Katherine Mansfield - Katherine Mansfield Ultimate Collection - 100+ Short Stories & Poems in One Volume

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Musaicum Books presents to you this carefully created collection of Katherine Mansfield's renowned short stories & poetry. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Bliss, and Other Stories Bliss Prelude Je ne Parle pas Français The Wind Blows Psychology Pictures The Man without a Temperament Mr. Reginald Peacock's Day Sun and Moon Feuille d'Album A Dill Pickle The Little Governess Revelations The Escape The Garden Party, and Other Stories The Garden Party At The Bay The Daughters of the Late Colonel Mr. and Mrs. Dove The Young Girl Life of Ma Parker Marriage A La Mode The Voyage Miss Brill Her First Ball The Singing Lesson The Stranger Bank Holiday An Ideal Family The Lady's Maid In a German Pension, and Other Stories Germans at Meat The Baron The Sister of the Baroness Frau Fischer Frau Brechenmacher Attends A Wedding The Modern Soul At Lehmann's The Luft Bad A Birthday The Child-Who-Was-Tired The Advanced Lady The Swing of the Pendulum A Blaze POEMS Poems: 1909- 1910 Poems: 1911-1913 Poems at the Villa Pauline: 1916 Poems: 1917-1919 Child Verses: 1907 Kathleen Mansfield Murry (1888–1923) was a prominent New Zealand modernist short story writer who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. At 19, Mansfield left New Zealand and settled in the United Kingdom, where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf. Like Woolf, Mansfield was also interested in the feelings and thoughts of her characters and hence her short stories show the complexities of a character's interior life in all its various shades.

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“You know, my dear, I am going to decorate a room for the Jacob Nathans. Oh, I am so tempted to do a fried-fish scheme, with the backs of the chairs shaped like frying pans and lovely chip potatoes embroidered all over the curtains.”

“The trouble with our young writing men is that they are still too romantic. You can’t put out to sea without being seasick and wanting a basin. Well, why won’t they have the courage of those basins?”

“A dreadful poem about a girl who was violated by a beggar without a nose in a lit-tle wood. . . .”

Miss Fulton sank into the lowest, deepest chair and Harry handed round the cigarettes.

From the way he stood in front of her shaking the silver box and saying abruptly: “Egyptian? Turkish? Virginian? They’re all mixed up,” Bertha realized that she not only bored him; he really disliked her. And she decided from the way Miss Fulton said: “No, thank you, I won’t smoke,” that she felt it, too, and was hurt.

“Oh, Harry, don’t dislike her. You are quite wrong about her. She’s wonderful, wonderful. And, besides, how can you feel so differently about someone who means so much to me. I shall try to tell you when we are in bed to-night what has been happening. What she and I have shared.”

At those last words something strange and almost terrifying darted into Bertha’s mind. And this something blind and smiling whispered to her: “Soon these people will go. The house will be quiet—quiet. The lights will be out. And you and he will be alone together in the dark room—the warm bed. . . .”

She jumped up from her chair and ran over to the piano.

“What a pity someone does not play!” she cried. “What a pity somebody does not play.”

For the first time in her life Bertha Young desired her husband.

Oh, she’d loved him—she’d been in love with him, of course, in every other way, but just not in that way. And, equally, of course, she’d understood that he was different. They’d discussed it so often. It had worried her dreadfully at first to find that she was so cold, but after a time it had not seemed to matter. They were so frank with each other—such good pals. That was the best of being modern.

But now—ardently! ardently! The word ached in her ardent body! Was this what that feeling of bliss had been leading up to? But then then——

“My dear,” said Mrs. Norman Knight, “you know our shame. We are the victims of time and train. We live in Hampstead. It’s been so nice.”

“I’ll come with you into the hall,” said Bertha. “I loved having you. But you must not miss the last train. That’s so awful, isn’t it?”

“Have a whisky, Knight, before you go?” called Harry.

“No, thanks, old chap.”

Bertha squeezed his hand for that as she shook it.

“Good night, good-bye,” she cried from the top step, feeling that this self of hers was taking leave of them for ever.

When she got back into the drawing-room the others were on the move.

