E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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The church clock had hardly struck half-past eleven (winter time) before the first of the principals appeared on the stage of the High Street. This was Miss Mapp, wreathed in smiles, and occupied in her usual shopping errands. She trotted about from grocer to butcher, and butcher to general stores, where she bought a mousetrap, and was exceedingly affable to tradespeople. She nodded to her friends, she patted Mr Woolgar's dog on the head, she gave a penny to a ragged individual with a lugubrious baritone voice who was singing 'The Last Rose of Summer', and said 'Thank you for your sweet music.' Then after pausing for a moment on the pavement in front of Wasters, she rang the bell. Diva, who had seen her from the window, flew to open it.

'Good-morning, Diva dear,' she said. 'I just looked in. Any news?'

'Good gracious, it's I who ought to ask you that,' said Diva. 'What did happen really?'

Elizabeth looked very much surprised.

'How? When? Where?' she asked.

'As if you didn't know,' said Diva, fizzing with impatience. 'Mr Georgie, Lucia, paintboxes, no chain on the door, you at the garden-room window, belly-pelly. Etcetera. Yesterday morning.'

Elizabeth put her finger to her forehead, as if trying to recall some dim impression. She appeared to succeed.

'Dear gossipy one,' she said, 'I believe I know what you mean. Georgie came to paint in the garden-room, as he so often does — '

'Do you call him Georgie?' asked Diva in an eager parenthesis.

'Yes, I fancy that's his name, and he calls me Elizabeth.'

'No!' said Diva.

'Yes,' said Elizabeth. 'Do not interrupt me, dear . . . I happened to be at the window as he rang the bell, and I just popped my head out, and told him he was a naughty boy not to walk straight in.'

'In baby-talk?' asked Diva. 'Like Lucia?'

'Like any baby you chance to mention,' said Elizabeth. 'Why not?'

'But with her sitting in her car just below?'

'Yes, dear, it so happened that she was just coming to leave an invitation on me for her house-warming tonight. Are you going?'

'Yes, of course, everybody is. But how could you do it?'

Elizabeth sat wrapped in thought.

'I'm beginning to see what you mean,' she said at length. 'But what an absurd notion. You mean, don't you, that dear Lulu thinks — goodness, how ridiculous — that I was mimicking her.'

'Nobody knows what she thinks,' said Diva. 'She's not been seen this morning.'

'But gracious goodness me, what have I done?' asked Elizabeth. 'Why this excitement? Is there a law that only Mrs Lucas of Grebe may call Georgie, Georgie? So ignorant of me if there is. Ought I to call him Frederick? And pray, why shouldn't I talk baby-talk? Another law perhaps. I must get a book of the laws of England.'

'But you knew she was in the car just below you and must have heard.'

Elizabeth was now in possession of what she wanted to know. Diva was quite a decent barometer of Tilling weather, and the weather was stormy.

'Rubbish, darling,' she said. 'You are making mountains out of molehills. If Lulu heard — and I don't know that she did, mind — what cause of complaint has she? Mayn't I say Georgie? Mayn't I say "vewy naughty boy"? Let us hear no more about it. You will see this evening how wrong you all are. Lulu will be just as sweet and cordial as ever. And you will hear with your own ears how Georgie calls me Elizabeth.'

These were brave words, and they very fitly represented the stout heart that inspired them. Tilling had taken her conduct to be equivalent to an act of war, exactly as she had meant it to be, and if anyone thought that E. M. was afraid they were wrong . . . Then there was that matter of Mr Wyse's letter, resigning from the hanging committee. She must tap the barometer again.

'I think everybody is a shade mad this morning,' she observed, 'and I should call Mr Wyse, if anybody asked me to be candid, a raving lunatic. There was a little misunderstanding months and months ago — I am vague about it — concerning two pictures that Lulu and Georgie sent in to the art exhibition in the summer. I thought it was all settled and done with. But I did act a little irregularly. Technically I was wrong, and when I have been wrong about a thing, as you very well know, dear Diva, I am not ashamed to confess it.'

'Of course you were wrong,' said Diva cordially, 'if Mr Wyse's account of it is correct. You sent the pictures back, such beauties, too, with a formal rejection from the hanging committee when they had never seen them at all. So rash, too: I wonder at you.'

These unfavourable comments did not make the transaction appear any the less irregular.

'I said I was wrong, Diva,' remarked Elizabeth with some asperity, 'and I should have thought that was enough. And now Mr Wyse, raking bygones up again in the way he has, has written to me to say that he and Susan resign their places on the hanging committee.'

'I know: they told everybody,' said Diva. 'Awkward. What are you going to do?'

The barometer had jerked alarmingly downwards on this renewed tapping.

'I shall cry peccavi,' said Elizabeth, with the air of doing something exceedingly noble. 'I shall myself resign. That will show that whatever anybody else does, I am doing the best in my power to put right a technical error. I hope Mr Wyse will appreciate that, and be ashamed of the letter he wrote me. More than that, I shall regard his letter as having been written in a fit of temporary insanity, which I trust will not recur.'

'Yes; I suppose that's the best thing you can do,' said Diva. 'It will show him that you regret what you did, now that it's all found out.'

'That is not generous of you, Diva,' cried Elizabeth, 'I am sorry you said that.'

'More than I am,' said Diva. 'It's a very fair statement. Isn't it now? What's wrong with it?'

Elizabeth suddenly perceived that at this crisis it was unwise to indulge in her usual tiffs with Diva. She wanted allies.

'Diva, dear, we mustn't quarrel,' she said. 'That would never do. I felt I had to pop in to consult you as to the right course to take with Mr Wyse, and I'm so glad you agree with me. How I trust your judgment! I must be going. What a delightful evening we have in store for us. Major Benjy was thinking of declining, but I persuaded him it would not be kind. A house-warming, you know. Such a special occasion.'

The evening to which everybody had looked forward so much was, in the main, a disappointment to bellicose spirits. Nothing could exceed Lucia's cordiality to Elizabeth unless it was Elizabeth's to Lucia: they left the dining-room at the end of dinner with arms and waists intertwined, a very bitter sight. They then played bridge at the same table, and so loaded each other with compliments while deploring their own errors, that Diva began to entertain the most serious fears that they had been mean enough to make it up on the sly, or that Lucia in a spirit of Christian forbearance, positively unnatural, had decided to overlook all the attacks and insults with which Elizabeth had tried to provoke her. Or did Lucia think that this degrading display of magnanimity was a weapon by which she would secure victory, by enlisting for her the sympathy and applause of Tilling? If so, that was a great mistake; Tilling did not want to witness a demonstration of forgiveness or white feathers but a combat without quarter. Again, if she thought that such nobility would soften the malevolent heart of Mapp, she showed a distressing ignorance of Mapp's nature, for she would quite properly construe this as not being nobility at all but the most ignoble cowardice. There was Georgie under Lucia's very nose, interlarding his conversation with far more 'Elizabeths' than was in the least necessary to show that he was talking to her, and she volleyed 'Georgies' at him in return. Every now and then, when these discharges of Christian names had been particularly resonant, Elizabeth caught Diva's eye with a glance of triumph as if to remind her that she had prophesied that Lulu would be all sweetness and cordiality, and Diva turned away sick at heart.

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