E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Lucia whistled her thoughts away from such ephemeral and frivolous subjects as dances, and tried to give Professor Bonstetter her attention. She felt that she had been living a very hectic life lately; the world and its empty vanities had been too much with her, and she needed some intellectual tonic. She had seen no pictures lately, except Bobbie (or was it Bertie?) Alton's, she had heard no music, she had not touched the piano herself for weeks, she had read no books, and at the most had skimmed the reviews of such as had lately appeared in order to be up to date and be able to reproduce a short but striking criticism or two if the talk became literary. She must not let the mere froth of living entirely conceal by its winking headiness of foam the true beverage below it. There was Sophy, with her hair over her eyes and her chin in her hand, dressed in a faded rainbow, weird beyond description, but rapt in concentration, while she herself was letting the notion of a dance to which she had not been asked and was clearly not to be asked, drive like a mist between her and these cosmic facts about dreams and the unconscious self. How curious that if you dreamed about boiled rabbit, it meant that sometime in early childhood you had been kissed by a poacher in a railway-carriage, and had forgotten all about it! What a magnificent subject for excited research psychoanalysis would have been in those keen intellectual days at Riseholme . . . She thought of them now with a vague yearning for their simplicity and absorbing earnestness; of the hours she had spent with Georgie over piano duets, of Daisy Quantock's ouija-board and planchette, of the Museum with its mittens. Riseholme presented itself now as an abode of sweet peace, where there were no disappointments or heartburnings, for sooner or later she had always managed to assert her will and constitute herself priestess of the current interests . . . Suddenly the solution of her present difficulty flashed upon her. Riseholme. She would go to Riseholme: that would explain her absence from Marcia's stupid ball.

The lecture came to an end, and with others she buzzed for a little while round Professor Bonstetter, and had a few words with her hostess.

"Too interesting: marvellous, was it not, dear Sophy? Boiled rabbit! How curious! And the outcropping of the unconscious in dreams. Explains so much about phobias: people who can't go in the tube. So pleased to have heard it. Ah, there's Aggie. Aggie darling! What a treat, wasn't it? Such a refreshment from our bustlings and runnings-about to get back into origins. I've got to fly, but I couldn't miss this. Dreadful overlapping all this afternoon, and poor Princess Isabel is no better. I just called on my way here, but I wasn't allowed to see her. Stephen, where is Stephen? See if my motor is there, dear. Au revoir! dear Sophy. We must meet again very soon. Are you going to Adele's next week? No? How tiresome! Wonderful lecture! Calming!"

Lucia edged herself out of the room with these very hurried greetings, for she was really eager to get home. She found Peppino there, having tea peacefully all by himself, and sank exhausted in a chair.

"Give me a cup of tea, strong tea, Peppino," she said. "I've been racketing about all day, and I feel done for. How I shall get through these next two or three days I really don't know. And London is stifling. You look worn out too, my dear."

Peppino acknowledged the truth of this. He had hardly had time even to go to his club this last day or two, and had been reflecting on the enormous strength of the weaker sex. But for Lucia to confess herself done for was a portentous thing: he could not remember such a thing happening before.

"Well, there are not many more days of it," he said. "Three more this week, and then Lady Brixton's party."

He gave several loud sneezes.

"Not a cold?" asked Lucia.

"Something extraordinarily like one," said he.

Lucia became suddenly alert again. She was sorry for Peppino's cold, but it gave her an admirable gambit for what she had made up her mind to do.

"My dear, that's enough," she said. "I won't have you flying about London with a bad cold coming on. I shall take you down to Riseholme tomorrow."

"Oh, but you can't, my dear," said he. "You've got your engagement book full for the next three days."

"Oh, a lot of stupid things," said she. "And really, I tell you quite honestly, I'm fairly worn out. It'll do us both good to have a rest for a day or two. Now don't make objections. Let us see what I've got to do."

The days were pretty full (though, alas, Thursday evening was deplorably empty) and Lucia had a brisk half-hour at the telephone. To those who had been bidden here, and to those to whom she had been bidden, she gave the same excuse, namely, that she had been advised (by herself) two or three days' complete rest.

She rang up The Hurst, to say that they were coming down tomorrow, and would bring the necessary attendants, she rang up Georgie (for she was not going to fall into that error again) and in a mixture of baby-language and Italian, which he found very hard to understand, asked him to dine tomorrow night, and finally she scribbled a short paragraph to the leading morning papers to say that Mrs Philip Lucas had been ordered to leave London for two or three days' complete rest. She had hesitated a moment over the wording of that, for it was Peppino who was much more in need of rest than she, but it would have been rather ludicrous to say that Mr and Mrs Philip Lucas were in need of a complete rest . . . These announcements she sent by hand so that there might be no miscarriage in their appearance tomorrow morning. And then, as an afterthought, she rang up Daisy Quantock and asked her and Robert to lunch tomorrow.

She felt much happier. She would not be at the fell Marcia's ball, because she was resting in the country.

Chapter Eight

Table of Contents

A few minutes before Lucia and Peppino drove off next morning from Brompton Square, Marcia observed Lucia's announcement in the Morning Post. She was a good-natured woman, but she had been goaded, and now that Lucia could goad her no more for the present, she saw no objection to asking her to her ball. She thought of telephoning, but there was the chance that Lucia had not yet started, so she sent her a card instead, directing it to 25 Brompton Square, saying that she was At Home, dancing, to have the honour to meet a string of exalted personages. If she had telephoned, no one knows what would have happened, whether Daisy would have had any lunch that day or Georgie any dinner that night, and what excuse Lucia would have made to them . . . Adele and Tony Limpsfield, the most adept of all the Luciaphils, subsequently argued the matter out with much heat, but never arrived at a solution that they felt was satisfactory. But then Marcia did not telephone . . .

The news that the two were coming down was, of course, all over Riseholme a few minutes after Lucia had rung Georgie up. He was in his study when the telephone bell rang, in the fawn-coloured Oxford trousers, which had been cut down from their monstrous proportions and fitted quite nicely, though there had been a sad waste of stuff. Robert Quantock, the wag who had danced a hornpipe when Georgie had appeared in the original voluminousness, was waggish again, when he saw the abbreviated garments, and à propos of nothing in particular had said "Home is the sailor, home from sea," and that was the epitaph on the Oxford trousers.

Georgie had been busy indoors this afternoon, for he had been attending to his hair, and it was not quite dry yet, and the smell of the auburn mixture still clung to it. But the telephone was a trunk call, and, whether his hair was dry or not, it must be attended to. Since Lucia had disappeared after that weekend party, he had had a line from her once or twice, saying that they must really settle when he would come and spend a few days in London, but she had never descended to the sordid mention of dates.

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