E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

Здесь есть возможность читать онлайн «E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Complete Works of E. F. Benson (Illustrated Edition): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Complete Works of E. F. Benson (Illustrated Edition)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

The Complete Works of E. F. Benson (Illustrated Edition) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Complete Works of E. F. Benson (Illustrated Edition)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"God knows I am innocent," he said to himself, and froze with horror at the sudden sight of a large news-board on which was printed in large capitals "Babs wants Woof-dog on the hearthrug."

He knew he had no taste for gallantry, and he felt morally certain that Lucia hadn't either . . . What then could she mean by those little tweaks and pressures? Conning them over for the second time, it struck him more forcibly than before that she had only indulged in these little licentiousnesses when there was someone else present. Little as he knew of the ways of lovers, he always imagined that they exchanged such tokens chiefly in private, and in public only when their passions had to find a small safety-valve. Again, if she had had designs on his virtue, she would surely, having got him alone, have given a message to her servants that she was out and not have had Lord Limpsfield admitted . . . He felt sure she was up to something, but to his dull male sense, it was at present wrapped in mystery. He did not want to give up all those charming hospitalities of hers, but he must needs be very circumspect.

It was, however, without much misgiving that he awaited her next morning at the doors of the little Rutland Gallery, for he felt safe in so public a place as a private view. Only a few early visitors had come in when Lucia arrived, and as she passed the turnstile showing the two cards of invitation for herself and Peppino, impersonated by Stephen, she asked for hers back, saying that she was only going to make a short visit now and would return later. She had not yet seen the caricature of herself and Peppino, for which Bertie Alton (she still stuck to this little mistake) had accepted a commission, and she made her way at once to Numbers 39 and 40, which her catalogue told her were of Mr and Mrs Philip Lucas. Subjoined to their names were the captions, and she read with excitement that Peppino was supposed to be saying "At whatever personal inconvenience I must live up to Lucia," while below Number 40 was the enticing little legend "Oh, these duchesses! They give one no peace!" . . . And there was Peppino, in the knee-breeches of levee dress, tripping over his sword which had got entangled with his legs, and a cocked-hat on the back of his head, with his eyes very much apart, and no nose, and a small agonized hole in his face for a mouth . . . And there was she with a pile of opened letters on the floor, and a pile of unopened letters on the table. There was not much of her face to be seen, for she was talking into a telephone, but her skirt was very short, and so was her hair, and there was a wealth of weary resignation in the limpness of her carriage.

Lucia examined them both carefully, and then gave a long sigh of perfect happiness. That was her irrepressible comment: she could not have imagined anything more ideal. Then she gave a little peal of laughter.

"Look, Stephen," she said. "Bobbie — I mean Bertie — really is too wicked for anything! Really, outrageous! I am furious with him, and yet I can't help laughing. Poor Peppino, and poor me! Marcia will adore it. She always says she can never get hold of me nowadays."

Lucia gave a swift scrutiny to the rest of the collection, so as to be able to recognise them all without reference to her catalogue, when she came back, as she intended to do later in the morning. There was hardly anyone here at present, but the place would certainly be crowded an hour before lunchtime, and she proposed to make a soi-disant first visit then, and know at once whom all the caricatures represented (for Bertie in his enthusiasm for caricature sometimes omitted likenesses), and go into peals of laughter at those of herself and Peppino, and say she must buy them, which of course she had already done. Stephen remained behind, for Hermione was going to say a good deal about the exhibition, but promised to wait till Lucia came back. She had not shown the smallest sign of amorousness this morning. His apprehensions were considerably relieved, and it looked as if no storm of emotion was likely to be required of him.

"Hundreds of things to do!" she said. "Let me see, half-past eleven, twelve — yes, I shall be back soon after twelve, and we'll have a real look at them. And you'll lunch? Just a few people coming."

