E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Lucia, unconscious of this deadly scrutiny, turned to her immediate affairs. Her engagement-book pleasantly informed her that she had many things to do on the day when the need for complete rest overtook her, and now she heralded through the telephone the glad tidings that she could lunch here and drop in there, and dine with Aggie. All went well with these restorations, and the day would be full, and tomorrow also, down to the hour of her departure for Adele's. Having despatched this agreeable business, she was on the point of ringing up Stephen, to fit him in for the spare three-quarters of an hour that was left, when she was rung up and it was Stephen's voice that greeted her.

"Stephano mio," she said. "How did you guess I was back?"

"Because I rang up Riseholme first," said he, "and heard you had gone to town. Were you there last night?"

There was no cause to ask where "there" was. There had only been one place in London last night.

"Yes; delicious dance," said Lucia. "I was just going to ring you up and see if you could come round for a chat at a quarter to five, I am free till half-past five. Such fun it was. A flashlight photograph."

"No!" said Stephen in the Riseholme manner. "I long to hear about it. And were there really seven of them?"

"Quite," said Lucia magnificently.

"Wonderful! But quarter to five is no use for me. Can't you give me another time?"

"My dear, impossible," said Lucia. "You know what London is in these last days. Such a scrimmage."

"Well, we shall meet tomorrow then," said he.

"But, alas, I go to Adele's tomorrow," she said.

"Yes, but so do I," said Stephen. "She asked me this morning. I was wondering if you would drive me down, if you're going in your car. Would there be room for you and Peppino and me?"

Lucia rapidly reviewed the situation. It was perfectly clear to her that Adele had asked Stephen, at the last moment, to fill Peppino's place. But naturally she had not told him that, and Lucia determined not to do so either. It would spoil his pleasure (at least it would have spoiled hers) to know that . . . And what a wonderful entry it would make for her — rather daring — to drive down alone with her lover. She could tell him about Peppino's indisposition tomorrow, as if it had just occurred.

"Yes, Stephano, heaps of room," she said. "Delighted. I'll call for you, shall I, on my way down, soon after three."

"Angelic," he said. "What fun we shall have."

And it is probable that Nemesis at that precise moment licked her dry lips. "Fun!" thought Nemesis.

* * *

Marcia Whitby was of the party. She went down in the morning, and lunched alone with Adele. Their main topic of conversation was obvious.

"I saw her announcement in the Morning Post," said the infuriated Marcia, "that she had gone for a few days' complete rest into the country, and naturally I thought I was safe. I was determined she shouldn't come to my ball, and when I saw that, I thought she couldn't. So out of sheer good nature I sent her a card, so that she could tell everybody she had been asked. Never did I dream that there was a possibility of her coming. Instead of which, she made the most conspicuous entry that she could have made. I believe she timed it: I believe she waited on the stairs till she saw we were going down to supper."

"I wonder!" said Adele. "Genius, if it was that. She curtsied seven times, too. I can't do that without loud cracks from my aged knees."

"And she stopped till the very end," said Marcia. "She was positively the last to go. I shall never do a kind thing again."

"You're horrid about her," said Adele. "Besides, what has she done? You asked her and she came. You don't rave at your guests for coming when they're asked. You wouldn't like it if none of them came."

"That's different," said Marcia. "I shouldn't wonder if she announced she was ordered complete rest in order that I should fall into her trap."

Adele sighed, but shook her head.

"Oh, my dear, that would have been magnificent," she said. "But I'm afraid I can't hope to believe that. I dare say she went into the country because you hadn't asked her, and that was pretty good. But the other: no. However, we'll ask Tony what he thinks."

"What's Tony got to do with it?" said Marcia.

"Why, he's even more wrapped up in her than I am," said Adele. "He thinks of nothing else."

Marcia was silent a moment. Then a sort of softer gleam came into her angry eye.

"Tell me some more about her," she said.

Adele clapped her hands.

"Ah, that's splendid," she said. "You're beginning to feel kinder. What we would do without our Lucia I can't imagine. I don't know what there would be to talk about."

"She's ridiculous!" said Marcia, relapsing a little.

"No, you mustn't feel that," said Adele. "You mustn't laugh at her ever. You must just richly enjoy her."

"She's a snob!" said Marcia, as if this was a tremendous discovery.

"So am I: so are you: so are we all," said Adele. "We all run after distinguished people like — like Alf and Marcelle. The difference between you and Lucia is entirely in her favour, for you pretend you're not a snob, and she is perfectly frank and open about it. Besides, what is a duchess like you for except to give pleasure to snobs? That's your work in the world, darling; that's why you were sent here. Don't shirk it, or when you're old you will suffer agonies of remorse. And you're a snob too. You liked having seven — or was it seventy? — Royals at your dance."

"Well, tell me some more about Lucia," said Marcia, rather struck by this ingenious presentation of the case.

"Indeed I will: I long for your conversion to Luciaphilism. Now today there are going to be marvellous happenings. You see Lucia has got a lover —"

"Quite absolutely impossible!" said Marcia firmly.

"Oh, don't interrupt. Of course he is only an official lover, a public lover, and his name is Stephen Merriall. A perfect lady. Now Peppino, Lucia's husband, was coming down with her today, but he's got a very bad cold and has put me off. I'm rather glad: Lucia has got more — more dash when he's not there. So I've asked her lover instead —"

"No!" said Marcia. "Go on."

"My dear, they are much better than any play I have ever seen. They do it beautifully: they give each other little glances and smiles, and then begin to talk hurriedly to someone else. Of course, they're both as chaste as snow, chaster if possible. I think poor Babs's case put it into Lucia's head that in this naughty world it gave a cachet to a woman to have the reputation of having a lover. So safe too: there's nothing to expose. They only behave like lovers strictly in public. I was terrified when it began that Mr Merriall would think she meant something, and try to kiss her when they were alone, and so rub the delicate bloom completely off, but I'm sure he's tumbled to it."

"How perfect!" said Marcia.

"Isn't it? Aren't you feeling more Luciaphil? I'm sure you are. You must enjoy her: it shows such a want of humour to be annoyed with her. And really I've taken a great deal of trouble to get people she will revel in. There's the Prime Minister, there's you, there's Greatorex the pianist who's the only person who can play Stravinski, there's Professor Bonstetter the psychoanalyst, there's the Italian Ambassador, there's her lover, there's Tony . . . I can't go on. Oh, and I must remember to tell her that Archie Singleton is Babs's brother, or she may say something dreadful. And then there are lots who will revel in Lucia, and I the foremost. I'm devoted to her; I am really, Marcia. She's got character, she's got an iron will, and I like strong talkative women so much better than strong silent men."

"Yes, she's got will," said Marcia. "She determined to come to my ball, and she came. I allow I gave her the chance."

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