Joseph Sheridan Le Fanu - THE SCREAM - 60 Horror Tales in One Edition

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Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era.
Table of Contents:
Novels & Novellas:
Uncle Silas
The Cock and Anchor
The House by the Church-Yard
Wylder's Hand
Guy Deverell
The Tenants of Malory
Haunted Lives
The Wyvern Mystery
Checkmate
Willing to Die
The Haunted Baronet
Spalatro
Short Story Collections:
In a Glass Darkly:
Green Tea
The Familiar
Mr Justice Harbottle
The Room in the Dragon Volant
Carmilla
The Purcell Papers:
The Ghost and the Bone-Setter
The Fortunes of Sir Robert Ardagh
The Last Heir of Castle Connor
The Drunkard's Dream
Passage in the Secret History of an Irish Countess
The Bridal of Carrigvarah
Strange Event in the Life of Schalken the Painter
Scraps of Hibernian Ballads
Jim Sulivan's Adventures in the Great Snow
A Chapter in the History of a Tyrone Family
An Adventure of Hardress Fitzgerald
The Quare Gander
Billy Maloney's Taste of Love and Glory
Other Tales:
Madam Crowl's Ghost
Squire Toby's Will
Dickon the Devil
The Child That Went with the Fairies
The White Cat of Drumgunniol
An Account of Some Strange Distrubances in Aungier Street
Ghost Stories of Chapelizod
Wicked Captain Walshawe, of Wauling
Sir Dominick's Bargain
Ultor de Lacy
The Vision of Tom Chuff
Stories of Lough Guir
The Evil Guest
The Watcher
Laura Silver Bell
The Murdered Cousin
The Mysterious Lodger
An Authentic Narrative of a Haunted House
The Dead Sexton
A Debt of Honor
Devereux's Dream
Catherine's Quest
Haunted
Pichon and Sons
The Phantom Fourth
The Spirit's Whisper
Dr. Feversham's Story…

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Between ourselves, Puddock was short and fat, very sentimental, and a little bit of a gourmet ; his desk stuffed with amorous sonnets and receipts for side-dishes; he, always in love, and often in the kitchen, where, under the rose, he loved to direct the cooking of critical little plats , very good-natured, rather literal, very courteous, a chevallier , indeed, sans reproche . He had a profound faith in his genius for tragedy, but those who liked him best could not help thinking that his plump cheeks, round, little light eyes, his lisp, and a certain lack-a-daisical, though solemn expression of surprise, which Nature, in one of her jocular moods, seemed to have fixed upon his countenance, were against his shining in that walk of the drama. He was blessed, too, with a pleasant belief in his acceptance with the fair sex, but had a real one with his comrades, who knew his absurdities and his virtues, and laughed at and loved him.

‘But hang it, there ‘th no uthe in doing things by halves. Melpomene’s the most jealous of the Muses. I tell you if you stand well in her gratheth, by Jove, Thir, you mutht give yourthelf up to her body and thoul. How the deuthe can a fellow that’s out at drill at hicth in the morning, and all day with his head filled with tacticth and gunnery, and — and —’

‘And ‘farced pigeons’ and lovely women,’ said Devereux.

‘And such dry professional matterth,’ continued he, without noticing, perhaps hearing the interpolation, ‘How can he pothibly have a chance againth geniuses, no doubt — vathly thuperior by nature’—(Puddock, the rogue, believed no such thing)—‘but who devote themthelveth to the thtudy of the art incethantly, exclusively, and — and ——’

‘Impossible,’ said O’Flaherty. ‘There now, was Tommy Shycock, of Ballybaisly, that larned himself to balance a fiddle-stick on his chin; and the young leedies, and especially Miss Kitty Mahony, used to be all around him in the ball-room at Thralee, lookin’, wondhrin’, and laughin’; and I that had twiste his brains, could not come round it, though I got up every morning for a month at four o’clock, and was obleeged to give over be rason of a soart iv a squint I was gettin’ be looking continually at the fiddle-stick. I began with a double bass, the way he did — it’s it that was the powerful fateaguin’ exercise, I can tell you. Two blessed hours a-day, regular practice, besides an odd half-hour, now and agin, for three mortial years, it took him to larn it, and dhrilled a dimple in his chin you could put a marrow-fat pay in.’

‘Practice,’ resumed Puddock, I need not spell his lisp, ‘study — time to devote — industry in great things as in small — there’s the secret. Nature , to be sure —’

‘Ay, Nature, to be sure — we must sustain Nature, dear Puddock, so pass the bottle,’ said Devereux, who liked his glass.

