E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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The next day or two saw no traceable developments in the situation, but Miss Mapp's trained sense told her that there was underground work of some kind going on: she seemed to hear faint hollow taps and muffled knockings, and, so to speak, the silence of some unusual pregnancy. Up and down the High Street she observed short whispered conversations going on between her friends, which broke off on her approach. This only confirmed her view that these secret colloquies were connected with Saturday afternoon, for it was not to be expected that, after her freezing reception of the news, any projected snobbishness should be confided to her, and though she would have liked to know what Diva and Irene and darling Evie were meaning to do, the fact that they none of them told her, showed that they were aware that she, at any rate, was utterly indifferent to and above that sort of thing. She suspected, too, that Major Flint had fallen victim to this un-Tillinglike mania, for on Friday afternoon, when passing his door, which happened to be standing open, she quite distinctly saw him in front of his glass in the hall (standing on the head of one of the tigers to secure a better view of himself), trying on a silk top-hat. Her own errand at this moment was to the draper's, where she bought a quantity of pretty pale blue braid, for a little domestic dressmaking which was in arrears, and some riband of the same tint. At this clever and unusual hour for shopping, the High Street was naturally empty, and after a little hesitation and many anxious glances to right and left, she plunged into the toyshop and bought a pleasant little Union Jack with a short stick attached to it. She told Mr Dabnet very distinctly that it was a present for her nephew, and concealed it inside her parasol, where it lay quite flat and made no perceptible bulge . . .

At four o'clock on Saturday afternoon, she remembered that the damp had come in through her bedroom ceiling in a storm last winter, and told Withers she was going to have a look to see if any tiles were loose. In order to ascertain this for certain, she took up through the trap door a pair of binocular glasses, through which it was also easy to identify anybody who might be in the open yard outside the station. Even as she looked, Mrs Poppit and Isabel crossed the yard into the waiting-room and ticket-office. It was a little surprising that there were not more friends in the station-yard, but at the moment she heard a loud Quai-hai in the street below, and cautiously peering over the parapet, she got an admirable view of the Major in a frock-coat and tall hat. A "Coo-ee" answered him, and Captain Puffin, in a new suit (Miss Mapp was certain of it) and a Panama hat, joined him. They went down the street and turned the corner . . . Across the opening to the High Street there shot the figure of darling Diva.

While waiting for them to appear again in the station-yard, Miss Mapp looked to see what vehicles were standing there. It was already ten minutes past four, and the Ardingly motors must have been there by this time, if there was anything "doing" by the 4.15. But positively the only vehicle there was an open trolly laden with a piano in a sack. Apart from knowing all about that piano, for Mrs Poppit had talked about little else than her new upright Blüthner before her visit to Buckingham Palace, a moment's reflection convinced Miss Mapp that this was a very unlikely mode of conveyance for any guest . . . She watched for a few moments more, but as no other friends appeared in the station-yard, she concluded that they were hanging about the street somewhere, poor things, and decided not to make inquiries about her coke just yet.

She had tea while she arranged flowers, in the very front of the window in her garden-room, and presently had the satisfaction of seeing many of the baffled loyalists trudging home. There was no need to do more than smile and tap the window and kiss her hand: they all knew that she had been busy with her flowers, and that she knew what they had been busy about . . . Out again they all came towards half-past six, and when she had watched the last of them down the hill, she hurried back to the roof again, to make a final inspection of the loose tiles through her binoculars. Brief but exciting was that inspection, for opposite the entrance to the station was drawn up a motor. So clear was the air and so serviceable her binoculars that she could distinguish the vulgar coronet on the panels, and as she looked Mrs Poppit and Isabel hurried across the station-yard. It was then but the work of a moment to slip on the dust-cloak trimmed with blue braid, adjust the hat with the blue riband, and take up the parasol with its furled Union Jack inside it. The stick of the flag was uppermost; she could whip it out in a moment.

* * *

Miss Mapp had calculated her appearance to a nicety. Just as she got to the sharp corner opposite the station, where all cars slowed down and her coal-merchant's office was situated, the train drew up. By the gates into the yard were standing the Major in his top-hat, the Captain in his Panama, Irene in a civilized skirt; Diva in a brand-new walking dress, and the Padre and wee wifey. They were all looking in the direction of the station, and Miss Mapp stepped into the coal-merchant's unobserved. Oddly enough the coke had been sent three days before, and there was no need for peremptoriness.

"So good of you, Mr Wootten!" she said; "and why is everyone standing about this afternoon?"

Mr Wootten explained the reason of this, and Miss Mapp, grasping her parasol, went out again as the car left the station. There were too many dear friends about, she decided, to use the Union Jack, and having seen what she wanted to she determined to slip quietly away again. Already the Major's hat was in his hand, and he was bowing low, so too were Captain Puffin and the Padre, while Irene, Diva and Evie were making little ducking movements . . . Miss Mapp was determined, when it came to her turn, to show them, as she happened to be on the spot, what a proper curtsey was.

The car came opposite her, and she curtsied so low that recovery was impossible, and she sat down in the road. Her parasol flew out of her hand and out of her parasol flew the Union Jack. She saw a young man looking out of the window, dressed in khaki, grinning broadly, but not, so she thought, graciously, and it suddenly struck her that there was something, beside her own part in the affair, which was not as it should be. As he put his head in again there was loud laughter from the inside of the car.

Mr Wootten helped her up and the entire assembly of her friends crowded round her, hoping she was not hurt.

"No, dear Major, dear Padre, not at all, thanks," she said. "So stupid: my ankle turned. Oh, yes, the Union Jack I bought for my nephew, it's his birthday tomorrow. Thank you. I just came to see about my coke: of course I thought the Prince had arrived when you all went down to meet the quarter-past four. Fancy my running straight into it all! How well he looked."

This was all rather lame, and Miss Mapp hailed Mrs Poppit's appearance from the station as a welcome diversion . . . Mrs Poppit was looking vexed.

"I hope you saw him well, Mrs Poppit," said Miss Mapp, "after meeting two trains, and taking all that trouble."

"Saw who?" said Mrs Poppit with a deplorable lack both of manner and grammar. "Why" — light seemed to break on her odious countenance. "Why, you don't think that was the Prince, do you, Miss Mapp? He arrived here at one, so the station-master has just told me, and has been playing golf all afternoon."

The Major looked at the Captain, and the Captain at the Major. It was months and months since they had missed their Saturday afternoon's golf.

"It was the Prince of Wales who looked out of that car-window," said Miss Mapp firmly. "Such a pleasant smile. I should know it anywhere."

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