats , baked, boiled, stewed, in fact, a very splendid feast; and Puddock talked of some of those dishes more than twenty years afterwards.

Chapter 6.

In which the Minstrelsy Proceeds

Table of Contents

No wonder, then, if Father Roach, when Loftus, in the innocence of his heart, announced his song and its theme, was thoroughly uneasy, and would have given a good deal that he had not helped that simple youth into his difficulty. But things must now take their course. So amid a decorous silence, Dan Loftus lifted up his voice, and sang. That voice was a high small pipe, with a very nervous quaver in it. He leaned back in his chair, and little more than the whites of his upturned eyes were visible; and beating time upon the table with one hand, claw-wise, and with two or three queer, little thrills and roulades, which re-appeared with great precision in each verse, he delivered himself thus, in what I suspect was an old psalm tune:—

‘Now Lent is come, let us refrain From carnal creatures, quick or slain; Let’s fast and macerate the flesh, Impound and keep it in distress.’

Here there came a wonderful, unspellable choking sound, partly through the mouth, partly through the nose, from several of the officers; and old General Chattesworth, who was frowning hard upon his dessert-plate, cried, ‘Order, gentlemen,’ in a stern, but very tremulous undertone. Lord Castlemallard, leaning upon his elbow, was staring with a grave and dreamy curiosity at the songster, and neither he nor his lordship heard the interruption, and on went the pleasant ditty; and as the musician regularly repeated the last two lines like a clerk in a piece of psalmody, the young wags, to save themselves from bursting outright, joined in the chorus, while verse after verse waxed more uproarious and hilarious, and gave a singular relief to Loftus’s thin, high, quavering solo:—

( Loftus, solo. )

‘But to forbear from flesh, fowl, fish, And eat potatoes in a dish, Done o’er with amber, or a mess Of ringos in a Spanish dress

( Chorus of Officers. )

‘Done o’er with amber, or a mess Of ringos in a Spanish dress.’

‘’Tis a good song,’ murmured Doctor Walsingham in Lord Castlemallard’s ear —‘I know the verses well — the ingenious and pious Howel penned them in the reign of King James the First.’

‘Ha! thank you, Sir,’ said his lordship.

( Loftus, solo. )

‘Or to refrain from all high dishes, But feed our thoughts with wanton wishes, Making the soul, like a light wench, Wear patches of concupiscence.

( Chorus of Officers. )

‘Making the soul, like a light wench, Wear patches of concupiscence

( Loftus, solo. )

‘This is not to keep Lent aright, But play the juggling hypocrite; For we must starve the inward man, And feed the outward too on bran.

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