‘Be the powers, Mr. Puddock, if I had half your janius for play-acting,’ persisted O’Flaherty, ‘nothing i’d keep me from the boards iv Smock-alley play-house — incog., I mean, of course. There’s that wonderful little Mr. Garrick — why he’s the talk of the three kingdoms as long as I can remember — an’ making his thousand pounds a week — coining, be gannies — an’ he can’t be much taller than you, for he’s contimptably small.’

‘I’m the taller man of the two,’ said little Puddock, haughtily, who had made enquiries, and claimed half an inch over Rocius, honestly, let us hope. ‘But this is building castles in the air; joking apart, however, I do confess I should dearly love — just for a maggot — to play two parts — Richard the Third and Tamerlane.’

‘Was not that the part you spoke that sympathetic speech out of for me before dinner?’

‘No, that was Justice Greedy,’ said Devereux.

‘Ay, so it was — was it? — that smothered his wife.’

‘With a pudding clout,’ persisted Devereux.

‘No. With a — pooh! — a — you know — and stabbed himself,’ continued O’Flaherty.

‘With a larding-pin —’tis written in good Italian.’

‘Augh, not at all — it isn’t Italian, but English, I’m thinking of — a pilla, Puddock, you know — the black rascal.’

‘Well, English or Italian — tragedy or comedy,’ said Devereux, who liked Puddock, and would not annoy him, and saw he was hurt by Othello’s borrowing his properties from the kitchen; ‘I venture to say you were well entertained: and for my part, Sir, there are some characters’—(in farce Puddock was really highly diverting)—‘in which I prefer Puddock to any player I every saw.’

‘Oh — ho — ho!’ laughed poor little Puddock, with a most gratified derisiveness, for he cherished in secret a great admiration for Devereux.

And so they talked stage-talk. Puddock lithping away, grand and garrulous; O’Flaherty, the illiterate, blundering in with sincere applause; and Devereux sipping his claret and dropping a quiet saucy word now and again.

‘I shall never forget Mrs. Cibber’s countenance in that last scene — you know — in the “Orphan”— Monimia you know, Devereux.’ And the table being by this time in high chat, and the chairs a little irregular, Puddock slipped off his, and addressing himself to Devereux and O’Flaherty — just to give them a notion of Mrs. Cibber — began, with a countenance the most wobegone, and in a piping falsetto —

‘When I am laid low, i’ the grave, and quite forgotten.’

Monimia dies at the end of the speech — as the reader may not be aware; but when Puddock came to the line —

‘When I am dead, as presently I shall be,’

all Mrs. Cibber’s best points being still to come, the little lieutenant’s heel caught in the edge of the carpet, as he sailed with an imaginary hoop on grandly backward, and in spite of a surprising flick-flack cut in the attempt to recover his equipoise, down came the ‘orphan,’ together with a table-load of spoons and plates, with a crash that stopt all conversation.

Lord Castlemallard waked up, with a snort and a ‘hollo, gentlemen!’

‘It’s only poor dear Monimia, general,’ said Devereux with a melancholy bow, in reply to a fiery and startled stare darted to the point by that gallant officer.

‘Hey — eh?’ said his lordship, brightening up, and gazing glassily round with a wan smile; and I fancy he thought a lady had somehow introduced herself during his nap, and was pleased, for he admired the sex.

‘If there’s any recitation going on, I think it had better be for the benefit of the company,’ said the general, a little surly, and looking full upon the plump Monimia, who was arranging his frill and hair, and getting a little awkwardly into his place.

‘And I think ‘twould be no harm, Lieutenant Puddock, my dear,’ says Father Roach, testily, for he had been himself frightened by the crash, ‘if you’d die a little aisier the next time.’

Puddock began to apologise.

‘Never mind,’ said the general, recovering, ‘let’s fill our glasses — my Lord Castlemallard, they tell me this claret is a pretty wine.’

‘A very pretty wine,’ said my lord.

‘And suppose, my lord, we ask these gentlemen to give us a song? I say, gentlemen, there are fine voices among you. Will some gentleman oblige the company with a song?’

‘Mr. Loftus sings a very fine song, I’m told,’ said Captain Cluffe, with a wink at Father Roach.

‘Ay,’ cried Roach, backing up the joke (a good old one, and not yet quite off the hooks), ‘Mr. Loftus sings, I’ll take my davy — I’ve heard him!’

Loftus was shy, simple, and grotesque, and looked like a man who could not sing a note. So when he opened his eyes, looked round, and blushed, there was a general knocking of glasses, and a very flattering clamour for Mr. Loftus’s song.

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