“. . . Then you can come part of the way in my taxi.”

“I shall be so thankful not to have to face another drive alone after my dreadful experience.”

“You can get a taxi at the rank just at the end of the street. You won’t have to walk more than a few yards.”

“That’s a comfort. I’ll go and put on my coat.”

Miss Fulton moved towards the hall and Bertha was following when Harry almost pushed past.

“Let me help you.”

Bertha knew that he was repenting his rudeness—she let him go. What a boy he was in some ways—so impulsive—so—simple.

And Eddie and she were left by the fire.

“I wonder if you have seen Bilks’ new poem called Table d’Hôte ,” said Eddie softly. “It’s so wonderful. In the last Anthology. Have you got a copy? I’d so like to show it to you. It begins with an incredibly beautiful line: ‘Why Must it Always be Tomato Soup?’”

“Yes,” said Bertha. And she moved noiselessly to a table opposite the drawing-room door and Eddie glided noiselessly after her. She picked up the little book and gave it to him; they had not made a sound.

While he looked it up she turned her head towards the hall. And she saw . . . Harry with Miss Fulton’s coat in his arms and Miss Fulton with her back turned to him and her head bent. He tossed the coat away, put his hands on her shoulders and turned her violently to him. His lips said: “I adore you,” and Miss Fulton laid her moonbeam fingers on his cheeks and smiled her sleepy smile. Harry’s nostrils quivered; his lips curled back in a hideous grin while he whispered: “To-morrow,” and with her eyelids Miss Fulton said: “Yes.”

“Here it is,” said Eddie. “‘Why Must it Always be Tomato Soup?’ It’s so deeply true, don’t you feel? Tomato soup is so dreadfully eternal.”

“If you prefer,” said Harry’s voice, very loud, from the hall, “I can phone you a cab to come to the door.”

“Oh, no. It’s not necessary,” said Miss Fulton, and she came up to Bertha and gave her the slender fingers to hold.

“Good-bye. Thank you so much.”

“Good-bye,” said Bertha.

Miss Fulton held her hand a moment longer.

“Your lovely pear tree!” she murmured.

And then she was gone, with Eddie following, like the black cat following the grey cat.

“I’ll shut up shop,” said Harry, extravagantly cool and collected.

“Your lovely pear tree—pear tree—pear tree!”

Bertha simply ran over to the long windows.

“Oh, what is going to happen now?” she cried.

But the pear tree was as lovely as ever and as full of flower and as still.

PRELUDE

Table of Contents

1

THERE was not an inch of room for Lottie and Kezia in the buggy. When Pat swung them on top of the luggage they wobbled; the grandmother’s lap was full and Linda Burnell could not possibly have held a lump of a child on hers for any distance. Isabel, very superior, was perched beside the new handy-man on the driver’s seat. Hold-alls, bags and boxes were piled upon the floor. “These are absolute necessities that I will not let out of my sight for one instant,” said Linda Burnell, her voice trembling with fatigue and excitement.

Lottie and Kezia stood on the patch of lawn just inside the gate all ready for the fray in their coats with brass anchor buttons and little round caps with battleship ribbons. Hand in hand, they stared with round solemn eyes first at the absolute necessities and then at their mother.

“We shall simply have to leave them. That is all. We shall simply have to cast them off,” said Linda Burnell. A strange little laugh flew from her lips; she leaned back against the buttoned leather cushions and shut her eyes, her lips trembling with laughter. Happily at that moment Mrs. Samuel Josephs, who had been watching the scene from behind her drawing-room blind, waddled down the garden path.

“Why nod leave the chudren with be for the afterdoon, Brs. Burnell? They could go on the dray with the storeban when he comes in the eveding. Those thigs on the path have to go, dod’t they?”

“Yes, everything outside the house is supposed to go,” said Linda Burnell, and she waved a white hand at the tables and chairs standing on their heads on the front lawn. How absurd they looked! Either they ought to be the other way up, or Lottie and Kezia ought to stand on their heads, too. And she longed to say: “Stand on your heads, children, and wait for the store-man.” It seemed to her that would be so exquisitely funny that she could not attend to Mrs. Samuel Josephs.

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