E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Georgie sat positively aghast, for Lucia ran on like a thing demented. Mozart, ouija, putting, the Elizabethan spit, all the simple joys of Riseholme fizzled out like damp fireworks. Gone, too, utterly gone was her need of complete rest; she had never been so full of raw, blatant, savage vitality.

"Dear Marcia," she said. "I felt it must be an oversight from the first, but naturally, Georgie, though she and I are such friends, I could not dream of reminding her. What a blessing that my delicious day at Riseholme has so rested me: I feel I could go to fifty balls without fatigue. Such a wonderful house, Georgie; when you come up to stay with us in the autumn, I must take you there. Peppino, is it not lucky that I only brought down here just enough for a couple of nights, and left everything in London to pick up as we came through to go to Adele's? What a sight it will be, all the Royal Family almost I believe, and the whole of the Diplomatic corps: my Gioconda, I know, is going. Not a large ball though at all: not one of those great promiscuous affairs, which I hate so. How dear Marcia was besieged for invitations! how vulgar people are and how pushing! Goody-bye, mind you practise your Mozart, Georgie. Oh, and tell Daisy that I shan't be able to have another of those delicious puttings with her tomorrow. Back on Tuesday after the weekend at Adele's, and then weeks and weeks of dear Riseholme. How long they are! I will just go and hurry my maid up."

Georgie tripped off, as soon as she had gone, to see Daisy, and narrated to her open-mouthed disgust this amazing scene.

"And the question is," he said, "about the complete rest that was ordered her. I don't believe she was ordered any rest at all. I believe —"

Daisy gave a triumphant crow: inductive reasoning had led her to precisely the same point at precisely the same moment.

"Why, of course!" she said. "I always felt there was something behind that complete rest. I told you it meant something different. She wasn't asked, and so —"

"And so she came down here for rest," said Georgie in a loud voice. He was determined to bring that out first. "Because she wasn't asked —"

"And the moment she was asked she flew," said Daisy. "Nothing could be plainer. No more rest, thank you."

"She's wonderful," said Georgie. "Too interesting!"

* * *

Lucia sped through the summer evening on this errand of her own reprieve, too excited to eat, and too happy to wonder how it had happened like this. How wise, too, she had been to hold her tongue and give way to no passionate laments at her exclusion from the paradise towards which she was now hastening. Not one word of abuse had she uttered against Marcia: she had asked nobody to intercede: she had joined in all the talk about the ball as if she was going, and finally had made it impossible for herself to go by announcing that she had been ordered a few days of complete rest. She could (and would) explain her appearance perfectly: she had felt much better — doctors were such fussers — and at the last moment had made just a little effort, and here she was.

A loud explosion interrupted these agreeable reflections and the car drew up. A tyre had burst, but they carried an extra wheel, and though the delay seemed terribly long they were soon on their way again. They traversed another ten miles, and now in the north-east the smouldering glow of London reddened the toneless hue of the summer night. The stars burned bright, and she pictured Peppino at his telescope — no, Peppino had a really bad cold, and would not be at his telescope. Then there came another explosion — was it those disgusting stars in their courses that were fighting against her? — and again the car drew up by the side of the empty road.

"What has happened?" asked Lucia in a strangled voice.

"Another tyre gone, ma'am," said the chauffeur. "Never knew such a thing."

Lucia looked at her clock. It was ten already, and she ought now to be in Brompton Square. There was no further wheel that could be put on, and the tyre had to be taken off and mended. The minutes passed like seconds . . . Lucia, outwardly composed, sat on a rug at the edge of the road, and tried unsuccessfully not to curse Almighty Providence. The moon rose, like a gelatine lozenge.

She began to count the hours that intervened between the tragic present and, say, four o'clock in the morning, and she determined that whatever further disasters might befall, she would go to Whitby House, even if it was in a dustman's cart, so long as there was a chance of a single guest being left there. She would go . . .

And all the time, if she had only known it, the stars were fighting not against her but for her. The tyre was mended, and she got to Brompton Square at exactly a quarter past eleven. Cupboards were torn open, drawers ransacked, her goaded maid burst into tears. Aunt Amy's pearls were clasped round her neck, Peppino's hair in the shrine of gold sausage that had once been Beethoven's was pinned on, and at five minutes past twelve she hurried up the great stairs at Whitby House. Precisely as she came to the door of the ballroom there emerged the head of the procession going down to supper. Marcia for a moment stared at her as if she was a ghost, but Lucia was so busy curtseying that she gave no thought to that. Seven times in rapid succession did she curtsey. It almost became a habit, and she nearly curtsied to Adele who (so like Adele) followed immediately after.

"Just up from Riseholme, dearest Adele," she said. "I felt quite rested — How are you, Lord Tony? — and so I made a little effort. Peppino urged me to come. How nice to see your Excellency! Millie! Dearest Olga! What a lot of friends! How is poor Princess Isabel? Marcia looked so handsome. Brilliant! Such a delicious drive: I felt I had to pop in . . ."

Chapter Nine

Table of Contents

Poor Peppino's cold next day, instead of being better, was a good deal worse. He had aches and pains, and felt feverish, and sent for the doctor, who peremptorily ordered him to go to bed. There was nothing in the least to cause alarm, but it would be the height of folly to go to any weekend party at all. Bed.

Peppino telegraphed to Lady Brixton with many regrets for the unavoidable, and rang up Lucia. The state of his voice made it difficult to catch what he said, but she quite understood that there was nothing to be anxious about, and that he hoped she would go to Adele's without him. Her voice on the other hand was marvellously distinct, and he heard a great deal about the misfortunes which had come to so brilliant a conclusion last night. There followed a string of seven Christian names, and Lucia said a flashlight photograph had been permitted during supper. She thought she was in it, though rather in the background.

Lucia was very sorry for Peppino's indisposition, but, as ordered, had no anxiety about him. She felt too, that he wouldn't personally miss very much by being prevented from coming to Adele's party, for it was to be a very large party, and Peppino — bless him — occasionally got a little dazed at these brilliant gatherings. He did not grasp who people were with the speed and certainty which were needful, and he had been known to grasp the hand of an eminent author and tell him how much he had admired his fine picture at the Academy. (Lucia constantly did that sort of thing herself, but then she got herself out of the holes she had herself digged with so brilliant a manœuvre that it didn't matter, whereas Peppino was only dazed the more by his misfortunes.) Moreover she knew that Peppino's presence somehow hampered her style: she could not be the brilliant mondaine, when his patient but proud eye was on her, with quite the dash that was hers when he was not there. There was always the sense that he knew her best in her Riseholme incarnation, in her duets with Georgie, and her rendering of the slow movement of the "Moonlight Sonata," and her grabbing of all Daisy's little stunts. She electrified him as the superb butterfly, but the electrification was accompanied by slight shocks and surprises. When she referred by her Christian name to some woman with whom her only bond was that she had refused to dine at Brompton Square, that puzzled Peppino . . . In the autumn she must be a little more serious, have some quiet dinner-parties of ordinary people, for really up till now there had scarcely been an "ordinary" person at Brompton Square at all, such noble lions of every species had been entrapped there. And Adele's party was to be of a very leonine kind; the smart world was to be there, and some highbrows and some politicians, and she was aware that she herself would have to do her very best, and be allusive, and pretend to know what she didn't know, and seem to swim in very distinguished currents. Dear Peppino wasn't up to that sort of thing, he couldn't grapple with it, and she grappled with it best without him . . . At the moment of that vainglorious thought, it is probable that Nemesis fixed her inexorable eye on Lucia.

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