Before Lucia got back, the gallery had got thick with visitors, and Hermione was busy noting those whom he saw chatting with friends or looking lovely, or being very pleased with the new house in Park Lane, or receiving congratulations on the engagement of a daughter. There was no doubt which of the pictures excited most interest, and soon there was a regular queue waiting to look at Numbers 39 and 40. People stood in front of them regarding them gravely and consulting their catalogues and then bursting into loud cracks of laughter and looking again till the growing weight of the queue dislodged them. One of those who lingered longest and stood her ground best was Adele, who, when she was eventually shoved on, ran round to the tail of the queue and herself shoved till she got opposite again. She saw Stephen.

"Ah, then Lucia won't be far off," she observed archly. "Doesn't she adore it? Where is Lucia?"

"She's been, but she's coming back," he said. "I expect her every minute. Ah! there she is."

This was rather stupid of Stephen. He ought to have guessed that Lucia's second appearance was officially intended to be her first. He grasped that when she squeezed her way through the crowd and greeted him as if they had not met before that morning.

"And dearest Adele," she said. "What a crush! Tell me quickly, where are the caricatures of Peppino and me? I'm dying to see them; and when I see them no doubt I shall wish I was dead."

The light of Luciaphilism came into Adele's intelligent eyes.

"We'll look for them together," she said. "Ah thirty-nine and forty. They must be somewhere just ahead."

Lucia exerted a steady indefatigable pressure on those in front, and presently came into range.

"Well, I never!" she said. "Oh, but so like Peppino! How could Bertie have told he got his sword entangled just like that? And look what he says . . . Oh, and then Me! Just because I met him at Marcia's party and people were wanting to know when I had an evening free! Of all the impertinences! How I shall scold him!"

Lucia did it quite admirably in blissful unconsciousness that Adele knew she had been here before. She laughed, she looked again and laughed again ("Mrs Lucas and Lady Brixton in fits of merriment over the cartoon of Mr Lucas and herself," thought Hermione.)

"Ah, and there's Lord Hurtacombe," she said. "I'm sure that's Lord Hurtacombe, though you can't see much of him, and, look, Olga surely, is it not? How does he do it?"

That was a very clever identification for one who had not previously studied the catalogue, for Olga's face consisted entirely of a large open mouth and the tip of a chin, it might have been the face of anybody yawning. Her arms were stretched wide, and she towered above a small man in shorts.

"The last scene in Siegfried, I'm sure," said Lucia. "What does the catalogue say, Stephen? Yes, I am right. 'Siegfried! Brünnhilde!' How wicked, is it not? But killing! Who could be cross with him?"

This was all splendid stuff for Luciaphils; it was amazing how at a first glance she recognised everybody. The gallery, too, was full of dears and darlings of a few weeks' standing, and she completed a little dinner-party for next Tuesday long before she had made the circuit. All the time she kept Stephen by her side, looked over his catalogue, put a hand on his arm to direct his attention to some picture, took a speck of alien material off his sleeve, and all the time the entranced Adele felt increasingly certain that she had plumbed the depth of the adorable situation. Her sole anxiety was as to whether Stephen would plumb it too. He might — though he didn't look like it — welcome these little tokens of intimacy as indicating something more, and when they were alone attempt to kiss her, and that would ruin the whole exquisite design. Luckily his demeanour was not that of a favoured swain; it was, on the other hand, more the demeanour of a swain who feared to be favoured, and if that shy thing took fright, the situation would be equally ruined . . . To think that the most perfect piece of Luciaphilism was dependent on the just perceptions of Stephen! As the three made their slow progress, listening to Lucia's brilliant identifications, Adele willed Stephen to understand; she projected a perfect torrent of suggestion towards his mind. He must, he should understand . . .

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Complete Works of E. F. Benson (Illustrated Edition)»

Представляем Вашему вниманию похожие книги на «The Complete Works of E. F. Benson (Illustrated Edition)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Complete Works of E. F. Benson (Illustrated Edition)»

Обсуждение, отзывы о книге «The Complete Works of E. F. Benson (Illustrated Edition)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x