Katherine Mansfield - Katherine Mansfield Ultimate Collection - 100+ Short Stories & Poems in One Volume

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Musaicum Books presents to you this carefully created collection of Katherine Mansfield's renowned short stories & poetry. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Bliss, and Other Stories Bliss Prelude Je ne Parle pas Français The Wind Blows Psychology Pictures The Man without a Temperament Mr. Reginald Peacock's Day Sun and Moon Feuille d'Album A Dill Pickle The Little Governess Revelations The Escape The Garden Party, and Other Stories The Garden Party At The Bay The Daughters of the Late Colonel Mr. and Mrs. Dove The Young Girl Life of Ma Parker Marriage A La Mode The Voyage Miss Brill Her First Ball The Singing Lesson The Stranger Bank Holiday An Ideal Family The Lady's Maid In a German Pension, and Other Stories Germans at Meat The Baron The Sister of the Baroness Frau Fischer Frau Brechenmacher Attends A Wedding The Modern Soul At Lehmann's The Luft Bad A Birthday The Child-Who-Was-Tired The Advanced Lady The Swing of the Pendulum A Blaze POEMS Poems: 1909- 1910 Poems: 1911-1913 Poems at the Villa Pauline: 1916 Poems: 1917-1919 Child Verses: 1907 Kathleen Mansfield Murry (1888–1923) was a prominent New Zealand modernist short story writer who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. At 19, Mansfield left New Zealand and settled in the United Kingdom, where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf. Like Woolf, Mansfield was also interested in the feelings and thoughts of her characters and hence her short stories show the complexities of a character's interior life in all its various shades.

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She saw the beautiful fall of the steps, the dark garden ringed with glittering ivy, on the other side of the road the huge bare willows and above them the sky big and bright with stars. But of course he would see nothing of all this. He was superior to it all. He—with his wonderful “spiritual” vision!

She was right. He did see nothing at all. Misery! He’d missed it. It was too late to do anything now. Was it too late? Yes, it was. A cold snatch of hateful wind blew into the garden. Curse life! He heard her cry “au revoir” and the door slammed.

Running back into the studio she behaved so strangely. She ran up and down lifting her arms and crying: “Oh! Oh! How stupid! How imbecile! How stupid!” And then she flung herself down on the sommier thinking of nothing—just lying there in her rage. All was over. What was over? Oh—something was. And she’d never see him again—never. After a long long time (or perhaps ten minutes) had passed in that black gulf her bell rang a sharp quick jingle. It was he, of course. And equally, of course, she oughtn’t to have paid the slightest attention to it but just let it go on ringing and ringing. She flew to answer.

On the doorstep there stood an elderly virgin, a pathetic creature who simply idolized her (heaven knows why) and had this habit of turning up and ringing the bell and then saying, when she opened the door: “My dear, send me away!” She never did. As a rule she asked her in and let her admire everything and accepted the bunch of slightly soiled looking flowers—more than graciously. But to-day . . .

“Oh, I am so sorry,” she cried. “But I’ve got someone with me. We are working on some woodcuts. I’m hopelessly busy all evening.”

“It doesn’t matter. It doesn’t matter at all, darling,” said the good friend. “I was just passing and I thought I’d leave you some violets.” She fumbled down among the ribs of a large old umbrella. “I put them down here. Such a good place to keep flowers out of the wind. Here they are,” she said, shaking out a little dead bunch.

For a moment she did not take the violets. But while she stood just inside, holding the door, a strange thing happened. . . . Again she saw the beautiful fall of the steps, the dark garden ringed with glittering ivy, the willows, the big bright sky. Again she felt the silence that was like a question. But this time she did not hesitate. She moved forward. Very softly and gently, as though fearful of making a ripple in that boundless pool of quiet she put her arms round her friend.

“My dear,” murmured her happy friend, quite overcome by this gratitude. “They are really nothing. Just the simplest little thrippenny bunch.”

But as she spoke she was enfolded—more tenderly, more beautifully embraced, held by such a sweet pressure and for so long that the poor dear’s mind positively reeled and she just had the strength to quaver: “Then you really don’t mind me too much?”

“Good night, my friend,” whispered the other. “Come again soon.”

“Oh, I will. I will.”

This time she walked back to the studio slowly, and standing in the middle of the room with half-shut eyes she felt so light, so rested, as if she had woken up out of a childish sleep. Even the act of breathing was a joy. . . .

The sommier was very untidy. All the cushions “like furious mountains” as she said; she put them in order before going over to the writing-table.

“I have been thinking over our talk about the psychological novel,” she dashed off, “it really is intensely interesting.” . . . And so on and so on.

At the end she wrote: “Good night, my friend. Come again soon.”

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