E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Diva entered very briskly. She was redder in the face than usual, and, so Elizabeth instantly noticed, lifted her feet very high as she walked, and held her head well back and her breast out like a fat little pigeon. This time there was to be no question about getting a word in edgeways, for she began to talk before the door was fully open.

'Glad to see you, Elizabeth,' she said, 'and I shall be very pleased to play bridge on Saturday. I've never felt so well in my life, do you know, and I've only been doing them two days. Oh, I see you've got the book.'

'I heard you stamping and thumping, dear,' said Elizabeth. 'Was that them?'

'Yes, twice a day, ten minutes each time. It clears the head, too. If you sit down to a crossword puzzle afterwards you find you're much brighter than usual.'

'Callisthenics à la Lucia?' asked Elizabeth.

'Yes. Irene and Mrs Bartlett and I all do them, and Mrs Wyse is going to begin, but rather more gently. Hasn't Lucia told you about them?'

Here was another revelation of things happening. Elizabeth met it bravely.

'No. Dear Lulu knows my feelings about that sort of fad. A brisk walk such as I've had this afternoon is all I require. Such lovely lights of sunset and a very high tide. Quaint Irene was sketching on the road just beyond Grebe.'

'Yes. She's going to send it in and three more for the winter exhibition. Oh, perhaps you haven't heard. There's to be an exhibition directly after Christmas.'

'Such a good idea: I've been discussing it,' said Elizabeth.

Diva's eye travelled swiftly and suspiciously to the table where this flattering request to her lay on the top of the litter. Elizabeth did not fail to catch the significance of this.

'Irene told me,' she said hastily, 'I must see if I can find time to do them something.'

'Oh, then they have asked you,' said Diva with a shade of disappointment in her voice. 'They've asked me too — '

'No! Really?' said Elizabeth.

' — so of course I said yes, but I'm afraid I'm rather out of practice. Lucia is going to give an address on modern art at the opening, and then we shall all go round and look at each other's pictures.'

'What fun!' said Elizabeth cordially.

Tea had been brought in. There was a pot of greenish jam and Elizabeth loaded her buttered toast with it, and put it into her mouth. She gave a choking cry and washed it down with a gulp of tea.

'Anything wrong?' asked Diva.

'Yes, dear. I'm afraid it's fermenting,' said Elizabeth, laying down the rest of her toast. 'And I can't conceive what it's made of.'

Diva looked at the pot.

'You ought to know,' she said. 'It's one of the pots you gave me. Labelled vegetable marrow. So sorry it's not eatable. By the way, talking of food, did Lucia send you the recipe for the lobster?'

Elizabeth smiled her sweetest.

'Dear Lucia,' she said. 'She's been so busy with art and callisthenics. She must have forgotten. I shall jog her memory.'

* * *

The afternoon had been full of rather unpleasant surprises, thought Elizabeth to herself, as she went up to Mallards that evening. They were concerned with local activities, art and gymnastics, of which she had hitherto heard nothing, and they all seemed to show a common origin: there was a hidden hand directing them. This was disconcerting, especially since, only a few nights ago, she had felt so sure that that hand had been upraised to her, beseeching pardon. Now it rather looked as if that hand had spirited itself away and was very busy and energetic on its own account.

She paused on her doorstep. There was a light shining out through chinks behind the curtains in Mallards Cottage, and she thought it would be a good thing to pop in on Georgie and see if she could gather some further gleanings. She would make herself extremely pleasant: she would admire his needlework if he was at it, she would praise the beautiful specklessness of his room, for Georgie always appreciated any compliment to Foljambe, she would sing the praises of Lucia, though they blistered her tongue.

Foljambe admitted her. The door of the sitting-room was ajar, and as she put down her umbrella, she heard Georgie's voice talking to the telephone.

'Saturday, half-past four,' he said. 'I've just found a postcard. Hasn't she asked you?'

Georgie, as Elizabeth had often observed, was deafer than he knew (which accounted for his not hearing all the wrong notes she played in his duets with Lucia) and he had not heard her entry, though Foljambe spoke her name quite loud. He was listening with rapt attention to what was coming through and saying 'My dear!' or 'No!' at intervals. Now, however, he turned and saw her, and with a scared expression hung up the receiver.

'Dear me, I never heard you come in!' he said. 'How nice! I was just going to tell Foljambe to bring up tea. Two cups, Foljambe.'

'I'm interrupting you,' said Elizabeth. 'I can see you were just settling down to your sewing and a cosy bachelor evening.'

'Not a bit,' said Georgie. 'Do have a chair near the fire.' It was not necessary to explain that she had already had tea with Diva, even if one mouthful of fermenting vegetable could properly be called tea, and she took the chair he pulled up for her.

'Such beautiful work,' she said, looking at Georgie's tambour of petit point, which lay near by. 'What eyes you must have to be able to do it.'

'Yes, they're pretty good yet,' said Georgie, slipping his spectacle-case into his pocket. 'And I shall be delighted to come to tea and bridge on Saturday. Thanks so much. Just got your invitation.'

Miss Mapp knew that already.

'That's charming,' she said. 'And how I envy you your Foljambe. Not a speck of dust anywhere. You could eat your tea off the floor, as they say.'

Georgie noticed that she did not use his Christian name. This confirmed his belief that the employment of it was reserved for Lucia's presence as an annoyance to her. Then the telephone-bell rang again.

'May I?' said Georgie.

He went across to it, rather nervous. It was as he thought: Lucia was at it again, explaining that somebody had cut her off. Listen as she might, Miss Mapp, from where she sat, could only hear a confused quacking noise. So to show how indifferent she was as to the conversation, she put her fingers close to her ears ready to stop them when Georgie turned round again, and listened hard to what he said.

'Yes . . . yes,' said Georgie. 'Thanks so much — lovely. I'll pick him up then, shall I? Quarter to eight, is it? Yes, her too. Yes, I've done them once today: not a bit giddy . . . I can't stop now, Lucia. Miss Ma — Elizabeth's just come in for a cup of tea . . . I'll tell her.'

Elizabeth felt she understood all this; she was an adept at telephonic reconstruction. There was evidently another party at Grebe. 'Him' and 'her' no doubt were Major Benjy and herself, whom Georgie would pick up as before. 'Them' were exercises, and Georgie's promise to tell 'her' clearly meant that he should convey an invitation. This was satisfactory: evidently Lucia was hoping to propitiate. Then Georgie turned round and saw Elizabeth smiling gaily at the fire with her hands over her ears. He moved into her field of vision and she uncorked herself.

'Finished?' she said. 'Hope you did not cut it short because of me.'

'Not at all,' said Georgie, for she couldn't (unless she was pretending) have heard him say that he had done precisely that. 'It was Lucia ringing up. She sends you her love.'

'Sweet of her, such a pet,' said Elizabeth, and waited for more about picking up and that invitation. But Lucia's love appeared to be all, and Georgie asked her if she took sugar. She did, and tried if he in turn would take another sort of sugar, both for himself and Lucia.

'Such a lovely house-warming,' she said, 'and how we all enjoyed ourselves. Lucia seems to have time for everything, bridge, those lovely duets with you, Italian, Greek (though we haven't heard much about that lately), a winter art exhibition, and an address (how I shall look forward to it!) on modern art, callisthenics — '

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