Alexandre Dumas - The D'Artagnan Romances - Complete Series (All 6 Books in One Edition)

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The D'Artagnan Romances are a set of three novels by Alexandre Dumas telling the story of the musketeer d'Artagnan from his humble beginnings in Gascony to his death as a marshal of France in the Siege of Maastricht in 1673. Dumas based the life and character of d'Artagnan on the 17th-century captain of musketeers Charles de Batz-Castelmore, Comte d'Artagnan, and Dumas's portrayal was indebted to the semi-fictionalized memoirs of d'Artagnan written 27 years after the hero's death by Gatien de Courtilz de Sandras (published in 1700). The d'Artagnan novels are: The Three Musketeers, set in 1625; first published in serial form in the magazine Le Siècle between March and July 1844. Dumas claimed it was based on manuscripts he had discovered in the Bibliothèque Nationale. Twenty Years After, set in 1648; serialized from January to August, 1845. The Vicomte of Bragelonne: Ten Years Later, set between 1660 and 1673; serialized from October 1847 to January 1850. This vast novel has been split into three, four, or five volumes at various points. In the three-volume edition, the novels are titled The Vicomte de Bragelonne, Louise de la Vallière and The Man in the Iron Mask. In the four-volume edition, the novels are titled The Vicomte de Bragelonne, Ten Years Later, Louise de la Vallière and The Man in the Iron Mask
Alexandre Dumas (1802 – 1870), also known as Alexandre Dumas, père, was a French writer, best known for his historical novels of high adventure. Translated into nearly 100 languages, these have made him one of the most widely read French authors in history.

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“The same password?”

“Exactly.”

“Adieu, master!”

“A good journey, gentlemen! Do you want anything?”

D’Artagnan shook his head, and set off at full speed. At Eccuis, the same scene was repeated. He found as provident a host and a fresh horse. He left his address as he had done before, and set off again at the same pace for Pontoise. At Pontoise he changed his horse for the last time, and at nine o’clock galloped into the yard of Treville’s hotel. He had made nearly sixty leagues in little more than twelve hours.

M. de Treville received him as if he had seen him that same morning; only, when pressing his hand a little more warmly than usual, he informed him that the company of Dessessart was on duty at the Louvre, and that he might repair at once to his post.

Chapter 22 THE BALLET OF LA MERLAISON

On the morrow, nothing was talked of in Paris but the ball which the aldermen of the city were to give to the king and queen, and in which their Majesties were to dance the famous La Merlaison—the favorite ballet of the king.

Eight days had been occupied in preparations at the Hotel de Ville for this important evening. The city carpenters had erected scaffolds upon which the invited ladies were to be placed; the city grocer had ornamented the chambers with two hundred FLAMBEAUX of white wax, a piece of luxury unheard of at that period; and twenty violins were ordered, and the price for them fixed at double the usual rate, upon condition, said the report, that they should be played all night.

At ten o’clock in the morning the Sieur de la Coste, ensign in the king’s Guards, followed by two officers and several archers of that body, came to the city registrar, named Clement, and demanded of him all the keys of the rooms and offices of the hotel. These keys were given up to him instantly. Each of them had ticket attached to it, by which it might be recognized; and from that moment the Sieur de la Coste was charged with the care of all the doors and all the avenues.

At eleven o’clock came in his turn Duhallier, captain of the Guards, bringing with him fifty archers, who were distributed immediately through the Hotel de Ville, at the doors assigned them.

At three o’clock came two companies of the Guards, one French, the other Swiss. The company of French guards was composed of half of M. Duhallier’s men and half of M. Dessessart’s men.

At six in the evening the guests began to come. As fast as they entered, they were placed in the grand saloon, on the platforms prepared for them.

At nine o’clock Madame la Premiere Presidente arrived. As next to the queen, she was the most considerable personage of the fete, she was received by the city officials, and placed in a box opposite to that which the queen was to occupy.

At ten o’clock, the king’s collation, consisting of preserves and other delicacies, was prepared in the little room on the side of the church of St. Jean, in front of the silver buffet of the city, which was guarded by four archers.

