E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"The young man who got into the car at the station was no more the Prince of Wales than you are," said Mrs Poppit shrilly. "I was close to him as he came out: I curtsied to him before I saw."

Miss Mapp instantly changed her attack: she could hardly hold her smile on to her face for rage.

"How very awkward for you," she said. "What a laugh they will all have over it this evening! Delicious!"

Mrs Poppit's face suddenly took on an expression of the tenderest solicitude.

"I hope, Miss Mapp, you didn't jar yourself when you sat down in the road just now," she said.

"Not at all, thank you so much," said Miss Mapp, hearing her heart beat in her throat . . . If she had had a naval fifteen-inch gun handy, and had known how to fire it, she would, with a sense of duty accomplished, have discharged it point-blank at the Member of the Order of the British Empire, and at anybody else who might be within range . . .

* * *

Sunday, of course, with all the opportunities of that day, still remained, and the seats of the auxiliary choir, which were advantageously situated, had never been so full, but as it was all no use, the Major and Captain Puffin left during the sermon to catch the twelve-twenty tram out to the links. On this delightful day it was but natural that the pleasant walk there across the marsh was very popular, and golfers that afternoon had a very trying and nervous time, for the ladies of Tilling kept bobbing up from behind sand-dunes and bunkers, as, regardless of the players, they executed swift flank marches in all directions. Miss Mapp returned exhausted about teatime to hear from Withers that the Prince had spent an hour or more rambling about the town, and had stopped quite five minutes at the corner by the garden-room. He had actually sat down on Miss Mapp's steps and smoked a cigarette. She wondered if the end of the cigarette was there still: it was hateful to have cigarette-ends defiling the steps to her front door, and often before now, when sketchers were numerous, she had sent her housemaid out to remove these untidy relics. She searched for it, but was obliged to come to the reluctant conclusion that there was nothing to remove . . .

Chapter Three

Table of Contents

Diva was sitting at the open drawing-room window of her house in the High Street, cutting with a pair of sharp nail scissors into the old chintz curtains which her maid had told her no longer "paid for the mending". So, since they refused to pay for their mending any more, she was preparing to make them pay, pretty smartly too, in other ways. The pattern was of little bunches of pink roses peeping out through trellis work, and it was these which she had just begun to cut out. Though Tilling was noted for the ingenuity with which its more fashionable ladies devised novel and quaint effects in the dress in an economical manner, Diva felt sure, ransack her memory though she might, that nobody had thought of this before.

The hot weather had continued late into September and showed no signs of breaking yet, and it would be agreeable to her and acutely painful to others that just at the end of the summer she should appear in a perfectly new costume, before the days of jumpers and heavy skirts and large woollen scarves came in. She was preparing, therefore, to take the light white jacket which she wore over her blouse, and cover the broad collar and cuffs of it with these pretty roses. The belt of the skirt would be similarly decorated, and so would the edge of it, if there were enough clean ones. The jacket and skirt had already gone to the dyer's, and would be back in a day or two, white no longer, but of a rich purple hue, and by that time she would have hundreds of these little pink roses ready to be tacked on. Perhaps a piece of the chintz, trellis and all, could be sewn over the belt, but she was determined to have single little bunches of roses peppered all over the collar and cuffs of the jacket, and, if possible, round the edge of the skirt. She had already tried the effect, and was of the opinion that nobody could possibly guess what the origin of these roses was. When carefully sewn on they looked as if they were a design in the stuff.

She let the circumcised roses fall on to the window seat, and from time to time, when they grew numerous, swept them into a cardboard box. Though she worked with zealous diligence, she had an eye to the movements in the street outside, for it was shopping-hour, and there were many observations to be made. She had not anything like Miss Mapp's genius for conjecture, but her memory was appallingly good, and this was the third morning running on which Elizabeth had gone into the grocer's. It was odd to go to your grocer's every day like that: groceries twice a week was sufficient for most people. From here on the floor above the street she could easily look into Elizabeth's basket, and she certainly was carrying nothing away with her from the grocer's, for the only thing there was a small bottle done up in white paper with sealing wax, which, Diva had no need to be told, certainly came from the chemist's, and was no doubt connected with too many plums.

Miss Mapp crossed the street to the pavement below Diva's house, and precisely as she reached it, Diva's maid opened the door into the drawing-room, bringing in the second post, or rather not bringing in the second post, but the announcement that there wasn't any second post. This opening of the door caused a draught, and the bunches of roses which littered the window-seat rose brightly in the air. Diva managed to beat most of them down again, but two fluttered out of the window. Precisely then, and at no other time, Miss Mapp looked up, and one settled on her face, the other fell into her basket. Her trained faculties were all on the alert, and she thrust them both inside her glove for future consideration, without stopping to examine them just then. She only knew that they were little pink roses, and that they had fluttered out of Diva's window . . .

She paused on the pavement, and remembered that Diva had not yet expressed regret about the worsted, and that she still "popped" as much as ever. Thus Diva deserved a punishment of some sort, and happily, at that very moment she thought of a subject on which she might be able to make her uncomfortable. The street was full, and it would be pretty to call up to her, instead of ringing her bell, in order to save trouble to poor overworked Janet. (Diva only kept two servants, though of course poverty was no crime.)

"Diva darling!" she cooed.

Diva's head looked out like a cuckoo in a clock preparing to chime the hour.

"Hello!" she said. "Want me?"

"May I pop up for a moment, dear?" said Miss Mapp. "That's to say if you're not very busy."

"Pop away," said Diva. She was quite aware that Miss Mapp said "pop" in crude inverted commas, so to speak, for purposes of mockery, and so she said it herself more than ever. "I'll tell my maid to pop down and open the door."

While this was being done, Diva bundled her chintz curtains together and stored them and the roses she had cut out into her work-cupboard, for secrecy was an essential to the construction of these decorations. But in order to appear naturally employed, she pulled out the woollen scarf she was knitting for the autumn and winter, forgetting for the moment that the rose-madder stripe at the end on which she was now engaged was made of that fatal worsted which Miss Mapp considered to have been feloniously appropriated. That was the sort of thing Miss Mapp never forgot. Even among her sweet flowers. Her eye fell on it the moment she entered the room, and she tucked the two chintz roses more securely into her glove.

"I thought I would just pop across from the grocer's," she said. "What a pretty scarf, dear! That's a lovely shade of rose-madder. Where can I have seen something like it before?"

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