At midnight great cries and loud acclamations were heard. It was the king, who was passing through the streets which led from the Louvre to the Hotel de Ville, and which were all illuminated with colored lanterns.

Immediately the aldermen, clothed in their cloth robes and preceded by six sergeants, each holding a FLAMBEAU in his hand, went to attend upon the king, whom they met on the steps, where the provost of the merchants made him the speech of welcome—a compliment to which his Majesty replied with an apology for coming so late, laying the blame upon the cardinal, who had detained him till eleven o’clock, talking of affairs of state.

His Majesty, in full dress, was accompanied by his royal Highness, M. le Comte de Soissons, by the Grand Prior, by the Duc de Longueville, by the Duc d’Euboeuf, by the Comte d’Harcourt, by the Comte de la Roche-Guyon, by M. de Liancourt, by M. de Baradas, by the Comte de Cramail, and by the Chevalier de Souveray. Everybody noticed that the king looked dull and preoccupied.

A private room had been prepared for the king and another for Monsieur. In each of these closets were placed masquerade dresses. The same had been done for the queen and Madame the President. The nobles and ladies of their Majesties’ suites were to dress, two by two, in chambers prepared for the purpose. Before entering his closet the king desired to be informed the moment the cardinal arrived.

Half an hour after the entrance of the king, fresh acclamations were heard; these announced the arrival of the queen. The aldermen did as they had done before, and preceded by their sergeants, advanced to receive their illustrious guest. The queen entered the great hall; and it was remarked that, like the king, she looked dull and even weary.

At the moment she entered, the curtain of a small gallery which to that time had been closed, was drawn, and the pale face of the cardinal appeared, he being dressed as a Spanish cavalier. His eyes were fixed upon those of the queen, and a smile of terrible joy passed over his lips; the queen did not wear her diamond studs.

The queen remained for a short time to receive the compliments of the city dignitaries and to reply to the salutations of the ladies. All at once the king appeared with the cardinal at one of the doors of the hall. The cardinal was speaking to him in a low voice, and the king was very pale.

The king made his way through the crowd without a mask, and the ribbons of his doublet scarcely tied. He went straight to the queen, and in an altered voice said, “Why, madame, have you not thought proper to wear your diamond studs, when you know it would give me so much gratification?”

The queen cast a glance around her, and saw the cardinal behind, with a diabolical smile on his countenance.

“Sire,” replied the queen, with a faltering voice, “because, in the midst of such a crowd as this, I feared some accident might happen to them.”

“And you were wrong, madame. If I made you that present it was that you might adorn yourself therewith. I tell you that you were wrong.”

The voice of the king was tremulous with anger. Everybody looked and listened with astonishment, comprehending nothing of what passed.

“Sire,” said the queen, “I can send for them to the Louvre, where they are, and thus your Majesty’s wishes will be complied with.”

“Do so, madame, do so, and that at once; for within an hour the ballet will commence.”

The queen bent in token of submission, and followed the ladies who were to conduct her to her room. On his part the king returned to his apartment.

There was a moment of trouble and confusion in the assembly. Everybody had remarked that something had passed between the king and queen; but both of them had spoken so low that everybody, out of respect, withdrew several steps, so that nobody had heard anything. The violins began to sound with all their might, but nobody listened to them.

The king came out first from his room. He was in a most elegant hunting costume; and Monsieur and the other nobles were dressed like him. This was the costume that best became the king. So dressed, he really appeared the first gentleman of his kingdom.

The cardinal drew near to the king, and placed in his hand a small casket. The king opened it, and found in it two diamond studs.

“What does this mean?” demanded he of the cardinal.

“Nothing,” replied the latter; “only, if the queen has the studs, which I very much doubt, count them, sire, and if you only find ten, ask her Majesty who can have stolen from her the two studs that are here.”

The king looked at the cardinal as if to interrogate him; but he had not time to address any question to him—a cry of admiration burst from every mouth. If the king appeared to be the first gentleman of his kingdom, the queen was without doubt the most beautiful woman in France.

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